Henry Moore Artwork Catalogue
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0000415
Author/Editor: HEPWORTH Barbara.
Publisher: Tate Gallery
Place Published: London
Year: 1985
Date & Collation: 136pp.Illus.
Description: Reprint of 1978 edition (See 0002663) of work first published in 1970. See 0004682 for annotation.
0003056
Author/Editor: GILMOUR Pat.
Publisher: Tate Gallery
Place Published: London
Year: 1977
Date & Collation: .167pp.Illus.32 plates.Glossary.Bibliog.
Description: Book of the 23 Feb-11 April 1977 exhibition. 340 works by two dozen artists. 36 prints by Henry Moore are documented on pages 149-150 in a listing of the Curwen Studio Gift.
Plate 17 is of Hands II, 1973 lithograph and there are several passing mentions of Moore in the text. Four Prints by Moore made between 1963 and 1973 were in the actual exhibition. A drawing and the plate for Hands I, 1973 lithograph were also exhibited.
Plate 17 is of Hands II, 1973 lithograph and there are several passing mentions of Moore in the text. Four Prints by Moore made between 1963 and 1973 were in the actual exhibition. A drawing and the plate for Hands I, 1973 lithograph were also exhibited.
0020520
Publisher: Tate Gallery
Place Published: London.
Year: 1977
Date & Collation: (1 Dec)-1978(28 Feb).6pp folded sheet(1 Moore illus).Bibliog.Text by Sandy Nairne.
Description: Undated exhibition publication with mentions of Henry Moore, and a small photograph of a 1938 carving.
0000509
Publisher: Tate Gallery
Place Published: London
Year: 1985
Date & Collation: (13 Feb-14 April).248pp.Illus.Biog.Bibliog.Texts.
Description: Includes half-a-dozen passing mentions of Moore in a text by David LEWIS entitled St. Ives: a personal memoir 1947-1955, recalling British artists of the 1930s. Moore was not included in this exhibition.
0000521
Author/Editor: The Contemporary Art Society.
Publisher: Tate Gallery
Place Published: London
Year: 1985
Date & Collation: 24pp(1 illus).Texts.
Description: Notes the receipt of funding from the Henry Moore Foundation, and lists works by Jane Ackroyd and Anish Kapoor purchased in 1984 under the Foundation's name.
0010800
Publisher: Tate Gallery
Place Published: London
Year: 1969
Date & Collation: 208pp.Illus.Chronology.Introduction by Norman REID.
Description: 'an anthology of illustrations' with three full-page photographs of work by Henry Moore:
150 Composition, 1932 African Wonderstone.
176 Recumbent Figure, 1938 green Hornton stone.
198 Two Piece Reclining Figure No. 2, 1960 bronze.
150 Composition, 1932 African Wonderstone.
176 Recumbent Figure, 1938 green Hornton stone.
198 Two Piece Reclining Figure No. 2, 1960 bronze.
0002830
Publisher: Tate Gallery
Place Published: London
Year: 1978
Date & Collation: .72pp(84 illus).Illus.Biog.
Description: A catalogue of the work by Henry Moore in the Tate Gallery collection published to celebrate the artist's recent gift of sculptures. Published for the exhibition of 28 June-28 August 1978.
7-8 REID Norman. Foreword.
(Moore's association with the Tate goes back to 1939 when Recumbent Figure, 1938 green Hornton stone was presented by the Contemporary Art Society. In 1941 Moore became a Trustee and remained on the Board, with one brief interval, for 14 years. The presentation was first discussed in 1964. To avoid swamping the collection Moore decided his gift should only become effective when the exhibition space increased by 50%, but agreed to the gift becoming part of the 80th birthday celebrations).
9-14 RUSSELL John. Introduction.
(Three qualities are seen in Moore's success: an inner ferocity, an idiom capable of developing new statements, and a sense of what is needed at a given moment in history. Four main influences are discussed: Primitive art, Renaissance masters, other modern artists, and forms from nature. The War Drawings and the Northampton commission transformed him from a friend of the Avant-Garde to a firmly consecrated keeper of the national conscience. From small bronze figures to the monumental scale of the later works, elements are seen of terror, resolution and survival).
15-62 Catalogue of sculptures.
63-69 Catalogue of drawings.
70-72 Chronology.
7-8 REID Norman. Foreword.
