Henry Moore Artwork Catalogue
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0020975
Author/Editor: FOSS Brian.
Publisher: Yale University Press
Place Published: Conn
Year: 2007
Date & Collation: x,254pp.Illus.Bibliog.Index.
Description: Probes the impact of war art on the relations between art, state patronage and public interest in art, and considers how the period affected the trajectory of British Modernism, with close focus on the W.A.A.C. Argues that the W.A.A.C powerfully shaped post-war expectations about the place of art in the modern state. Discussion on censorship, artists' finances and prospects during the war and how the war art project contributed to evolving notions of national identity and Britishness". Mentions of Moore throughout the text with main discussion at the end of Chapter Two "Britain Besieged: Survival and Meaning on the Home Front". Pages 75-77 focus on Shelter Drawings and Coalmining Notebooks. Page 75 recounts the begining of the Shelter Drawings on the Northern Line and notes this encounter changed Moore's mind about becoming involved via short term contract with W.A.A.C. Some brief exploration of the influence of Primitive figures from British Museum and Florentine Renaissance painters. Page 76 compares the works of Edward Ardizzone with Moore and explores dehumanisation and characterisation in each artist's work. Page 77 looks at Shelter Drawings in relation to Erich Neumann's The Archetypal World of Henry Moore and discusses notions of masculinity. 5 Moore illus: Page 75 Women in a Shelter 1941 drawing. (HMF 1795). Page 76 Shelter Scene: Two Swathed Figures 1941 drawing. (HMF 1825).Page 77 Men Leaving Coalface Climbing over Conveyor Belt 1942 drawing. (HMF 1990)."
0016035
Author/Editor: CORK Richard.
Publisher: Yale University Press
Place Published: New Haven and London
Year: 1994
Date & Collation: 336pp.Illus.Bibliog.
Description: Published in association with Barbican Art Gallery as a hard cover book and a paperback catalogue. The catalogue has an eight page exhibition checklist inserted. Includes photographs and mention ofPrivate H.S. Moore, 1917 drawing, and Castleford Secondary School Roll of Honour, 1916 wood. Moore's shelter drawings from World War 2 are also mentioned, in comparison with Walter Bayes's The Underworld of 1918, and also Nevisonson's Troops Resting of 1916. Cork also suggests that memories of the trenches may have contributed to the truncations in Moore's warriors of the 1950s.
0019488
Author/Editor: HYMAN James.
Publisher: Yale University Press
Place Published: New Haven and London
Year: 2001
Date & Collation: vii,272pp.Illus.Bibliog.Index.
Description: Published for the Paul Mellon Centre for Studies in British Art.
90-95(5 illus) Let's Be Realistic: Henry Moore and Humanism.
(Section within a chapter on Henry Moore, Graham Sutherland, Francis Bacon, and Lucian Freud. The 1940s and 1950s were years of transformation, invention and reinvention for Moore. After his political involvement in the 1930s, Moore's engagement would take the form of charitable donations on the one hand, and allegories or mythological treatments on the other. Outlines David Sylvester's promotion of Henry Moore's art through publications and exhibitions).
The book also includes some other mentions of Henry Moore, including photographs on pages 8 and 171.
90-95(5 illus) Let's Be Realistic: Henry Moore and Humanism.
(Section within a chapter on Henry Moore, Graham Sutherland, Francis Bacon, and Lucian Freud. The 1940s and 1950s were years of transformation, invention and reinvention for Moore. After his political involvement in the 1930s, Moore's engagement would take the form of charitable donations on the one hand, and allegories or mythological treatments on the other. Outlines David Sylvester's promotion of Henry Moore's art through publications and exhibitions).
The book also includes some other mentions of Henry Moore, including photographs on pages 8 and 171.
0016041
Author/Editor: HARRISON Charles.
Publisher: Yale University Press
Place Published: New Haven and London
Year: 1994
Date & Collation: 417pp(167 illus).Bibliog.
Description: Published for the Paul Mellon Centre for Studies in British Art. Paperback second edition of work published 1981 by Allen Lane and Indiana University Press (See 0001766). Revised preface, additional bibliography, and the correction of minor errors.
0000405
Author/Editor: CORK Richard.
Publisher: Yale University Press
Place Published: New Haven and London
Year: 1985
Date & Collation: ix,332pp.Illus.Bibliog.
Description: 1-7 Introduction.
8-60 Epstein's statues in the Strand.
61-115 The Cave of the Golden Calf.
116-176 Omega interiors.
177-213 Wyndham Lewis and the painted room.
214-247 The Restaurant de la Tour Eiffel.
