Henry Moore Artwork Catalogue
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0015977
Publisher: Ketterer
Place Published: Munich
Year: 1975
Date & Collation: (1-5 Dec).In German.
Description: Lots 1243-1248 Henry Moore: two Drawings 1958, four Prints 1967-1971. Illus:
1243 Reclining Figures, 19 drawing.
1244 Three Standing Figures, 1958 drawing.
1243 Reclining Figures, 19 drawing.
1244 Three Standing Figures, 1958 drawing.
0015976
Publisher: Motte
Place Published: Geneva
Year: 1975
Date & Collation: (6,7 and 8 Jun).In French.
Description: Lots 247-248 Henry Moore: two Prints.
0019462
Publisher: HMF library copy
Place Published: Much Hadham
Year: 1975
Date & Collation: 11pp.
Description: Anonymous and undated photocopy in plastic folder. Typewriter script plan for film, listing in date order 1921-1975 a selection of artworks and other items, with notes and questions for Henry Moore on the facing pages.
0019534
Author/Editor: DE PLAISANT Uga.
Publisher: Bulzoni
Place Published: Rome
Year: 1975
Date & Collation: 174pp.Illus.Bibliog.Text in Italian
Description: In a section of the book 'Il Design Continuum' figures 122-126 are illustrations of five Henry Moore bronzes.
0013780
Author/Editor: FARNSWORTH Warren.
Publisher: Batsford
Place Published: London
Year: 1975
Date & Collation: 95pp.Illus.Bibliog.
Description: Techniques book, with several photographs of works by Moore.
0013783
Publisher: Prandi
Place Published: Reggio Emilia
Year: 1975
Date & Collation: vi,87pp.340 plates.Introduction by Valerio ZURLINI.Text in Italian.
Description: Catalogo 166. Spine title: Incisioni Originali, Acquerelli, Disegni. Libreria Antiquaria Prandi stock catalogue of 1003 works.
Items 897-903. Plates 308-309(7 illus) Henry Moore: seven Prints 1970-1973.
Items 897-903. Plates 308-309(7 illus) Henry Moore: seven Prints 1970-1973.
0013789
Publisher: Lempertz
Place Published: Cologne
Year: 1975
Date & Collation: (5 Dec).In German.
Description: Katalog 549. Lots 561-563 Henry Moore: three Prints 1958-1973. Illus:
561 Eight Reclining Figures, 1958 lithograph; 562 Two Reclining Figures, 1973 lithograph; 563 Group of Reclining Figures, 1973 lithograph.
561 Eight Reclining Figures, 1958 lithograph; 562 Two Reclining Figures, 1973 lithograph; 563 Group of Reclining Figures, 1973 lithograph.
0013786
Publisher: Ketterer
Place Published: Munich
Year: 1975
Date & Collation: (26,27,28 and 30 May).In German.
Description: Lots 1361-1363 Henry Moore: three Prints 1963-1972.
0015975
Publisher: Ketterer
Place Published: Munich
Year: 1975
Date & Collation: 88pp.Illus.In German.
Description: Stock catalogue of 559 works. Item 887(1 illus) Henry Moore: one Print 1958.
0013785
Publisher: Sotheby's
Place Published: London
Year: 1975
Date & Collation: (27 Jan).
Description: Lot 114 Henry Moore: one Print 1951.
0013784
Publisher: St. Martin's Review
Place Published: London
Year: 1975
Date & Collation: (June) 1-2(1 Moore illus).Initialled A.W.
Description: Family Group, 1945 bronze front cover illustration to religious talk about Referendum on Britain joining the Common Market. In magazine of St. Martin in the Fields.
0013782
Author/Editor: LUCIE-SMITH Edward.
Publisher: Oxford University Press
Place Published: New York and Toronto
Year: 1975
Date & Collation: 288pp(243 illus).Bibliog.
Description: The World of Art. American edition of 0003561.
0013788
Publisher: Sotheby's
Place Published: London
Year: 1975
Date & Collation: (9 Oct).
Description: Lots 127-128 Henry Moore: two Prints 1950-1966.
0017135
Author/Editor: MOORE Henry.
Publisher: The Times
Place Published: London
Year: 1975
Date & Collation: (28 Jan)..
Description: Letter to the editor from Moore supporting proposal that Somerset House is the right place for a permanent collection of Turner's paintings.
0013781
Author/Editor: LINDEMANN Gottfried.
Publisher: Westermann
Place Published: Braunschweig
Year: 1975
Date & Collation: 2 vols.Text in German.
Description: Volume 1: 243pp Illus. (Middle Ages to 18th Century)
Volume 2: 235pp Illus.Glossary.Index.
(18th to 20th Centuries.
148,149(1 illus) Henry Moore: Page from Sketchbook 1943: Madonna and Child, 1943 drawing (dated 1942)).
Die englische Ausgabe dieses Werkes erschien unter dem Titel Prints and Drawings (See 0004684).
Volume 2: 235pp Illus.Glossary.Index.
(18th to 20th Centuries.
148,149(1 illus) Henry Moore: Page from Sketchbook 1943: Madonna and Child, 1943 drawing (dated 1942)).