(Moore's association with the Tate goes back to 1939 when Recumbent Figure, 1938 green Hornton stone was presented by the Contemporary Art Society. In 1941 Moore became a Trustee and remained on the Board, with one brief interval, for 14 years. The presentation was first discussed in 1964. To avoid swamping the collection Moore decided his gift should only become effective when the exhibition space increased by 50%, but agreed to the gift becoming part of the 80th birthday celebrations).
9-14 RUSSELL John. Introduction.
(Three qualities are seen in Moore's success: an inner ferocity, an idiom capable of developing new statements, and a sense of what is needed at a given moment in history. Four main influences are discussed: Primitive art, Renaissance masters, other modern artists, and forms from nature. The War Drawings and the Northampton commission transformed him from a friend of the Avant-Garde to a firmly consecrated keeper of the national conscience. From small bronze figures to the monumental scale of the later works, elements are seen of terror, resolution and survival).
15-62 Catalogue of sculptures.
63-69 Catalogue of drawings.
70-72 Chronology.
0013578
Publisher: Tate Gallery
Place Published: London
Year: 1957
Date & Collation: (29 Aug-18 Sept).4pp.Introduction by John ROTHENSTEIN.
Description: List of 41 works.
Exhibit 40 Henry Moore: one Sculpture.
Exhibit 40 Henry Moore: one Sculpture.
0016105
Publisher: Tate Gallery
Place Published: London
Year: 1994
Date & Collation: (16 June-4 Sept).239pp.Illus.Biog.Bibliog.Edited by Richard MORPHET.Texts by R.B. KITAJ, and Richard WOLLHEIM.
Description: Exhibition also at Los Angeles County Museum of Art 22 Oct 1994-8 Jan 1995 and Metropolitan Museum of Art (New York) 15 Feb-14 May 1995.
9-34 MORPHET Richard. The Art of R.B. Kitaj. (Includes a photograph of Moore's The Artist's Mother, 1927 drawing and list mention of Moore as one of the other artists in The Human Clay exhibition (See 0003343).
57-64 Chronology; Compiled by Joanne NORTHEY. (Under 1962-1965 Moore is listed as one of the Marlborough Fine Art artists whom Kitaj met at the Gallery).
At the end of the catalogue the Henry Moore Foundation are listed as Donors to the Tate Gallery Liverpool and St. Ives.
9-34 MORPHET Richard. The Art of R.B. Kitaj. (Includes a photograph of Moore's The Artist's Mother, 1927 drawing and list mention of Moore as one of the other artists in The Human Clay exhibition (See 0003343).
57-64 Chronology; Compiled by Joanne NORTHEY. (Under 1962-1965 Moore is listed as one of the Marlborough Fine Art artists whom Kitaj met at the Gallery).
At the end of the catalogue the Henry Moore Foundation are listed as Donors to the Tate Gallery Liverpool and St. Ives.
0000699
Publisher: Tate Gallery
Place Published: London
Year: 1984
Date & Collation: (4 July-9 Sept).80pp.Illus.Biog.Bibliog.Foreword by Alan BOWNESS.Text by Richard MORPHET.
Description: 149 works by 45 artists.
2,23,67-68,76(2 illus) Henry Moore: one Carving 1959-1964 and eight Drawings 1975-1983.
Morphet mentions briefly the importance of the head in Moore's work.
2,23,67-68,76(2 illus) Henry Moore: one Carving 1959-1964 and eight Drawings 1975-1983.
Morphet mentions briefly the importance of the head in Moore's work.
0002898
Publisher: Tate Gallery
Place Published: London
Year: 1978
Date & Collation: 130pp.Illus.
Description: Illustrated Biennial Report and Catalogue of Acquisitions.
51,107(1 illus) Henry Moore: Four Piece Composition: Reclining Figure, 1934 Cumberland alabaster.This outstanding carving exemplifies Moore's powerfully expressive fusion of the contrasting Surrealist and abstract impulses of the 1930s, and of organic with formal qualities."
51,107(1 illus) Henry Moore: Four Piece Composition: Reclining Figure, 1934 Cumberland alabaster.This outstanding carving exemplifies Moore's powerfully expressive fusion of the contrasting Surrealist and abstract impulses of the 1930s, and of organic with formal qualities."
0003322
Publisher: Tate Gallery
Place Published: London
Year: 1976
Date & Collation: 98pp.Illus.