248-296 Overhead sculpture for the underground railway.
(Outlines the planning of the project by Charles Holden and Frank Pick, surveys the work of the other sculptors, and discusses Moore's figure in the light of interviews with the artist and Moore's Sketchbook 1928. There are three dozen illustrations relating to the Moore section of the essay, which concludes with a note on the 1938 Project for Relief Sculptures on London University which never came to fruition).
297-298 Conclusion.
299-332 Notes, Bibliography, Index.
There are one or two other incidental references to Moore in the book, notably in the chapter on Epstein's statues in the Strand, and in the Introduction and Notes.
8-60 Epstein's statues in the Strand.
61-115 The Cave of the Golden Calf.
116-176 Omega interiors.
177-213 Wyndham Lewis and the painted room.
214-247 The Restaurant de la Tour Eiffel.
248-296 Overhead sculpture for the underground railway.
(Outlines the planning of the project by Charles Holden and Frank Pick, surveys the work of the other sculptors, and discusses Moore's figure in the light of interviews with the artist and Moore's Sketchbook 1928. There are three dozen illustrations relating to the Moore section of the essay, which concludes with a note on the 1938 Project for Relief Sculptures on London University which never came to fruition).
297-298 Conclusion.
299-332 Notes, Bibliography, Index.
There are one or two other incidental references to Moore in the book, notably in the chapter on Epstein's statues in the Strand, and in the Introduction and Notes.
0021093
Author/Editor: STAPP William F.
Publisher: Yale University Press
Place Published: Connecticut
Year: 2002
Date & Collation: xv.160pp.Illus.Index.
Description: Book to celebrate the one hundredth anniversary of the art periodical, ARTnews. Includes photographs of many of the great European and American artists of the twentieth century; the photographers as important as the subjects. Also presents essay by William F Stapp exploring the historical contect of portrait photography. One Moore illus:
Page 37: shows a 1950 portrait of Henry Moore by Irving Penn, with accompanying text by Stapp, explaining the photo was part of a series taken for Vogue.
0021735
Author/Editor: PETHERBRIDGE Deanna
Publisher: Yale University Press
Place Published: New Haven
Year: 2010
Date & Collation: x.521pp.illus.
Description: Tome on the theme of drawing. Moore content: one illus, page 101 shows Moore's Women Winding Wool 1949 drawing, (HMF 2530). Accompanying text states that at the time of this composition, Moore was influenced by George Seurat. Reference to Lewis Carroll's Alice through the Looking-Glass.
0020381
Author/Editor: CORK Richard.
Publisher: Yale University Press
Place Published: New Haven and London.
Year: 2003
Date & Collation: xi,484pp.Illus.Index.
Description: First of four-volume collection of Richard Cork's writings on art. Mostly exhibition reviews from the Evening Standard. Includes mentions of Henry Moore in:
Bruce McLean, 5 Nov 1971.
Late Hepworth, 17 Feb 1970.
Art for the Blind, 18 Nov 1976.
Televising Art, 6 March 1975.
Medley's Dilemma, 26 March 1971.
Bruce McLean, 5 Nov 1971.
Late Hepworth, 17 Feb 1970.
Art for the Blind, 18 Nov 1976.
Televising Art, 6 March 1975.
Medley's Dilemma, 26 March 1971.
0020382
Author/Editor: CORK Richard.
Publisher: Yale University Press
Place Published: New Haven and London.
Year: 2003
Date & Collation: xi,493pp.Illus.Index.
Description: Second of four-volume collection of Richard Cork's writings on art. Mostly exhibition reviews from the Evening Standard or The Listener. Includes mentions of Henry Moore in:
Reassessing British Art at thr RA, 15 Jan 1987.
Anthony Caro, 12 Oct 1989.
Art at School, 6 Oct 1980.
New Sculpture Outdoors, 11 Nov 1980.
Art and Architecture, 25 Jan 1982.
Art on the South Bank, 20 March 1986.
Crisis in the Art Schools, 18 Dec 1986.
Reassessing British Art at thr RA, 15 Jan 1987.
Anthony Caro, 12 Oct 1989.
Art at School, 6 Oct 1980.
New Sculpture Outdoors, 11 Nov 1980.
Art and Architecture, 25 Jan 1982.
Art on the South Bank, 20 March 1986.
Crisis in the Art Schools, 18 Dec 1986.
0020384
Author/Editor: CORK Richard.
Publisher: Yale University Press
Place Published: New Haven and London.
Year: 2003
Date & Collation: ix,368pp.Illus.Index.
