Henry Moore Artwork Catalogue
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0021721
Publisher: Tate Publishing
Place Published: London
Year: 2010
Date & Collation: 10pp.illus
Description: Gatefold leaflet promoting the services of the Tate Fund. Illustrates the work carried out on Moore's carving Girl 1931 Ancaster stone, (LH 109) prior to it being exhibited in the Tate Britain Moore exhibtion. Page 4 shows three step-by-step illus of work being undertaken to remove dirt from the surface of the sculpture. Text notes that 100 individuals gave £50 in order for the work to be carried out.
0020998
Author/Editor: Edited by BRADLEY Will and ESCHE Charles.
Publisher: Tate Publishing
Place Published: London
Year: 2007
Date & Collation: 480pp.Illus.Bibliog.
Description: Book which gathers together an international selection of artists' proposals, manifestos, theoretical texts and public declarations that focus on the question of political engagement and the possibility of social change. Includes six essays which further explore both the historical context and the contemporary situation. Moore content: page 110 reproduces the text from We Ask your Attention" the 1938 pamphlet Moore designed for the British Surrealist Group. Page 26 shows the front page of the pamphlet in colour."
0019587
Author/Editor: HUMPHREYS Richard.
Publisher: Tate Publishing
Place Published: London
Year: 2001
Date & Collation: 264pp.Illus.Bibliog.Index.
Description: Outline of British art 1480-2001 drawing on the collections of Tate Britain.Includes half-a-dozen mentions of Henry Moore, with photographs of Recumbent Figure, 1938 green Hornton stone in front of Serge Chermayeff's house, and Shelterers in the Tube, 1941 drawing.
0020417
Publisher: Tate Publishing
Place Published: London.
Year: 2003
Date & Collation: Box containing a booklet, 12 postcards, and 12 envelopes.
Description: Issued during the Tate Modern display Henry Moore: public sculpture later cited as Henry Moore: public sculptures . The postcards depict sculptures 1943-1968.
The 12pp Booklet has the title Henry Moore: Public Sculptures, and has on the front Ida Kar's 1954 photoportrait with the title Henry Moore at his Studio in Much Hadham, and a text by Toby Treves incorporating mention of the sculptures.
The lid of the box repeats the illustration of Madonna and Child, 1943-1944 Hornton stone.
The box is labelled Henry Moore: 12 assorted postcards with envelopes.
The price sticker reads Henry Moore Boxed Postcards).
The 12pp Booklet has the title Henry Moore: Public Sculptures, and has on the front Ida Kar's 1954 photoportrait with the title Henry Moore at his Studio in Much Hadham, and a text by Toby Treves incorporating mention of the sculptures.
The lid of the box repeats the illustration of Madonna and Child, 1943-1944 Hornton stone.
The box is labelled Henry Moore: 12 assorted postcards with envelopes.
The price sticker reads Henry Moore Boxed Postcards).
0020441
Publisher: Tate Publishing
Place Published: London.
Year: 2003
Date & Collation: 160pp.Illus.Biog.Bibliog.Texts by Simon Armitage, Sophie Bowness, David Lewis, Peter Murray, Jeanette Winterson.
Description: Published on the occasion of the exhibitions at Tate St. Ives and at Yorkshire Sculpture Park. Supported by the Henry Moore Foundation and others. Distributed in the USA by Abrams. Includes half-a-dozen mentions of Henry Moore.
0018926
Author/Editor: BUCK Louisa.
Publisher: Tate Publishing
Place Published: London
Year: 2000
Date & Collation: 278pp.Illus.Index.
Description: Revised edition of Moving Targets: a user's guide to British art now published in 1997. In the style of a handbook or directory of artists and institutions.
231 The Henry Moore Foundation.
245 The Henry Moore Foundation Studio.
246 Henry Moore Institute.
The book also contains one or two other passing mentions of Henry Moore and the Henry Moore Foundation.
231 The Henry Moore Foundation.
245 The Henry Moore Foundation Studio.
246 Henry Moore Institute.
The book also contains one or two other passing mentions of Henry Moore and the Henry Moore Foundation.
