Henry Moore Artwork Catalogue
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0021752
Publisher: Musées Nationaux
Place Published: Paris
Year: 1954
Date & Collation: 285pp.illus
Description: Entries by Jean CASSOU, Bernard DORIVAL and Geneviève HOMOLLE. Page ix lists Moore exhibtion in 1949. Page 205 lists Figure Allongée as part of the collection. Notes that this was acquired 1952. Measurements in metres given. No illus.
0013562
Publisher: Redfern Gallery
Place Published: London
Year: 1954
Date & Collation: (6 July-28 Aug).12pp.
Description: List of 556 works.
Items 477,534,540 Henry Moore: one Drawing, two Prints.
Items 477,534,540 Henry Moore: one Drawing, two Prints.
0010739
Author/Editor: SANTIAGO Julio.
Publisher: Excélsior
Place Published: México City
Year: 1954
Date & Collation: (18 April)..(1 illus).Text in Spanish.
Description: Moore quoted on beauty versus power of expression, and fidelity to materials. Notes influence of ancient art, particularly Pre-Columbian. Moore's visit to México and collaboration with Mathias Goeritz on the Judas Figures, 1953 drawing.
0010798
Author/Editor: ARNHEIM Rudolf.
Publisher: University of California Press
Place Published: Berkeley and Los Angeles
Year: 1954
Date & Collation: xii,408pp.Illus.Plates.Bibliog.
Description: 195-196,237,etc.(2 illus) Henry Moore.
The chapter on Space, in a section Concavity in Sculpture, notes Moore's use of concave shapes and string in his sculpture, and compares a Reclining Figure by Moore with one by Maillol. A section entitled Symbolism of the Focused World mentions Moore's use of perspective in the War Drawings.
Also published by Faber and Faber 1956 and 1967, and as an expanded and revised edition by University of California Press in 1974.
The chapter on Space, in a section Concavity in Sculpture, notes Moore's use of concave shapes and string in his sculpture, and compares a Reclining Figure by Moore with one by Maillol. A section entitled Symbolism of the Focused World mentions Moore's use of perspective in the War Drawings.
Also published by Faber and Faber 1956 and 1967, and as an expanded and revised edition by University of California Press in 1974.
0013560
Publisher: Horizon Press
Place Published: New York
Year: 1954
Date & Collation: xi,306pp.Biog.
Description: Essays, with sections on France, Italy, Germany, England and the United States. Two mention Moore:
78-89 Robert Richman. The masters of the twentieth century.
269-282 Robert Richman. American paintings and sculpture at mid-century.
78-89 Robert Richman. The masters of the twentieth century.
269-282 Robert Richman. American paintings and sculpture at mid-century.
0013566
Publisher: Gallery Notes
Place Published: Buffalo, N.Y.
Year: 1954
Date & Collation: (May) 18(3) 1-24(12 illus).
Description: Buffalo Fine Arts Academy Albright Art Gallery list of 102 works.
Item 52 Henry Moore: one Drawing 1942.
Item 52 Henry Moore: one Drawing 1942.
0013565
Author/Editor: BASTOS C. Magalhâes.
Publisher: Brasil Arquitetura Contemporanea
Place Published: São Paulo
Year: 1954
Date & Collation: (4) 44-48(15 illus).Text in Portuguese.
Description: The Sâo Paulo exhibition (See 0001558). Moore's artistic importance, and his award of the first international prize for sculpture. Humanism and serenity in his work. Outline biography and quotations from Herbert Read.
0013561
Publisher: Zwemmer Gallery
Place Published: London
Year: 1954
Date & Collation: c.1954(10 June-10 July).Folded card.
Description: List of 29 works by 19 artists.
Exhibits 19-21 Henry Moore: three Drawings.
Exhibits 19-21 Henry Moore: three Drawings.
0016314
Author/Editor: LEWIS Wyndham.
Publisher: Methuen
Place Published: London
Year: 1954
Date & Collation: vi,97pp.6 plates.
Description: Attacks extremism and the contemporary, except he approves of Moore and one or two others with traditional skills.
0013564
Publisher: Curt Valentin Gallery
Place Published: New York
Year: 1954
Date & Collation: 194pp.Illus.
Description: Dust jacket title: Exhibitions 1952-1953. Title page title: 1952-1953.
Bound collection of exhibition catalogues, including: Drawings by Contemporary Painters and Sculptors (See 0008024).