Description: Last of four-volume collection of Richard Cork's writings on art. Mostly exhibition reviews from The Times. Mentions Henry Moore in:
Modern Sculpture at Gloucester Cathedral, 5 June 2000.
Modern Sculpture at Gloucester Cathedral, 5 June 2000.
0020383
Author/Editor: CORK Richard.
Publisher: Yale University Press
Place Published: New Haven and London.
Year: 2003
Date & Collation: xi,643pp.Illus.Index.
Description: Third of four-volume collection of Richard Cork's writings on art. Mostly exhibition reviews from The Times. Includes mentions of Henry Moore In:
Richard Long and Anish Kapoor, 18 Oct 1990.
Towards a New Alliance, 4 May 1992.
David Nash, 29 Oct 1996.
the Henry Moore Institute, 16 April 1993.
Richard Long and Anish Kapoor, 18 Oct 1990.
Towards a New Alliance, 4 May 1992.
David Nash, 29 Oct 1996.
the Henry Moore Institute, 16 April 1993.
0018936
Author/Editor: HAMMER Martin., LODDER Christina.
Publisher: Yale University Press
Place Published: New Haven and London
Year: 2000
Date & Collation: 528pp.Illus.Notes.Bibliog.Index.
Description: Contains three dozen brief references to Henry Moore, and a photograph on page 250 of a 1936 carving by Moore from Circle (See 0009178) compared with a similar design by Gabo from the same year. One chapter deals with Hampstead in the 1930s. There are also extensive references to Barbara Hepworth, Ben Nicholson, and Herbert Read.
0019580
Publisher: Yale University Press
Place Published: New Haven
Year: 2001
Date & Collation: 1pp(1 illus).
Description: Printed 12 Nov 2001 from Internet www.yale.edu. Publicity for the exhibition book (See 0019125).
0019169
Author/Editor: POTTS Alex.
Publisher: Yale University Press
Place Published: New Haven and London
Year: 2000
Date & Collation: xiii,417pp.Bibliog Notes.Index.
Description: Includes a dozen mentions of Henry Moore, focused in the chapter on Modernist Sculpture. There is a photograph of Moore's Reclining Figure, 1936 elm wood on page 150, with the discussion based around Adrian Stokes's essays on Barbara Hepworth and Henry Moore in the Spectator in 1933 (See 0009307).
The sculptors featured in the book are Antonio Canova, Auguste Rodin, Constantin Brancusi, David Smith, Robert Morris, Richard Serra, Donald Judd, Carl Andre, Eva Hesse, and Louise Bourgeois.
The author acknowledged the financial assistance of the Henry Moore Foundation.
The sculptors featured in the book are Antonio Canova, Auguste Rodin, Constantin Brancusi, David Smith, Robert Morris, Richard Serra, Donald Judd, Carl Andre, Eva Hesse, and Louise Bourgeois.
The author acknowledged the financial assistance of the Henry Moore Foundation.
0022655
Author/Editor: HARROD Tanya
Publisher: Yale University Press
Place Published: New Haven and London
Year: 2012
Date & Collation: xii.458pp.Illus.Notes.Index.Illustration Credits.
Description: 94 Moore mentioned as a contemporary of Michael Cardew, alongside Enid Marx, Eric Ravilious and Edward Bawden. 97 Moore's figurative concrete wall lights" were included by the painter Paul Nash in Room and Book and exhibition held at Zwemmer's in 1932 on furnishings for a modern interior. See Study for wall light 1928 terracotta (LH 49 and 50). 98 Moore listed as exhibiting with the National Society of Painters Sculptors Engravers and Potters alongside Frank Dobson Maurice Lambert John & Barbara Skeaping (Hepworth) and Leon Underwood. 101 Cardew compared to Moore "seen as a ceramic equivalent ... representing an English vernacular while also drawing on non-European cultures". 143 Cardew purchased by Moore."
0019166
Author/Editor: LOMAS David.
Publisher: Yale University Press
Place Published: New Haven and London
Year: 2000
Date & Collation: vii,269pp.Illus.Bibliog Notes.Index.
Description: 164(1 illus) Henry Moore.
Photograph of Mother and Child, 1953 bronze which is compared with an etching by Salvador Dalí illustrating Lautremont's Les Chants de Maldoror (Paris: Skira 1934). This in a discussion on oral cannibalism in a section entitled 'A Modern Midas: Dalí's Maldoror' within a chapter on 'Disgust'.
