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Henry Moore Artwork Catalogue

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0021730
Author/Editor: ALLEN Frederick Lewis
Publisher: Harper's Magazine
Place Published: New York
Year: 1948
Date & Collation: 1948 (January) 95-96 (No Moore illus)
Description: Comment on a recent exhibition at the British American Art Center, New York, see 0008594, of Ascher silk squares. Discusses statements made by Sacheverell Sitwell. Debates whether or not the squares can be considered art or design, and whether this was in the artist's mind; I had the feeling that Matisse and Moore, and some of the others, would be pleased to have their scaves produced inexpensively by the thousands for a great many people to use and enjoy - and that some of the others had their eye on the collector's market. No illus.
0013526
Author/Editor: DAVIDSON Morris.
Publisher: Coward-McCann
Place Published: New York
Year: 1948
Date & Collation: xii,155pp.73 plates(112 illus).
Description: 142-146 Arp, Miró, Moore and Mondrian.It is surprising to find in England one of the most powerful abstract symbolists of our time. Outlines Moore's career and influences including natural forms primitivism and Picasso and compares Moore's drawings to the work of Miró and Surrealism. Illustrations 109-110 reproduce two drawings 1937-1940 (one of them upside-down)."
0013528
Publisher: Arts Council of Great Britain
Place Published: London
Year: 1948
Date & Collation: .12pp.4 plates.Foreword by Margaret PILKINGTON.
Description: 63 works. Exhibit 58A Henry Moore: one Drawing. An amendment slip records the withdrawal from the exhibition of the drawing originally numbered 58, and its replacement with 58A.
0013527
Publisher: Redfern Gallery
Place Published: London
Year: 1948
Date & Collation: (30 Nov-31 Dec).28pp.Illus.Introduction by Clive BELL.
Description: Cover title: Colour-Prints by The Society of London Painter-Printers. Nearly 200 works. First exhibition of a society which will hold annual exhibitions will publish through Miller's (High Street St.Ann's Lewes) a series of portfolios and will see its work disseminated by the British Council The Arts Council and The National Gallery of Canada in America Australia New Zealand and on the continent of Europe".
Exhibits 51-52 Henry Moore: two collotypes."
0013545
Publisher: Mayor Gallery
Place Published: London
Year: 1948
Date & Collation: .4pp.
Description: List of 35 works. Exhibit 11 Henry Moore: one drawing 1935.
Title as printed: 1948 Autumn Exhibition.
0013529
Author/Editor: MIDDLETON M.H.
Publisher: Spectator
Place Published: London
Year: 1948
Date & Collation: (21 May) 613.
Description: Battersea Park Open Air exhibition (See 0008483). Briefly comments on Three Standing Figures, 1947-1948 Darley Dale stone. Moore is the Michelangelo of our time and the Contemporary Art Society may be proud of having commissioned this group".
In the 28 May 1948 Spectator appeared a letter from Douglas COOPER disagreeing with this statement. M.H. Middleton replied in the 4 June 1948 issue."
0013546
Publisher: Arts Council of Great Britain
Place Published: London
Year: 1948
Date & Collation: .8pp.Foreword.
Description: List of 56 works. Exhibit 49 Henry Moore: one Drawing.
0010940
Publisher: AIA Gallery
Place Published: London
Year: 1948
Date & Collation: c.1948(23 June-14 July).2pp.
Description: List of 43 works exhibited by The Artists International Association at 15 Lisle Street, London WC2. Date assumed from brief foreword which mentions a revival of interest in sculpture due to the L.C.C. Sculpture Show in Battersea Park (See 0008484).
Exhibits 2 and 41 Henry Moore: one Bronze, one Drawing.
0013544
Author/Editor: POMEROY Ralph.
Publisher: New Press
Place Published: Winnetka, Ill.
Year: 1948
Date & Collation: 20pp.
Description: Pamphlet printed in a limited edition of 500 copies. Contains a poem Henry Moore". First line:
A fingered pebble shapes to bone analogous
to rib felt with thumb."
0022678
Publisher: David Jones Gallery
Place Published: Sydney
Year: 1948
Date & Collation: (13-23 April)3pp.Illus.
Description: Front cover of booklet for exhibition of same name. My Start..." Moore was able to commence art training through a Government Educational Grant in Britain at the end of the 1914-18 war. Moore sends a message of good wishes to ex-service men and women training to become artists and sculptors under Commonwealth Government Post-War Reconstruction Scheme. "Painting and sculpture are essential to a full and healthy civilisation - without art life is bare arid and only materialistic. Literature music painting and sculpture are now more essential than ever to restore to post-war world an emotional stability and a true sense of values in life". Illustrated poster for exhibition."
0019155
Author/Editor: FISKER Marianne.
Publisher: A5 Meningsblad for Unge Arkitekter
Place Published: Copenhagen
Year: 1948
Date & Collation: (Jan) 12-16(5 illus).Text in Danish.
Description: Outline of Henry Moore's work and career, with two of the illustrations from James Johnson Sweeney's Henry Moore (See 0008703).
The cover of this issue of A5 features a tapestry design by Marianne Fisker.
0009483
Author/Editor: ARGAN Giulio Carlo.