Bound collection of exhibition catalogues, including: Drawings by Contemporary Painters and Sculptors (See 0008024).
0013563
Author/Editor: Ganymed Reproductions.
Publisher: Ganymed Press
Place Published: London
Year: 1954
Date & Collation: 32pp.Illus.Prefatory texts.Captions.
Description: Cover title: Ganymed Reproductions: Illustrated Catalogue No.5.
23-24(3 illus) Henry Moore: three Reproductions of drawings.
(Reclining Figure, 1940 drawing; Pink and Green Sleepers, 1941 drawing; Studies for Three Standing Figures, 1945-1946 drawing. Turnstile Print").
30 Ganymed Collographs by Henry Moore.
(Paragraph describing the process of producing limited editions of 75 copies of Figures in Settings 1949 collograph; Woman Holding Cat 1949 collograph; Standing Figures 1949 collograph)."
23-24(3 illus) Henry Moore: three Reproductions of drawings.
(Reclining Figure, 1940 drawing; Pink and Green Sleepers, 1941 drawing; Studies for Three Standing Figures, 1945-1946 drawing. Turnstile Print").
30 Ganymed Collographs by Henry Moore.
(Paragraph describing the process of producing limited editions of 75 copies of Figures in Settings 1949 collograph; Woman Holding Cat 1949 collograph; Standing Figures 1949 collograph)."
0009505
Author/Editor: SPORNITZ Hans Günther.
Publisher: Universität zu Tübingen
Place Published: Tübingen
Year: 1954
Date & Collation: xiii,180pp.93pp.Bibliog.Text in German.
Description: Typewritten dissertation for Doctor's degree from the Philosophy Faculty of the University of Tübingen.
Einleitung.
(Introduction. Thesis aims to examine the structural/analytical aspects of modern sculpture, concentrating on Henry Moore, whose work embodied modern trends).
Voraussetzungen zur modernen Formproblematik in der Plastik des 19.und 20.Jahrhunderts.
(Assumptions about modern form problems in 19th and 20th century sculpture. Origins of modern form, their expression, and problems).
Grundlagen der Kunst Henry Moores.
(Foundations of Henry Moore's art. Structural analysis of Moore's form with reference to his works).
Die Entwicklung der Formen Moores in Plastik und Zeichnungen.
(The development of Moore's form in sculpture and drawings. The historical evolution of Moore's style, grouping the works of 1922-1948 into eras. Identifies and examines sculptural problems seen in drawings and sculpture, for examination in the following chapters).
Figur und Raum. (Figure and Space).
Aussenform und Innenform. (Inner and Outer Forms).
Darstellung und Ergänzung der Resultate im Zusammenhang.
(Presentation and Supplements to relevant Results).
Schluss.
(Conclusion. Summarises the aims and contents of the thesis).
Anmerkungen. (Notes).
Katalog der Werke Henry Moores Plastik und Zeichnungen 1922-1948.
(Catalogue of Moore's Sculpture and Drawings 1922-1948).
Einleitung.
(Introduction. Thesis aims to examine the structural/analytical aspects of modern sculpture, concentrating on Henry Moore, whose work embodied modern trends).
Voraussetzungen zur modernen Formproblematik in der Plastik des 19.und 20.Jahrhunderts.
(Assumptions about modern form problems in 19th and 20th century sculpture. Origins of modern form, their expression, and problems).
Grundlagen der Kunst Henry Moores.
(Foundations of Henry Moore's art. Structural analysis of Moore's form with reference to his works).
Die Entwicklung der Formen Moores in Plastik und Zeichnungen.
(The development of Moore's form in sculpture and drawings. The historical evolution of Moore's style, grouping the works of 1922-1948 into eras. Identifies and examines sculptural problems seen in drawings and sculpture, for examination in the following chapters).
Figur und Raum. (Figure and Space).
Aussenform und Innenform. (Inner and Outer Forms).
Darstellung und Ergänzung der Resultate im Zusammenhang.
(Presentation and Supplements to relevant Results).
Schluss.
(Conclusion. Summarises the aims and contents of the thesis).
Anmerkungen. (Notes).
Katalog der Werke Henry Moores Plastik und Zeichnungen 1922-1948.
(Catalogue of Moore's Sculpture and Drawings 1922-1948).
0009510
Publisher: Magnum
Place Published: Cologne
Year: 1954
Date & Collation: 3 1954..Text in German.
