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Henry Moore Artwork Catalogue

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0015981
Publisher: William Beadleston Fine Art
Place Published: New York
Year: 1983
Date & Collation: (3 May-11 June).1pp card(1 illus) and 2pp list.
Description: Received 1994. Relates to 0001082 Henry Moore: some recent drawings. The card carries the wording Henry Moore: Recent Drawings May 4-June 11". The Exhibition List "Henry Moore" lists 14 Drawings 1939-1983. The name of the gallery is cited variously as "William Beadleston Fine Art" "William Beadleston Inc" and "Beadleston"."
0017142
Publisher: Christie's
Place Published: London
Year: 1983
Date & Collation: (21 and 22 April).
Description: Lots 783-784 Henry Moore: two prints 1973-1977.
0019520
Publisher: Turner Society News
Place Published: London
Year: 1983
Date & Collation: 26 1983(Jan-Feb 1.
Description: Note on reopening in 1982 of the Leeds City Art Gallery, with the Henry Moore Centre for the Study of Sculpture, and the Moore Sculpture Gallery. Henry Moore was President of the Turner Society. Members had the opportunity to visit Leeds on 12 March 1983.
0017143
Publisher: Christie's
Place Published: London
Year: 1983
Date & Collation: (30 June).
Description: Lots 6,216-218B Henry Moore: seven print works 1950-1976. Illus:
Mother and Child and Reclining Figures, 1974 etching and aquatint.
0010721
Publisher: D.R. Televisa
Place Published: México City
Year: 1983
Date & Collation: 50 mins.Colour.Sound.In Spanish.
Description: Produced and directed by Francisco Lopez TORRES. Built around commentary by Abraham ZABLUDOVSKY at the exhibition (See 0001472) and Octavio PAZ, and with interviews with Rufino TAMAYO, and Henry MOORE in Much Hadham with his voice dubbed. Maquettes, Natural objects, Drawings, Prints and Sculpture seen in the Museum and surrounding park and in film and photographs of Much Hadham estate. Incorporates black and white photographs, film of Moore drawing and carving, and war-time views of London, together with images of Chacmool, Pre-Columbian art, Mexican muralists. Coal Mine Drawings; War Drawings; Warriors; Sheep graphic works; Stringed Figures; Working Model for Three Piece No. 3: Vertebrae, 1968 bronze; Broken Figure, 1975 black marble and other works. Commentary ranges over Moore's career, themes, and influences. Moore on drawing, hands, the structure of the human body and his love of Pre-Columbian art. Tamayo on the Mexican influences and the importance of drawing in Moore's work. Paz on Moore's dialogue with the earth, the influence of the range of Pre-Columbian art and the Mexican muralists, the cosmos of the female presence...earth and woman.
0014761
Author/Editor: GOMBRICH E.H.
Publisher: Gondolat
Place Published: Budapest
Year: 1983
Date & Collation: 523pp.Illus.Bibliog.Text in Hungarian.
Description: Hungarian edition of The Story of Art 12th edition revised and enlarged. See 0014771 for identical 1978 Harmadik Kiadás. See 0000683 for description.
0010720
Publisher: HMF library copy
Place Published: Much Hadham
Year: 1983
Date & Collation: 3 hours 30 mins.Sound recording.
Description: Relates to film 0000946. Two audio cassettes of sounds of activity on Much Hadham estate; and interview between Henry MOORE and Huw WHELDON on Drawing, including Shelter and Coal Mine Drawings; Kenneth Clark and Herbert Read; Alice Gostick; Tip cat; Human figure; Materials; Holes; Carving; Jacob Epstein; Henri Gaudier-Brzeska; William Rothenstein's support of Moore against adverse press criticism; Words and literature; Michelangelo; Rembrandt; Maquettes; Northampton Madonna and Child, 1943-1944 Hornton stone and religion; Commission of Large Arch, 1979-1980 travertine marble for Hyde Park; Sheep Piece, 1971-1972 bronze; King and Queen, 1952-1953 bronze at Glenkiln and the contrast between the symbolic heads and the human hands; Rubbing his mother's back; Reclining Figure theme and Divided Figures; the Henry Moore Foundation; Tapestries; Yorkshire background; Curt Valentin; Elephant Skull; Cézanne; Art collection of Henry Moore; Giacometti; Stringed Figures; Much Hadham estate and sculpture in the Open Air; Pre-Columbian sculpture; Sheep Sketchbook; Picasso Guernica visit; Surrealism; Joan Miró; Blind and sculpture.
0019563
Author/Editor: HUGHES Ted.
Publisher: HMF library copy
Place Published: Much Hadham
Year: 1983
Date & Collation: 1pp.
Description: Photocopy of poem in manuscript by Poet Laureate Ted Hughes (1930-1998), also inscribed For Henry Moore with admiration from Ted Hughes March 1983""
0010725
Author/Editor: BINYON Helen.
Publisher: Lutterworth Press
Place Published: Guildford and London
Year: 1983
Date & Collation: 144pp.Illus.Biog.Bibliog.Foreword by Sir John ROTHENSTEIN.Introduction by Richard MORPHET.Preface by Bettina TAYLEUR.
Description: Includes half-a-dozen mentions of Moore, a contemporary of Ravilious, and of Helen Binyon, at the Royal College of Art in the 1920s. Includes a photograph of Moore in Florence in 1925 with Ravilious, Norman Dawson and Mr. and Mrs. Robert Lyon. Both Ravilious and Moore as war artists attended the dinner party given in 1942 by O.M.O'R. Dickey of the Ministry of Information. Ravilious was reported missing in Iceland later that year.