0019732
Publisher: Tate Publishing
Place Published: London
Year: 2001
Date & Collation: Folder containing booklet and 18 work cards.
Description: The 80pp booklet entitled Investigating Tate Britain: a guide for teachers has two photographs of Henry Moore sculptures, and half-a-dozen passing mentions of the artist.
0019690
Publisher: Tate Publishing
Place Published: London
Year: 2002
Date & Collation: (17 Jan-24 March).Illus.Bibliog.Introduction by Nicholas Serota.
Description: Catalogue of small exhibition at Tate Modern. The illustrations are accompanied by extracts from the writings of art critic and exhibition curator David Sylvester (1924-2001).
60-63 GALE Matthew. Towards a Sylvester Bibliography.
(The list includes twenty publications on Henry Moore, one of which was on display in a cabinet of printed material).
60-63 GALE Matthew. Towards a Sylvester Bibliography.
(The list includes twenty publications on Henry Moore, one of which was on display in a cabinet of printed material).
0021467
Author/Editor: POWERS Alan.
Publisher: Tate Publishing
Place Published: London
Year: 2008
Date & Collation: 176pp.Illus.Preface.Bibliography.Index
Description: Tells the dual story of the the Curwen Press and the Curwen Studio. Pages 106-110 examine the working relationship between "artist printer" Stanley Jones and Henry Moore, the new printing techniques developed between them and how these effected Moore's etchings and lithographs. Quotes from Moore and Jones. Three Moore illus show:
Seventeen Reclining Figures with Architectural Background 1963 lithograph, (CGM 47)
Five Reclining Figures 1963 lithograph, (CGM 45)
Reclining Figure with Sea Background 1973 lithograph, (CGM 236).
0020873
Publisher: Tate Publishing
Place Published: London
Year: 2006
Date & Collation: .240pp.Illus.Index.
Description: Published to illustrate the recent re-hang at Tate Modern, this is an updated version of the 2000 handbook (0018751). There are four mention of Moore, and a text by Sheena Wagstaff on page 181, illustrated by Working Model for Upright Internal/External Form, 1952-53 plaster (LH 295).
0020701
Author/Editor: DIMBLEBY David.
Publisher: Tate Publishing
Place Published: London
Year: 2005
Date & Collation: 223pp.Illus.Index.Bibliog.
Description: Published to accompany the BBC series, and the exhibition at Tate Britain, this book celebrates the British landscape and the art it has inspired. In the essay 'The Home Front: War and Peace', Christine Riding accounts for Britain as an invention forged above all by war" how the theme of war appears in British art and how British national identity is formed through these images. With the Second World War the experience of war was now on the doorstep and Riding accounts for the role of War Artists at home. Moore's shelter drawings in the London Underground exhibited at the National Gallery in 1941 "were often interpreted as metaphors for the stoical resistance shown by the British during wartime". Tube shelter perspective: The Liverpool Street Extension drawing 1941 (HMF 1801) is illustrated."
0022501
Author/Editor: SIDLINA Natalia
Publisher: Tate Publishing
Place Published: London
Year: 2012
Date & Collation: 207pp.illus
Description: Reprint of Russian language monograph, see 0022370. Two Moore illus: 164 shows Moore's Stringed Figure 1938 bronze and string, (LH 186b) Page 158 includes quote from Miriam Gabo, stating it was Moore who developed the first stringed sculptures. Page 164 Biographical image shows Moore with Hepworth and Gabo at Herbert Read's memorial at Tate Gallery, 1970.
0020759
Publisher: Tate Publishing
Place Published: London
Year: 2005
Date & Collation: 175pp.Illus.Index.Bibliography.Chronology.
Description: Published on the occasion of the exhibition at Tate Britain in 2005 supported by the Henry Moore Foundation, with an overview of Caro's career by Tate curator Paul Moorhouse, as well as critical essays by Michael Fried and Dave Hickey.