Die englische Ausgabe dieses Werkes erschien unter dem Titel Prints and Drawings (See 0004684).
0013787
Publisher: Sotheby's
Place Published: London
Year: 1975
Date & Collation: (26 June).
Description: Lot 194 Henry Moore: one Print 1973.
0010793
Publisher: Larousse
Place Published: Paris
Year: 1975
Date & Collation: 20 vols.Supplement.Index.Illus.Bibliog.Text in French.
Description: Volume 13 Marioni-Mouvement 1975 (printed 1983) 8168-8169(1 illus) ESCHAPASSE Maurice. Henry Moore.
Biographical and critical entry with a colour photograph of Family Group, 1946 bronze.
Grand Larousse Encyclopédique, 10 volumes, Librairie Larousse 1960-1964, included a 25-line Henry Moore entry in Volume 7, 1963.
Biographical and critical entry with a colour photograph of Family Group, 1946 bronze.
Grand Larousse Encyclopédique, 10 volumes, Librairie Larousse 1960-1964, included a 25-line Henry Moore entry in Volume 7, 1963.
0003545
Author/Editor: SCHINNELLER James A.
Publisher: Davis Publications
Place Published: Worcester, Mass.
Year: 1975
Date & Collation: viii,376pp.Illus.Bibliog.
Description: the characteristics and scope of the visual arts."
152-153(2 illus) Henry Moore: the monumental.
In the chapter on sculpture includes illustrations of a 1939 drawing and a 1957 bronze notes Moore's early influences and concern for vitality rather than conventional beauty. Discusses the appreciation of his works: "Moore's ability to transpose anatomical facts into wondrous visual relationships provides his bronzes with ageless and universal tendencies." Notes their production: "versions of a modeling in plaster or clay may be reproduced in bronze or even stone or wood." Concludes that "the majority of Moore's sculptures are actually designed as immense structures to be displayed outdoors in parks or adjacent to public buildings".
For 2nd edition see 0009870."
152-153(2 illus) Henry Moore: the monumental.
In the chapter on sculpture includes illustrations of a 1939 drawing and a 1957 bronze notes Moore's early influences and concern for vitality rather than conventional beauty. Discusses the appreciation of his works: "Moore's ability to transpose anatomical facts into wondrous visual relationships provides his bronzes with ageless and universal tendencies." Notes their production: "versions of a modeling in plaster or clay may be reproduced in bronze or even stone or wood." Concludes that "the majority of Moore's sculptures are actually designed as immense structures to be displayed outdoors in parks or adjacent to public buildings".
For 2nd edition see 0009870."
0003548
Publisher: Hutchinson
Place Published: London
Year: 1975
Date & Collation: 472pp.Illus.
Description: 149(1 illus) Henry Moore.
Illustration of Standing Figures: Drawing for Wood Sculpture, 1940 drawing; from the collection of the late F.R.S. Yorke.
Illustration of Standing Figures: Drawing for Wood Sculpture, 1940 drawing; from the collection of the late F.R.S. Yorke.
0003554
Publisher: Weidenfeld and Nicolson
Place Published: London
Year: 1975
Date & Collation: 352pp.Illus.Bibliog.
Description: Seven essays surveying the British tradition from the Middle Ages to the present.
324-325,etc(1 illus) Henry Moore.
In the chapter on the Twentieth Century by Grey GOWRIE there is an illustration of Crowd Looking at a Tied-Up Object, 1942 drawing, and a brief outline of Moore's drawings for sculpture and the war-time sketches that would place Moore high had he done no sculpture". Moore is seen as "a literary artist...at times a Surreal and always a romantic one: he generates emotion by referring to the off-surface reality..."."
324-325,etc(1 illus) Henry Moore.
In the chapter on the Twentieth Century by Grey GOWRIE there is an illustration of Crowd Looking at a Tied-Up Object, 1942 drawing, and a brief outline of Moore's drawings for sculpture and the war-time sketches that would place Moore high had he done no sculpture". Moore is seen as "a literary artist...at times a Surreal and always a romantic one: he generates emotion by referring to the off-surface reality..."."
0003540
Publisher: Sotheby Parke Bernet
Place Published: London
Year: 1975
Date & Collation: 464pp.Illus.
Description: 128-136(9 illus) MELVILLE Robert. Henry Moore: the formative years, 1925-35.
Moore's work during the ten years after his 1925 visit to Italy, with reference to the influences of alien rather than classical cultures on his carvings. The Six Garden Reliefs, 1926 Portland stone were seen as the only way he would be likely to get his work into the Open Air. Conceptions of his work on a larger scale than was possible at the time are seen as prophetic of the monumental works to come. Incorporates contemporary statements by Moore.
Moore's work during the ten years after his 1925 visit to Italy, with reference to the influences of alien rather than classical cultures on his carvings. The Six Garden Reliefs, 1926 Portland stone were seen as the only way he would be likely to get his work into the Open Air. Conceptions of his work on a larger scale than was possible at the time are seen as prophetic of the monumental works to come. Incorporates contemporary statements by Moore.