Photograph of Mother and Child, 1953 bronze which is compared with an etching by Salvador Dalí illustrating Lautremont's Les Chants de Maldoror (Paris: Skira 1934). This in a discussion on oral cannibalism in a section entitled 'A Modern Midas: Dalí's Maldoror' within a chapter on 'Disgust'.
0019904
Publisher: Yale University Press
Place Published: New Haven and London.
Year: 2002
Date & Collation: xix,386pp.Illus.8 colour plates.Bibliog.Index.
Description: Studies in British Art, 10. Published for the Paul Mellon Centre for Studies in British Art, The Yale Center for British Art. Many of the chapters in this book began life as papers at the conference Rethinking Englishness: English Art 1880-1940 at the University of York in 1977, supported by the Henry Moore Foundation.
248-274 POWERS Alan. The Reluctant Romantics: Axis magazine 1935-37.
(Contains half-a-dozen mentions of Henry Moore and articles on him in Axis (See 0005084)).
:There are also incidental mentions of Henry Moore in four other chapters:
199-223 SMILES Sam. Equivalents for the Megaliths: prehistory and English culture, 1920-50.
225-247 STEVENS Chris. Ben Nicholson: modernism, craft and the English vernacular.
275-302 CAUSEY Andrew. English Art and the National Character, 1933-34.
RUSSELL Fiona. John Ruskin, Herbert Read and the Englishness of British Modernism.
The other specific chapters are on George Clausen, Spencer Gore, Wyndham Lewis, Blast, Nikolaus Pevsner, and Ballet.
248-274 POWERS Alan. The Reluctant Romantics: Axis magazine 1935-37.
(Contains half-a-dozen mentions of Henry Moore and articles on him in Axis (See 0005084)).
:There are also incidental mentions of Henry Moore in four other chapters:
199-223 SMILES Sam. Equivalents for the Megaliths: prehistory and English culture, 1920-50.
225-247 STEVENS Chris. Ben Nicholson: modernism, craft and the English vernacular.
275-302 CAUSEY Andrew. English Art and the National Character, 1933-34.
RUSSELL Fiona. John Ruskin, Herbert Read and the Englishness of British Modernism.
The other specific chapters are on George Clausen, Spencer Gore, Wyndham Lewis, Blast, Nikolaus Pevsner, and Ballet.
0019056
Author/Editor: LANGMUIR Erika., LYNTON Norbert.
Publisher: Yale University Press
Place Published: New Haven and London
Year: 2000
Date & Collation: viii,753pp.
Description: Yale Nota Bebe book. Also published in hardback edition. Dictionary of artists and subjects in alphabetical order.
473-474 Henry Moore.
(Outline of Moore's life and career. He gave British sculpture international status and was a model of professional commitment")."
473-474 Henry Moore.
(Outline of Moore's life and career. He gave British sculpture international status and was a model of professional commitment")."
0015409
Author/Editor: PENNY Nicholas.
Publisher: Yale University Press
Place Published: New Haven & London
Year: 1993
Date & Collation: x,318pp.Illus.Bibliog.Glossary.
Description: Study of the traditional materials of sculpture, with a photograph of Reclining Figure, 1929 brown Hornton stone on page 121 in the chapter Schist, Sandstone and Limestone. It has a primeval character too which owes much to the stone from which it was carved Hornton limestone an ironstone from north-west Oxfordshire rusty brown and rich yellow with hints of greyish green which with the veins and fossils embedded in it seems more essentially rocky more part of the ancient body of the earth...""
0015428
Author/Editor: MACLEOD Glen.
Publisher: Yale University Press
Place Published: New Haven and London
Year: 1993
Date & Collation: xxix,253pp(20 illus).Bibliog.
Description: 92,99-100 Henry Moore.
In a chapter Parts of a World and the Abstraction/Surrealism Debate, Steven's ambivalence to both movements is seen as parallel to that of Henry Moore. Quotes from Hilton Kramer (See 0012167) and decides that, like Moore. Stevens avoided the absolutism of either camp.Portions of this book have appeared, in somewhat different form, in the Archives of American Art Journal, the Journal of Modern Literature, American Literature, and the Wallace Stevens Journal."
In a chapter Parts of a World and the Abstraction/Surrealism Debate, Steven's ambivalence to both movements is seen as parallel to that of Henry Moore. Quotes from Hilton Kramer (See 0012167) and decides that, like Moore. Stevens avoided the absolutism of either camp.Portions of this book have appeared, in somewhat different form, in the Archives of American Art Journal, the Journal of Modern Literature, American Literature, and the Wallace Stevens Journal."
0015412
Publisher: Yale University Press
Place Published: New Haven and London
Year: 1993
Date & Collation: vi,267pp.Illus.Bibliog.