Caro's meeting with Henry Moore and consequent work at Much Hadham is detailed in the Chronology. Moore was a most generous teacher... we'd have long conversations about art... he'd look at my drawings and criticise them. He taught me how to draw. It was very good. And I actually did try very much to get into his head and to learn everything I could from him... here I was in a place where someone was actually making sculpture and I was seeing how it all worked; it was fabulous.""
Caro's meeting with Henry Moore and consequent work at Much Hadham is detailed in the Chronology. Moore was a most generous teacher... we'd have long conversations about art... he'd look at my drawings and criticise them. He taught me how to draw. It was very good. And I actually did try very much to get into his head and to learn everything I could from him... here I was in a place where someone was actually making sculpture and I was seeing how it all worked; it was fabulous.""
0022370
Author/Editor: SIDLINA Natalia
Publisher: Tate Publishing
Place Published: London
Year: 2012
Date & Collation: 207pp.illus
Description: Russian language monograph. Two Moore illus: 164 shows Moore's Stringed Figure 1938 bronze and string, (LH 186b)
0023406
Author/Editor: Edited by GALE Matthew
Publisher: Tate Publishing
Place Published: London
Year: 2016
Date & Collation: 352pp.Illus.Index.
Description: Celebrates the opening of the major expansion of Tate Modern in 2016. An A-Z of three hundred artists. 120 quote by HM on Modernism, he acknowledged that Jacob Epstein 'took the insults . . . and took them first'. 159 Reference to Barbara Hepworth, adopting direct carving practised by Epstein and Moore. 243 An entry on Moore and illus of Upright Internal / External Form 1952-53 plaster (LH 296). Also reference to Recumbent Figure 1938 green Horton stone (LH 191) and Composition 1932 dark African wood (LH 128).
0023424
Author/Editor: CHAMBERS Emma
Publisher: Tate Publishing
Place Published: London
Year: 2016
Date & Collation: 2016.192pp.illus.Notes.select bibliography.exhibited works.credits.index.
Description: Book on life and works of Paul Nash complementing exhibition at Tate Britain London (26 October 2016 - 5 March 2017). Pages 14 and 15 passing reference to Moore. 18 ref. to Moore being member of 'Objects Sub-committee' and the English surrealist group. 35 ref. to Nash's Group for a Sculptor 1931, a drawing dedicated to Moore and a quote from Moore in 1934 on natural objects. 39-40 ref. to Moore's concept use of small handheld objects and influence on Nash. 62 ref. to Moore and Nash's interest in Thompson's book 'On Growth and Form' (1917). 69 image of Moore's work Composition 1933 carved concrete (LH 1933).
0018751
Publisher: Tate Publishing
Place Published: London
Year: 2000
Date & Collation: 245pp.Illus.Bibliog.Index.
Description: Celebrates the opening of Tate Modern. Prefatory texts, followed by an A-Z of one hundred artists.
202(1 illus) Henry Moore: Recumbent Figure, 1938 green Hornton stone.
There are also passing mentions of Moore in the entries for Francis Bacon, Anthony Caro, and Barbara Hepworth. He is also mentioned in three of the essays in the first half of the book, on the thematic arrangement of the art works, with a photograph of Reclining Figure, 1951, plaster on page 103:
MUNDAY Jennifer. Landscape, Matter, Environment.
LEWISON Jeremy. History, Memory, Society.
WILSON Simon. Nude, Action, Body.
202(1 illus) Henry Moore: Recumbent Figure, 1938 green Hornton stone.
There are also passing mentions of Moore in the entries for Francis Bacon, Anthony Caro, and Barbara Hepworth. He is also mentioned in three of the essays in the first half of the book, on the thematic arrangement of the art works, with a photograph of Reclining Figure, 1951, plaster on page 103:
MUNDAY Jennifer. Landscape, Matter, Environment.
LEWISON Jeremy. History, Memory, Society.
WILSON Simon. Nude, Action, Body.
0018698
Author/Editor: MYRONE Martin.
