Henry Moore Artwork Catalogue
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0003303
Publisher: Zwemmer
Place Published: London
Year: 1976
Date & Collation: 334pp(305 illus).Glossary.Bibliog.
Description: Published with Kodansha (Tokyo). Book resulting from 1967 U.N.E.S.C.O. conference in Paris and subsequent exhibition: Mutual Influences between Japanese and Western Arts, 7 Sept-27 Oct 1968 at Tokyo National Museum of Modern Art.
10,198,200(2 illus) Henry Moore.
One of the contributors, George WASHBURN, quotes a letter received from Henry Moore in which the artist states that although he has admired Japanese art, he has never been consciously influenced by it. But I suppose that everything which one appreciates must have some influence even though one isn't aware of it.""
10,198,200(2 illus) Henry Moore.
One of the contributors, George WASHBURN, quotes a letter received from Henry Moore in which the artist states that although he has admired Japanese art, he has never been consciously influenced by it. But I suppose that everything which one appreciates must have some influence even though one isn't aware of it.""
0007318
Author/Editor: HODIN J.P.
Publisher: Zwemmer
Place Published: London
Year: 1958
Date & Collation: 24pp(1 illus).32 plates(33 illus).Biog.Bibliog.
Description: Modern Sculptors series. Eight-page introduction by Hodin, followed by selections from the writings of Henry Moore. Moore's work is placed against a background of 20th century consciousness. At the same time it is rooted in the English landscape, in human consciousness, and inspired by archaic and Primitive art. Moore builds monuments to the dramatic grandeur of nature." He is able to develop themes in his art by building on the experiments of earlier 20th century artists. The Reclining Figure and Mother and Child works are seen as dominant psychological archetypes in his oeuvre. Jungian and Gestalt writers on Moore are discussed briefly and their interpretations viewed in the "totality of a truly human outlook" and "a deeply founded artistic and human curiosity".
For Dutch edition see 0010511. For Mexican edition see 0007320. For New York edition see 0009539. For German edition see 0007319. Published in Buenos Aires by Carlos Hirsch."
For Dutch edition see 0010511. For Mexican edition see 0007320. For New York edition see 0009539. For German edition see 0007319. Published in Buenos Aires by Carlos Hirsch."
0017386
Author/Editor: GREEN Christopher.
Publisher: Zwemmer
Place Published: London
Year: 1995
Date & Collation: 496pp.Illus.Bibliog.
Description: Distributed in the USA and Canada by Antique Collectors' Club.
352-359(6 illus) Henry Moore.
Shelter Scene: Swathed Figures with Children, 1941 drawing and Shelter Scene: Seated Figures, 1941 drawing catalogued as items 66 and 67, together with a commentary on Moore's War Drawings.
352-359(6 illus) Henry Moore.
Shelter Scene: Swathed Figures with Children, 1941 drawing and Shelter Scene: Seated Figures, 1941 drawing catalogued as items 66 and 67, together with a commentary on Moore's War Drawings.
0006445
Author/Editor: SEUPHOR Michel.
Publisher: Zwemmer
Place Published: London
Year: 1961
Date & Collation: 372pp.Illus.Biog.Bibliog.
Description: 223-page survey of modern sculpture, followed by the biographies section on pages 225-231.
91-100(7 Moore illus) Moore and Hepworth.
306-308(3 illus) Henry Moore.
The similarities between Moore and Hepworth are outlined, and compared to the Braque-Picasso phenomenon of the cubist period". Sculptural comparisons are drawn with Gabo Pevsner and Arp. After 1945 the two follow more divergent paths: "Moore lets himself be guided by no tendency by no preconceived rule." Because of his many exhibitions Moore has become "one of the great stars of modern art" contrasting with Hepworth's relative effacement.
For French edition see 0007041. For German edition see 0006857."
91-100(7 Moore illus) Moore and Hepworth.
306-308(3 illus) Henry Moore.
The similarities between Moore and Hepworth are outlined, and compared to the Braque-Picasso phenomenon of the cubist period". Sculptural comparisons are drawn with Gabo Pevsner and Arp. After 1945 the two follow more divergent paths: "Moore lets himself be guided by no tendency by no preconceived rule." Because of his many exhibitions Moore has become "one of the great stars of modern art" contrasting with Hepworth's relative effacement.
For French edition see 0007041. For German edition see 0006857."
0010523
Author/Editor: CABALLO Ernesto.
Publisher: Zwemmer
Place Published: London
Year: 1976
Date & Collation: 172pp.Illus.
Description: Includes photographs of Marini and Moore together on pages 60,69-71; with other photographs of Marini working on Moore's bust. Brief textual mention of Moore.
0008807
Author/Editor: HOWELL Arthur R.
Publisher: Zwemmer
Place Published: London
Year: 1945
Date & Collation: 239pp.Plates.
Description: In a chapter on The Abstractionists' Aims in the section on Modern Art, there is a brief extract from Unit 1 (See 0009258), with a photograph facing of Composition, 1931 Cumberland alabaster.
For 1957 edition see 0007338.
For 1957 edition see 0007338.
0009257
Author/Editor: READ Herbert.
Publisher: Zwemmer
Place Published: London
Year: 1934
Date & Collation: 16pp(1 illus).36 plates(38 illus).Biog.
Description: The first monograph on Henry Moore: an attractively designed book produced by Lund Humphries, with a brief biographical note, photographs of six Drawings 1928-1933 and 32 carved Sculptures 1924-1933. There is also a frontispiece photograph of Henry Moore with Mother and Child, 1932 green Hornton stone. In his introduction Read outlines some of the problems of sculpture and the distinction between carving and modelling. A quotation from Henry Moore sets out the connection in his work between drawing and carving. The importance of Natural forms to Moore is stressed, and his application of them to his carvings. Finally Read recommends an unfailing integrity of purpose in the life of an original artist, and finishes with the sentence: There has been no compromise in the life of Henry Moore and now in the fullness of his powers he offers us the perfected product of his genius."
The text is reprinted in Homage to Henry Moore (See 0004441)."
The text is reprinted in Homage to Henry Moore (See 0004441)."