Description: Brief questions and answers on sculptural form, abstraction and humanism. Reprinted in 0007039.
0009506
Publisher: Al-Hayat
Place Published: Beirut
Year: 1954
Date & Collation: (23 Feb)..(1 illus).Text in Arabic.
Description: Photograph of King and Queen, 1952-1953 bronze with brief caption mentioning treatment of feet and heads in the figure.
0009509
Author/Editor: MIDDLETON Michael.
Publisher: Konstrevy
Place Published: Stockholm
Year: 1954
Date & Collation: 30(2)..(2 Moore illus).
Description: Includes review of Leicester Galleries exhibition (See 0007740), noting the many forms of expression. Includes a full-page photograph of King and Queen, 1952-1953 bronze.
0009511
Author/Editor: MAJSTOROVIC Stevan.
Publisher: Mozaik
Place Published: Belgrade
Year: 1954
Date & Collation: 2(3) 51-54(7 illus).Text in Serbo-Croatian.Summaries in English and French.
Description: Introduction to Moore for Yugoslav public on the eve of the British Council exhibition (See 0007583). Provides brief details of Moore's life and career, describing him as one of the greatest contemporary sculptors in the world.
0009507
Author/Editor: HAKANSSON Brita.
Publisher: Expressen
Place Published: Stockholm
Year: 1954
Date & Collation: (31 July)..(5 illus).Text in Swedish.
Description: Holland Park open air exhibition (See 0007756) and visit to Much Hadham by the London correspondent of Expressen. Mentions Moore's financial success, world-wide reputation and love of Mexican art.
0009508
Author/Editor: BURROWS Carlyle.
Publisher: New York Herald Tribune
Place Published: New York
Year: 1954
Date & Collation: (7 Nov)..
Description: Includes short review of Valentin exhibition (See 0007749). Here are the calm reclining figures or equally serene seated ones that are still appealing reminders of mankind...""
0007675
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1954
Date & Collation: 2 mins.Black and white.Silent.
Description: 28 May 1954 news extract with views of works in Holland Park exhibition (See 0007756). Includes 15-second view of Draped Reclining Figure, 1952-1953 bronze.
0007674
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1954
Date & Collation: 3 May. 11 mins.Sound recording.
Description: Broadcast in London Calling Asia, transmitted in Overseas Service 3 May 1954. Henry MOORE interviewed at Much Hadham by Stephen BLACK 21 March 1954. Castleford, Sunday School Michelangelo story, Interior and Exterior work in progress. Use of holes; touch not a criterion of good sculpture. King and Queen, 1952-1953 bronze. Tape ends abruptly. The interview was broadcast again on the BBC Home Service on 29 November 1955.
0007724
Publisher: U.N.E.S.C.O.
Place Published: Paris
Year: 1954
Date & Collation: 132pp.
Description: Introduction, lists of participants, reports, and texts of General Statements:
23-30 UNGARETTI Giuseppe. The artist in present-day society.
31-45 CONNELLY Marc. The theatre and society.
46-54 BLASETTI Alessandro. Is cinematography a collective or an individual art?
55-68 HONEGGER Arthur. The musician in modern society.
69-83 HUSSEIN Taha. The writer in the world today.
84-96 COSTA Lucio. The architect and contemporary society.
97-102 MOORE Henry. The sculptor in modern society.
(Sculptors like using their hands and working particular materials. They have a sensibility for shapes and forms, and the problems that arise in the manipulation of such materials problems of mass and volume of light in relation to form and of volume in relation to space..." The sculptor communicates these problems by exhibition resulting in a public art form. At times in history the sculptor was a member of a unified society with a definite function. Today he is more of an individual and a specialist. Varying political social or national roles of artists are noted. Today the artist has to satisfy private patrons or a variety of public museums or corporate bodies. This diversity results in a flexibility on the part of the artist according to the setting for the sculpture. Restrictions may be imposed on the freedom of creation. Public bodies should have the courage to commission forward-looking works which will influence public opinion rather than playing for safety and providing "what the public does not object to". Cooperation with other artists and planners in what becomes part of a unit rather than a piece of sculpture complete in itself is essential from the moment that the building is conceived. "Too often in modern buildings...the work of art is an afterthought a piece of decoration added to fill a space that is felt to be too empty." State patronage and the art market are discussed briefly and Moore prefers inde pendence on the part of the artist to subordination of his creative freedom to some central authority. Personal privacy needs to be maintained. "The creative process is in some sense a secret process." Organizations like U.N.E.S.C.O. should guarantee the freedom and independence of the artist).