0010764
Publisher: Associated American Artists
Place Published: New York
Year: 1983
Date & Collation: 1pp.
Description: News release on 2-28 May 1983 exhibition, concurrent with the Metropolitan Museum of Art exhibition (See 0001077). Mentions the importance of prints in Moore's oeuvre, and provides an outline of his career. Documented from The New York Public Library Print File (Chadwyck-Healey 1989-1990).
0010795
Publisher: Aloha St. Express
Place Published: Honolulu
Year: 1983
Date & Collation: (Fall-Winter) 3(1)..(1 illus).Text in Japanese.
Description: Free publication for Japanese tourists in Hawaii. Includes a note on the Moore exhibition (See 0001601), with an illustration of Family, 1974 etching.
0018908
Publisher: HMF library copy
Place Published: Much Hadham
Year: 1983
Date & Collation: 1pp.
Description: Short transcript of interview between HM (Henry Moore) and RB (presumably Roger Berthoud) on use of artisans in Forte dei Marmi to produce Moore's sculptures. We know that Michelangelo had five assistants at one time"."
0019730
Publisher: Sotheby's
Place Published: London.
Year: 1983
Date & Collation: (6 and 7 Dec).
Description: Lots 561-562(1 illus) Henry Moore: two Prints 1949-1963.
0018909
Publisher: HMF library copy
Place Published: Much Hadham
Year: 1983
Date & Collation: 6pp.
Description: Typed transcript of interview by RB (presumably Roger Berthoud). Norfolk, Chelsea School of Art teaching, Hampstead in the 1930s, Herbert Read, Kenneth Clark, and others.
0018910
Publisher: HMF library copy
Place Published: Much Hadham
Year: 1983
Date & Collation: 6pp.
Description: Typed transcript of interview by RB (presumably Roger Berthoud). Caro's time as Henry Moore's assistant, with Alan Ingham. Borrowing books from Moore, and learning from him how to draw and how to take photographs. Henry Moore's influence on Anthony Caro's early work, 1967 Tate Gallery Gift letter (See 0005439).The right size of his work is small... I'm sorry his work got so large.. That whole business of enlarging is something he never believed in at the beginning."
0016268
Publisher: HMF library copy
Place Published: Much Hadham
Year: 1983
Date & Collation: 30pp.Illus.
Description: Home-made scrapbook of photographs and press coverage of exhibition (See 0001077).
0018296
Publisher: Levy
Place Published: Hamburg
Year: 1983
Date & Collation: 60pp.Illus.Text in German.
Description: Stock catalogue illustrating 103 works.
Items 69-71(3 illus) Henry Moore: one Bronze 1981, two Drawings 1981-1982.
0000952
Author/Editor: RAWSON Philip.
Publisher: Macdonald
Place Published: London
Year: 1983
Date & Collation: 160pp.Illus.
Description: Guide to drawing and its techniques with illustrations of work by artists and by the author. The dust jacket design is Moore's Nude Study of a Seated Girl, 1924 drawing. Madonna and Child, 1943 drawing is a full-page reproduction on page 51, with a note on the preceding page of his technique of using wax.
0000963
Author/Editor: WEBB Peter.
Publisher: Secker and Warburg
Place Published: London
Year: 1983
Date & Collation: xxix,569pp.Illus.Bibliog.
Description: New Edition with additional material and photographs" of work first published in 1975.
378-379 (1 illus) Henry Moore.
See 0003552 for summary of short interview with Moore."
0000950
Author/Editor: ASHTON Dore.
Publisher: Oxford University Press
Place Published: New York
Year: 1983
Date & Collation: viii,225pp.Illus.Plates.Bibliog.
Description: Records that Bryan Robertson had reported to Rothko that Henry Moore has visited the Rothko exhibition at the Whitechapel Gallery many times and found his paintings His most revelatory experience in modern painting since his youthful discovery of Cézanne Picasso Matisse and the Cubists"."
0000953
Publisher: Phaidon
Place Published: Oxford
Year: 1983
Date & Collation: 288pp.Illus.Bibliog.
Description: Largely historic survey by two dozen contributors in separate essays. There is a passing mention of Moore on page 41 in the Painting and Drawing essay by Mullins, and three paragraphs and one illustration on pages 134-135 in the text on Sculpture after 1500 by Nicholas PENNY concentrating on stone carvings between the wars. Notes Moore's primitive influence and the simple monumentality of his carving at the time.
0000964
Author/Editor: DEBRIE Christine.
Publisher: Arted
Place Published: Paris
Year: 1983
Date & Collation: 107pp.Illus.Text in French.
Description: Includes two brief quotations from the published texts of Henry Moore, and passing mentions of the influence of Moore on Adami's sculpture.
0000975
Author/Editor: PEPPIATT Michael., BELLONY-REWALD Alice.
Publisher: Gordon Fraser
Place Published: London
Year: 1983
Date & Collation: vii,232pp.Illus.Bibliog.
Description: 166,208-209(1 illus) Henry Moore.Moore's studios recall a prosperous Renaissance 'bottega' where the pressure of many large-scale commissions demands not only the highest level of technical skill but also a marked capacity for organization..."
0000986
Author/Editor: KOCH-HILLEBRECHT Manfred.
Publisher: DuMont
Place Published: Cologne
Year: 1983
Date & Collation: 244pp.Illus.Bibliog.Text in German.
Description: DuMont Taschenbücher, 129.
Modern art from a psychological point of view. Includes a photograph of Working Model for Reclining Figure: Internal-External Form, 1951 bronze, and passing mentions in sections on materials and primitive art on Moore's protective mother theme.