0003556
Author/Editor: SPENCER Harold.
Publisher: Scribner's
Place Published: New York
Year: 1975
Date & Collation: xxiv,776pp(Over 500 illus).16 plates.Chronology.Glossary.Bibliog.
Description: Impressive history of art on thematic basis.
456-457(1 illus) Henry Moore.
Illustration of Recumbent Figure, 1938 green Hornton stone with a short discussion, in the chapter on The Classical Tradition in Western Art: They have the appearance of archetypal images that lie beyond the normal dimensions of time and space.""
456-457(1 illus) Henry Moore.
Illustration of Recumbent Figure, 1938 green Hornton stone with a short discussion, in the chapter on The Classical Tradition in Western Art: They have the appearance of archetypal images that lie beyond the normal dimensions of time and space.""
0003559
Publisher: Duckworth
Place Published: London
Year: 1975
Date & Collation: xxxvi,354pp(1 illus).
Description: Selection of 340 letters to family members and notable people by author and literary editor of The Listener, who lived 1896-1967.
40-41 To Henry Moore 24 August 1937.
Short letter of reply to Moore commenting on change of title from 'Notes on Sculpture' to 'The Artist Speaks' for Moore's article in the 18 August 1937 issue of The Listener (See 0009196), and how the length of the text made the inclusion of more photographs impracticable.
There are three other passing references to Moore in this collection: on The Artist Speaks series, on a possible article on Moore by K. Clark, and referring to a photograph of a Moore sculpture which appeared in The Listener, 9 November 1950 (See 0008307).
40-41 To Henry Moore 24 August 1937.
Short letter of reply to Moore commenting on change of title from 'Notes on Sculpture' to 'The Artist Speaks' for Moore's article in the 18 August 1937 issue of The Listener (See 0009196), and how the length of the text made the inclusion of more photographs impracticable.
There are three other passing references to Moore in this collection: on The Artist Speaks series, on a possible article on Moore by K. Clark, and referring to a photograph of a Moore sculpture which appeared in The Listener, 9 November 1950 (See 0008307).
0003539
Author/Editor: La Biennale di Venezia
Publisher: Archivio Storico delle Arti Contemporanee della Biennale di Venezia
Place Published: Venice
Year: 1975
Date & Collation: 960pp.Illus.Bibliog.Adverts.Texts in Italian;some English and French summaries.
Description: Includes half-a-dozen Henry Moore references:
187 Moore sent written support to the Biennale's anti-fascist meeting: Testimonianze contro il Fascismo.
200 Message of solidarity from Moore included in magazine Libertà al Cile (Liberty for Chile), 5 October 1974.
342 Reproduction of Libertà al Cile (Venice) 4 1977(26 Oct) showing Moore's postcard, and the two Shelter drawings reproduced, with the caption: Henry Moore al Cile.
356 Illustration of Tube Shelter Perspective, 1941 drawing, and postcard from Henry Moore on submission of photographs of two Shelter drawings to express my sympathy for the people of Chile".
427 Moore included in list of those declaring support for the anti-fascist declarations and events organised as part of the 1974 Biennale.
486 Reprint of Guglielmo VINCITORIO - Una Biennale aperta alle esigenze populari from Corriere del Ticino (Lugano) 18 November 1974 which lists Moore as one of those contributing to Libertà al Cile.
527 Reprint of Franca CALZAVACCA - Il Fascino indiscreto della fotografia nell'opera di Ugo Mulas from B.S. (Biessa Brescia) November 1974 which mentions the photoportrait of Moore by Mulas.
556 Reprint of La Nuova Biennale: intervista con Carlo RIPA DI MEANA from Mondoperaio (Rome) November 1974 which includes Moore in list of people who have contributed to the success of the 1974 Biennale."
187 Moore sent written support to the Biennale's anti-fascist meeting: Testimonianze contro il Fascismo.
200 Message of solidarity from Moore included in magazine Libertà al Cile (Liberty for Chile), 5 October 1974.
342 Reproduction of Libertà al Cile (Venice) 4 1977(26 Oct) showing Moore's postcard, and the two Shelter drawings reproduced, with the caption: Henry Moore al Cile.
356 Illustration of Tube Shelter Perspective, 1941 drawing, and postcard from Henry Moore on submission of photographs of two Shelter drawings to express my sympathy for the people of Chile".
427 Moore included in list of those declaring support for the anti-fascist declarations and events organised as part of the 1974 Biennale.
486 Reprint of Guglielmo VINCITORIO - Una Biennale aperta alle esigenze populari from Corriere del Ticino (Lugano) 18 November 1974 which lists Moore as one of those contributing to Libertà al Cile.
527 Reprint of Franca CALZAVACCA - Il Fascino indiscreto della fotografia nell'opera di Ugo Mulas from B.S. (Biessa Brescia) November 1974 which mentions the photoportrait of Moore by Mulas.
556 Reprint of La Nuova Biennale: intervista con Carlo RIPA DI MEANA from Mondoperaio (Rome) November 1974 which includes Moore in list of people who have contributed to the success of the 1974 Biennale."