103-11 VILLON Jacques. The painter in modern society.
112-117 ROUAULT Georges. The painter's rights in his work.
This volume was also published in other language editions. For reprints of Moore's text see: Liturgical Arts Nov 1954 (See 0007829); Art News Nov 1952 (See 0008093); Arts and Architecture Sept 1954 (See 0007812); Henry Moore on Sculpture (See 0005627); Arte Vivo (See 0007127); Zygos (See 0010562); Henry Moore über die Plastik (See 0004238); Henry Moore A Szobrászatról (See 0000414); The Art World (See 0003005). See also 0008053."
23-30 UNGARETTI Giuseppe. The artist in present-day society.
31-45 CONNELLY Marc. The theatre and society.
46-54 BLASETTI Alessandro. Is cinematography a collective or an individual art?
55-68 HONEGGER Arthur. The musician in modern society.
69-83 HUSSEIN Taha. The writer in the world today.
84-96 COSTA Lucio. The architect and contemporary society.
97-102 MOORE Henry. The sculptor in modern society.
(Sculptors like using their hands and working particular materials. They have a sensibility for shapes and forms, and the problems that arise in the manipulation of such materials problems of mass and volume of light in relation to form and of volume in relation to space..." The sculptor communicates these problems by exhibition resulting in a public art form. At times in history the sculptor was a member of a unified society with a definite function. Today he is more of an individual and a specialist. Varying political social or national roles of artists are noted. Today the artist has to satisfy private patrons or a variety of public museums or corporate bodies. This diversity results in a flexibility on the part of the artist according to the setting for the sculpture. Restrictions may be imposed on the freedom of creation. Public bodies should have the courage to commission forward-looking works which will influence public opinion rather than playing for safety and providing "what the public does not object to". Cooperation with other artists and planners in what becomes part of a unit rather than a piece of sculpture complete in itself is essential from the moment that the building is conceived. "Too often in modern buildings...the work of art is an afterthought a piece of decoration added to fill a space that is felt to be too empty." State patronage and the art market are discussed briefly and Moore prefers inde pendence on the part of the artist to subordination of his creative freedom to some central authority. Personal privacy needs to be maintained. "The creative process is in some sense a secret process." Organizations like U.N.E.S.C.O. should guarantee the freedom and independence of the artist).
103-11 VILLON Jacques. The painter in modern society.
112-117 ROUAULT Georges. The painter's rights in his work.
This volume was also published in other language editions. For reprints of Moore's text see: Liturgical Arts Nov 1954 (See 0007829); Art News Nov 1952 (See 0008093); Arts and Architecture Sept 1954 (See 0007812); Henry Moore on Sculpture (See 0005627); Arte Vivo (See 0007127); Zygos (See 0010562); Henry Moore über die Plastik (See 0004238); Henry Moore A Szobrászatról (See 0000414); The Art World (See 0003005). See also 0008053."
0007740
Publisher: Leicester Galleries
Place Published: London
Year: 1954
Date & Collation: (Feb-March).16pp(5 illus).Biog.Bibliog.
Description: Exhibition 1034. 33 Sculptures 1950-1953. Small-format catalogue with two-page biographical note, followed by listings of exhibitions, commissions, etc. Cover title: New Bronzes by Henry Moore.
For microfiche version see 0010471.
For microfiche version see 0010471.
0007726
Publisher: Heinemann
Place Published: London
Year: 1954
Date & Collation: xii,207pp.16 plates of illus.
Description: 40 profiles selected from 250 published in The Observer newspaper during the previous five years.
102-106,Plate 4(1 illus) Henry Moore.
Photograph by Jane Bown, and text reprinted from the Observer, 24 June 1951 (See 0008166). Moore is mentioned in passing in the text on Jacob Epstein.
102-106,Plate 4(1 illus) Henry Moore.
Photograph by Jane Bown, and text reprinted from the Observer, 24 June 1951 (See 0008166). Moore is mentioned in passing in the text on Jacob Epstein.
0007755
Publisher: Royal Scottish Academy
Place Published: Edinburgh
Year: 1954
Date & Collation: ..pp.
Description: Exhibits 48,516,522,527 Henry Moore: one carving, property of Herbert H. Marks; and three drawings, property of Zwemmer Gallery.