Description: Selection from 50 volumes of manuscript journals now in the library of University College, London. Kept by artist William Townsend 1909-1973. Includes a small photograph of Moore on a 1 May 1937 Surrealist march, and one or two passing mentions in the text.
0000762
Publisher: Tate Gallery
Place Published: London
Year: 1984
Date & Collation: 352pp.Foreword by Alan BOWNESS.
Description: Complete concise catalogue of works with details of date medium material size and acquisition including the titles and dates of works by the same artists at the National Gallery."
266-273 Henry Moore.
Lists 350 sculptures drawings prints and portfolios 1925-1981.
For 7th edition 1980 see 0002222. For 6th edition 1977 see 0003115. For 1967 edition see 0009696."
266-273 Henry Moore.
Lists 350 sculptures drawings prints and portfolios 1925-1981.
For 7th edition 1980 see 0002222. For 6th edition 1977 see 0003115. For 1967 edition see 0009696."
0015021
Publisher: Tate Gallery
Place Published: London
Year: 1992
Date & Collation: 16pp.Illus.Written by Simon WILSON.
Description: A brief introduction to and souvenir of some of the highlights of the Tate Gallery New Displays 1992".
10(1 illus) Henry Moore.
Photograph and brief description of Upright Motives."
10(1 illus) Henry Moore.
Photograph and brief description of Upright Motives."
0015027
Publisher: Tate Gallery
Place Published: London
Year: 1992
Date & Collation: 28pp.Illus.
Description: 21(1 illus) Henry Moore: Woman Seated in the Underground, 1941 drawing. Small reproduction in the section on Poster Prints.
0003115
Publisher: Tate Gallery
Place Published: London
Year: 1977
Date & Collation: 290pp.Foreword by Norman REID.
Description: Complete concise catalogue of works with details of date medium material size and acquisition..."
232-233 Henry Moore.
Lists 38 Drawings and Sculptures produced between 1939 and 1976. The chief omission from this edition is that of modern prints... A concise catalogue of modern prints is planned for 1978."
For 1967 edition see 0009696. For 7th edition 1980 see 0002222. For 8th edition 1984 see 00000762."
232-233 Henry Moore.
Lists 38 Drawings and Sculptures produced between 1939 and 1976. The chief omission from this edition is that of modern prints... A concise catalogue of modern prints is planned for 1978."
For 1967 edition see 0009696. For 7th edition 1980 see 0002222. For 8th edition 1984 see 00000762."
0015028
Publisher: Tate Gallery
Place Published: London
Year: 1992
Date & Collation: 20pp.Illus.
Description: Booklet introducing the gallery's collection and services. Also published, with the same title, in French, German and Spanish versions.
15(1 illus) Henry Moore: Girl, 1931 Ancaster stone.
Photograph with caption on Moore's contribution to modern sculpture, and his inspiration from Aztec art. Bronzes by Moore can be seen on page 3 in a 1992 photograph of the Duveen Sculpture Galleries.
15(1 illus) Henry Moore: Girl, 1931 Ancaster stone.
Photograph with caption on Moore's contribution to modern sculpture, and his inspiration from Aztec art. Bronzes by Moore can be seen on page 3 in a 1992 photograph of the Duveen Sculpture Galleries.
0015026
Author/Editor: GRIEVE Alastair.
Publisher: Tate Gallery
Place Published: London
Year: 1992
Date & Collation: 72pp.Illus.Biog.Bibliog.
Description: A catalogue of the material in the Tate Gallery Archive. Includes half-a-dozen incidental Henry Moore mentions, including funding of this research on Adams by Grieve.
0000763
Publisher: Tate Gallery
Place Published: London
Year: 1984
Date & Collation: 150pp.Illus.
Description: 119,132 Henry Moore.
Lists the transfer of three sculptures 1929-1958 from the Victoria and Albert Museum, and the addition of 157 prints 1973-1981 as part of the ongoing gift of one copy of every impression made by the artist. The appointment of a sculptor conservator, through the generosity of the Henry Moore Foundation, is noted on page 74.
Lists the transfer of three sculptures 1929-1958 from the Victoria and Albert Museum, and the addition of 157 prints 1973-1981 as part of the ongoing gift of one copy of every impression made by the artist. The appointment of a sculptor conservator, through the generosity of the Henry Moore Foundation, is noted on page 74.