Description: Published in association with the Open University. A316 Book 4. Modern Art: Practices and Debates. The final volume in a series of four books about art and its interpretation from the mid-nineteenth century to the end of the twentieth.
176-179 Modernism in Sculpture.
(There is a photograph of King and Queen, 1952-1953 bronze in a section on Anthony Caro, mentioning that he worked as Moore's assistant from 1951 to 1953).
The previous three volumes are entitled: Modernity and Modernism: French painting in the nineteenth century; Primitivism, Cubism, Abstraction: the early twentieth century; Realism, Rationalism, Surrealism: art between the wars.
176-179 Modernism in Sculpture.
(There is a photograph of King and Queen, 1952-1953 bronze in a section on Anthony Caro, mentioning that he worked as Moore's assistant from 1951 to 1953).
The previous three volumes are entitled: Modernity and Modernism: French painting in the nineteenth century; Primitivism, Cubism, Abstraction: the early twentieth century; Realism, Rationalism, Surrealism: art between the wars.
0016475
Publisher: Yale University Press
Place Published: New Haven and London
Year: 1995
Date & Collation: viii,227pp.Illus.Bibliog.
Description: Published by the Paul Mellon Centre for Studies in British Art. Studies in British Art, 1.
206-225 HARRISON Charles. England's Climate.
The period 1933-1936, mentioning Axis, Unit One (See 0009258), Seven and Five Society, The Painter's Object (See 0009169). Mentions Moore and includes three photographs of his sculpture.
206-225 HARRISON Charles. England's Climate.
The period 1933-1936, mentioning Axis, Unit One (See 0009258), Seven and Five Society, The Painter's Object (See 0009169). Mentions Moore and includes three photographs of his sculpture.
0018450
Author/Editor: BRETTELL Richard R.
Publisher: Yale University Press
Place Published: New Haven and London
Year: 1999
Date & Collation: xxii,206pp.Illus.Bibliog.
Description: Book of exhibition:
Singapore Museum of Art 1 April-30 May 1999.
National Gallery of Australia (Canberra) 11 June-22 Aug 1999.
North Carolina Museum of Art (Raleigh) 10 Sept-7 Nov 1999.
Portland Art Museum (Oregon) 19 Nov 1999-23 Jan 2000.
Art Institute of Chicago (Chaiago 13 March-28 May 2000.
Critical and historical introduction, followed by detailed catalogue of 52 works. Assembled by the Corporation's founder Nathan Cummings, the collection is being donated to museums throughout the world.
122-133(13 illus) Henry Moore: Exhibits 32-34: three Sculptures 1955-1964.
Illustrations, documentation and commentaries, with new Provenance from 2000:
32 _Upright Motive No. 8, 1955-1956 bronze.
(South Carolina Museum of Art).
33 Falling Warrior, 1956-1957 bronze.
(Art Institute of Chicago).
34 Moon Head, 1964 bronze.
(Singapore Art Museum).
Singapore Museum of Art 1 April-30 May 1999.
National Gallery of Australia (Canberra) 11 June-22 Aug 1999.
North Carolina Museum of Art (Raleigh) 10 Sept-7 Nov 1999.
Portland Art Museum (Oregon) 19 Nov 1999-23 Jan 2000.
Art Institute of Chicago (Chaiago 13 March-28 May 2000.
Critical and historical introduction, followed by detailed catalogue of 52 works. Assembled by the Corporation's founder Nathan Cummings, the collection is being donated to museums throughout the world.
122-133(13 illus) Henry Moore: Exhibits 32-34: three Sculptures 1955-1964.
Illustrations, documentation and commentaries, with new Provenance from 2000:
32 _Upright Motive No. 8, 1955-1956 bronze.
(South Carolina Museum of Art).
33 Falling Warrior, 1956-1957 bronze.
(Art Institute of Chicago).
34 Moon Head, 1964 bronze.
(Singapore Art Museum).
0015480
Author/Editor: HAMILTON George Heard.
Publisher: Yale University Press
Place Published: New Haven & London
Year: 1993
Date & Collation: 621pp(307 illus).Bibliog 553-591.
Description: Now standard history of modern art, first published in 1967 by Penguin Books (See 0009688).
512-519, etc. (2 Moore illus). Stanley Spencer and Henry Moore.
Section unchanged from 1972 Pelican History of Art edition. See 0004249 for description.
512-519, etc. (2 Moore illus). Stanley Spencer and Henry Moore.
Section unchanged from 1972 Pelican History of Art edition. See 0004249 for description.