Publisher: Tate Publishing
Place Published: London
Year: 2000
Date & Collation: 144pp.Illus.Foreword by Stephen DEUCHAR.
Description: Published to celebrate Representing Britain 1500-2000. Displays from the Collection sponsored by BP Amoco... reflects the scope and remit of the new gallery at Millbank: Tate Britain launched in spring 2000".
108(1 illus) Henry Moore Four Piece Composition: Reclining Figure 1934 Cumberland alabaster.
These shapes suggest simultaneously a figure a landscape or pebbles and bones"."
108(1 illus) Henry Moore Four Piece Composition: Reclining Figure 1934 Cumberland alabaster.
These shapes suggest simultaneously a figure a landscape or pebbles and bones"."
0021637
Publisher: Tate Publishing
Place Published: London
Year: 2009
Date & Collation: 18pp.illus
Description: Booklet promoting the preposed redevelopment of Tate Britain. Includes projections of the building.
Henry Moore: Page 5 quote from Mary Moore on the importance of her father's work being seen in London.
Page 8 explains the intention to reinforce gallery floors allowing Tate to show works of international significance such Henry Moore's heavier sculptures". One Moore illus: page 8 shows Half-Figure 1932 Armenian Marble (LH 117).
0021564
Author/Editor: HODGE Susie
Publisher: Tate Publishing
Place Published: London
Year: 2009
Date & Collation: 128pp.illus.chronology.biography.glossary.index
Description: Book providing basic chronological information on Modern Art movements. Moore content Moore, Hepworth & Bourgeois pages 68-69. One Moore illus: Four Piece Composition: Reclining Figure 1934 Cumberland alabaster, (LH). Brief accompanying text. Holey Figures explores Moore's lumpy and hollow areas and - holes"."
0021513
Publisher: Tate Publishing
Place Published: London
Year: 2009
Date & Collation: 80pp.illus.
Description: Catalogue accompanies Zobernig's first UK exhibition, 04 October 2008 to 11 January 2009, and provides an overview of the artist's work, as well as incorporating responses to Tate's collection developed especially for the Tate St Ives exhibition, including sculpture, video, painting, installation and architectural intervention. A parallel exhibition also held at Calouste Gulbenkian Foundation Modern Art Centre, Portugal, 25 May 2009 to 30 August 2009. Two Moore illus:
Reclining Figure: Bunched 1961 bronze, (LH 489)
Working Model for Spindle Piece 1968-69 bronze, (LH 592)
0021569
Publisher: Tate Publishing
Place Published: London
Year: 2009
Date & Collation: (10 Oct 2009-10 Jan 2010)176pp.illus.Foreword by Martin CLARK and Mark OSTERFIELD.
Description: Mixed exhibition held at Tate St. Ives. Catalogue features three Moore illus:
Four Forms 1938 drawing, (HMF 1379)
Three Points 1939-40 bronze, (LH 211)
Mask 1928 stone, (LH 54)
Brief mention of Moore, page xvi, within essay Lost Hikers - On Magic and Modernism: Pursuing the Neo-Romantic Sensibility in British Art by Michael BRACEWELL.
Miscellaneous exhibition material included.
0023911
Author/Editor: STEPHENS Chris
Publisher: Tate Publishing
Place Published: London
Year: 2018
Date & Collation: 304pp.illus.
Description: Monograph on the avant-garde artists based in St. Ives, Cornwall, in the mid twentieth century. Mentions of Moore throughout, including references to his preeminent position among British artists from the 1940s onwards (pp.10, 64, 132), and his participation in the Festival of Britain and the 1948 Venice Biennale.
0024037
Author/Editor: MCSWEIN Kirsteen
Publisher: Tate Publishing
Place Published: London
Year: 2018
Date & Collation: 64pp.illus.
Description: Collection highlights from the Tate Britain. pp.36-37 is works by Henry Moore. Four works illustrated: Mask 1929, Recumbent Figure 1938, King and Queen 1952-53, Shelterers in the Tube 1941. Each work has one paragraph of brief commentary/context.