Publisher: Ulisse
Place Published: Rome
Year: 1948
Date & Collation: (July) 699-706.8 plates.Text in Italian.
Description: Article in a section on the 1948 Venice Biennale. Plate 6 depicts two Reclining Figures, and pages 705-706 are subtitled Astrattismo Organico: Moore, giving an outline of prehistoric and nature influences on his work. Importance of space and form are noted, leading to the expression of human values.
This text is reprinted in Studi e Note 1955 (See 0007567).
0019960
Publisher: Lilliput
Place Published: London.
Year: 1948
Date & Collation: (June) 37-42(1 Moore illus).
Description: Full-page photoportraits with brief captions, of Henry Moore, James Fitton, Ivon Hichens (sic), John Piper, Feliks Topolski, and Graham Sutherland. Henry Moore is featured on page 37. His face puts on a solid rockiness or woodenness in front of lenses and becomes a piece of sculpture not carved by himself".
See also 0008232 (The Bedside Lilliput) and 0000440 (Lilliput Goes to War)."
0021355
Publisher: Look
Place Published: New York
Year: 1948
Date & Collation: (11 May)12 66,68(6 Moore illus)
Description: Brief article which promotes James Johnson Sweeney's film of Moore's 1947 exhibtion at Museum of Modern Art, see 0008799. Text states Henry Moore's sensitive understanding of the suffering of fellow Londoners during the blitz and his ability to convey his sense of human dignity in sculpture make him England's greatest artist today". Includes miscellaneous correspondence relating to Falcon Films Inc. from Margaret Mallory. Illustrations include Family Group with Child and Two Seated Figures in a Shelter."
0016520
Author/Editor: BRANZI S.
Publisher: Il Gazzettino
Year: 1948
Date & Collation: (12 Oct)..Text in Italian.
Description: Review of 0008489. Entry made from text reprinted in 0016491.
0016521
Publisher: Corriere della Sera
Place Published: Milan
Year: 1948
Date & Collation: (9 Nov)..Text in Italian.
Description: Review of 0008489. Entry made from text reprinted in 0016491.
0022481
Publisher: Vogue
Place Published: London
Year: 1948
Date & Collation: 1948 (September) 23 (1 illus)
Description: Full page advert for ladies clothing range from Bery Ltd of Mayfair; shows model reading a book next to Moore's Recumbent Figure 1938 green Hornton Stone, (LH 191) seen in a park.
0008330
Author/Editor: ERBEN Walter.
Publisher: Die Zeit
Place Published: Hamburg
Year: 1948
Date & Collation: (19 Feb)..Text in German.
Description: Need for an understanding of art, and report of visit to Much Hadham. Describes the sculpture in the grounds in harmony with the surrounding nature, particularly the Reclining Figures.
0021913
Author/Editor: DENVIR Bernard
Publisher: The Strand
Place Published: London
Year: 1948
Date & Collation: 1948(May) 115(689) 28-35(1 illus)
Description: Article explaining the significance of no 'modern' British painters and sculptors work being included at the Royal Academy's Summer Exhibition, asking What have they got against the Academy, or what has the Academy got against them?. Photographs of seven artists by Roland HAUPT; Jacob Epstein, John Piper, Robert Colquhoun, Graham Sutherland, Matthew Smith, Lawrence Gowing and, page 31, Henry Moore. Each photograph has accompanying biographical text on the artist. Denvir concludes The artists who won't be exhibiting at this year's Royal Academy - the artists, for instance, whose photographs appear in these pages - are far more important than those who will.
0016357
Publisher: Biennale di Venezia
Place Published: Venice
Year: 1948
Date & Collation: 4pp.Text in Italian.
Description: Photocopy of text dated 8 June 1948. Jury deliberations, signed Roberto Longhi. Inscribed in manuscript: Archivo Storico della Art Contemporanea, Venice (Serie A.V. n.10).
Nove voti a Moore, tre a Wotruba, uno a Maillol ed uno a Starcke.
0015732
Publisher: Benson Hall, Magdalene College
Place Published: Cambridge
Year: 1948
Date & Collation: c.1948(1-8 May)..
Description: Photocopy of eight page catalogue inscribed 1948 in manuscript, List of 55 works.
Exhibits 35(Painting) 9(Sculpture) Henry Moore. Study, lent by Ashley Havinden. Figures lent by Miss Hilary Stebbing.
0015733
Publisher: Redfern Gallery
Place Published: London
Year: 1948
Date & Collation: (17 Feb-6 March).8pp.
Description: List of 141 works, including an exhibition Small Paintings and Drawings. Exhibit 121 Henry Moore: one Drawing.
0015731
Author/Editor: BETHERS Ray.
Publisher: Pitman
Place Published: New York and London
Year: 1948
Date & Collation: ix,277pp.Illus.Bibliog.
Description: 210-211(1 illus) Henry Moore: Sculptor.
Photograph of Group of Red Draped Standing Figures, 1944 drawing, and short quotation from Moore's published writings. This in a section Painters on Art in a book of art appreciation.
0016381
Author/Editor: PERROCO Guido.
Publisher: Gazzettino-Serra
Year: 1948
Date & Collation: (12-13 June) 3(2 illus).Text in Italian.
Description: Note on career on Moore as prize winner at the Venice Biennale.