0003378
Publisher: Tate Gallery
Place Published: London
Year: 1976
Date & Collation: 103pp.Illus.
Description: 52-54(3 illus) Print Department note on Graphics in the Making exhibition (See 0003588), with illustrations of Reclining Figure 3, 1970-1972 etching and aquatint.
0001059
Publisher: Tate Gallery
Place Published: London
Year: 1983
Date & Collation: (23 June-14 Aug).32pp(48 illus).Foreword by Alan BOWNESS.
Description: Sub-title: Some recent sculptures and drawings. 17 Sculptures 1979-1982, and 28 Drawings 1980-1983. Seen as a companion volume to The Henry Moore Gift 1978 (See 0002830). The foreword provides a commentary on the works on display, grouped by theme. Noted in particular are domestic subjects, skies, and the inspiration from human figure and from nature. Distributed in the U.S.A. by Salem House.
This exhibition and catalogue also at Sonja Henies og Niels Onstads Stiftelser (Høvikodden) 26 November 1983-15 January 1984.
Title as printed: Henry Moore at 85.
This exhibition and catalogue also at Sonja Henies og Niels Onstads Stiftelser (Høvikodden) 26 November 1983-15 January 1984.
Title as printed: Henry Moore at 85.
0017368
Publisher: Tate Gallery
Place Published: London
Year: 1997
Date & Collation: 160pp.Illus.
Description: Cover sub-title: Artists and Models.
Includes a full-page colour plate:Pink and Green Sleepers, 1941 drawing.
Includes a full-page colour plate:Pink and Green Sleepers, 1941 drawing.
0003588
Publisher: Tate Gallery
Place Published: London
Year: 1975
Date & Collation: (21 May-6 July).48pp(57 illus).Bibliog.Foreword by Norman REID.Text by Pat GILMOUR.
Description: Distributed in France and Italy by Idea Books.
7 Foreword.
(Celebrates the outstandingly generous gift by Henry Moore of a complete set of his prints").
8-11 Moore's graphic art.
(Exhibition concept was "to try to give some insight into Moore's working methods by displaying loaned preparatory drawings and states never before seen for certain selected images". Outlines the artist's printmaking activities over the years).
12-15 Graphic techniques.
(Description of Moore's activities in etching collograph and lithography noting his ingenuity and experimentation).
16-45 Plates and commentary.
(Comments on individual works drawings and states. Includes several on the Reclining Figure theme).
46-48 Catalogue.
(List of 18 graphic works in different stages of creativity dating between 1939 and 1975; and 10 related Sculptures 1931-1966).
The texts incorporate quotations made in a taped conversation between Pat Gilmour and Henry MOORE on 25 March 1975 (See 0010669). The exhibition was also shown at Wakefield Art Gallery July-Aug 1976 (See 0003339)."
7 Foreword.
(Celebrates the outstandingly generous gift by Henry Moore of a complete set of his prints").
8-11 Moore's graphic art.
(Exhibition concept was "to try to give some insight into Moore's working methods by displaying loaned preparatory drawings and states never before seen for certain selected images". Outlines the artist's printmaking activities over the years).
12-15 Graphic techniques.
(Description of Moore's activities in etching collograph and lithography noting his ingenuity and experimentation).
16-45 Plates and commentary.
(Comments on individual works drawings and states. Includes several on the Reclining Figure theme).
46-48 Catalogue.
(List of 18 graphic works in different stages of creativity dating between 1939 and 1975; and 10 related Sculptures 1931-1966).
The texts incorporate quotations made in a taped conversation between Pat Gilmour and Henry MOORE on 25 March 1975 (See 0010669). The exhibition was also shown at Wakefield Art Gallery July-Aug 1976 (See 0003339)."
0013839
Publisher: Tate Gallery
Place Published: London
Year: 1978
Date & Collation: 2pp folder(3 Moore illus).
Description: Calendar/News sheet of events, with documentation on: The Drawings of Henry Moore (See 0003064), The Henry Moore Gift (See 0002830), and also an exhibition of prints presented to the Tate Gallery between 1975 and 1977: Henry Moore Prints, not previously documented in the Bibliography. There is also a note on Henry Moore at the Serpentine (See 0002718 and 0002719) and a column on Films at the Tate indicates that Henry Moore at Eighty (See 0002992) was shown during August.