Skip to main content

Henry Moore Artwork Catalogue

Search

Skip to main content
Sort:
Filters
27 results for *
0002972
Author/Editor: FULLER Peter.
Publisher: Studio International
Place Published: London
Year: 1978
Date & Collation: (1) 4-18(1 Moore illus).
Description: Includes a passing mention of Moore, and a 1970 photograph of the artist with Naum Gabo, Barbara Hepworth and Lady Read.
0013712
Author/Editor: STOTT Deborah A.
Publisher: Studio International
Place Published: London
Year: 1970
Date & Collation: (Nov) 213-214.
Description: Review of Giovanni Pisano: sculptor (See 0004851). This book must have been a labour of love both for Mr. Ayrton and for Henry Moore who wrote the Introduction.""
0005305
Publisher: Studio International
Place Published: London
Year: 1968
Date & Collation: (July-Aug) 22-23(4 illus).
Description: Photographs of four Bronzes 1966-1968, at the time of the Tate Gallery exhibition (See 0005063). Publishers' advertisements for Henry Moore on Sculpture (See 0005026), and John Russell's Henry Moore (See 0005041) appear on page 53 of this issue of Studio International.
0005304
Author/Editor: HERON Patrick.
Publisher: Studio International
Place Published: London
Year: 1968
Date & Collation: (Feb) 62-64.
Description: Article attacking American influences on British art, and including criticism of Clement Greenberg's statement in the January 1968 issue (See 0005303) that Moore is a minor artist"."
0005307
Author/Editor: LEVITT Suzanne Rosalyn.
Publisher: Studio International
Place Published: London
Year: 1968
Date & Collation: (Nov) 226,228.
Description: Review, using quotations, of books by John Russell (See 0005041) a critical analysis" and John Hedgecoe (See 0005040) "a pictorial statement"."
0005303
Author/Editor: LUCIE-SMITH Edward.
Publisher: Studio International
Place Published: London
Year: 1968
Date & Collation: (Jan) 4-5.
Description: Includes several mentions of Henry Moore, including the controversial statement: Moore is a minor artist; his best work was done before 1940" and "Moore's..a father a generator but not a leader not even an example". See also 0005304."
0005306
Author/Editor: TUCKER William.
Publisher: Studio International
Place Published: London
Year: 1968
Date & Collation: (Oct) 124(1 illus).
Description: Comments at the time of the Tate Gallery exhibition of sheer mastery" (See 0005063). "It was Moore's Seated Warrior in the Holland Park exhibition of 1956 that decided me on a career of sculpture." Tucker feels "that what Moore has unselfishly given to British art by setting his ambitions and standards higher than any English artist for a century...has been at the cost of his own contribution to the evolution of modern art in general." Moore is seen as isolated from younger artists and Tucker calls for a dialogue between Moore and sculptors wishing to learn from him."
0003288
Author/Editor: CAUSEY Andrew.
Publisher: Studio International
Place Published: London
Year: 1977
Date & Collation: (March-April)..(1 Moore illus).
Description: Landscape and horizontal elements in Moore and Caro as historical factors leading to Earth Art.
0005570
Author/Editor: HARRISON Charles.
Publisher: Studio International
Place Published: London
Year: 1967
Date & Collation: (April) 180-191(illus).Bibliog.
Description: Includes passing mentions of Henry Moore and a small photograph of Four Piece Composition: Reclining Figure, 1934 Cumberland alabaster in a photograph of the catalogue of the 7 and 5 Society exhibition at Zwemmer in 1935 (See 0009237).
0005572
Publisher: Studio International
Place Published: London
Year: 1967
Date & Collation: (Dec) 293-312(illus).
Description: Includes list-mentions of Moore in advertisements, and two small illustrations of Upright Motives, 1966 lithograph.
0005815
Author/Editor: LEVY Mervyn.
Publisher: Studio International
Place Published: London
Year: 1966
Date & Collation: (Jan) 26-29(2 Moore illus).
Description: Deals mainly with Rodin and the consistent and single-minded drawings of Henry Moore stressing the notion of the human being as individual while retaining the idea of an impersonal yet always anthropormorphic monumentality". Argues that Moore has "realised in his drawings so profound a degree of sheer monumentality that the act of modelling or carving would be superfluous to this expression"."
0005818
Author/Editor: LUCIE-SMITH Edward.
Publisher: Studio International
Place Published: London
Year: 1966
Date & Collation: (Oct) 194-199(1 Moore illus).
Description: Includes comments on the Moore-Sutherland exhibition at Marlborough (See 0005670), with a full-page reproduction from the Shelter Sketchbook: the heroic mood of wartime.""
0005817
Author/Editor: AYRTON Michael.
Publisher: Studio International
Place Published: London
Year: 1966
Date & Collation: (Sept) 160-161(1 illus).
Description: Review article of Henry Moore on Sculpture (See 0005627), largely devoted to a discussion on artists as writers about their work.
0005571
Author/Editor: ELSEN Albert.
Publisher: Studio International
Place Published: London
Year: 1967
Date & Collation: (July-Aug) 26-31(11 illus).
Description: Henry Moore studied photographs of the Petit Palais torso noticed its repetition in the Walking Man (owned by Henry Moore) and then commented on what it was that attracted him to both sculptures." The technical and historical problems relating to the Walking Man are discussed including its probable origin in a Michelangelo drawing Study of a Nude Youth in the British Museum. Moore also comments on the influence Rodin exerted on his own work "Rodin taught me a lot about the body; its asymmetry from every point of view; how to avoid rigid symmetry; where were the flexible parts of the body such as those in the head neck thorax pelvis knees and so on and that these axes should not parallel each other. These are ways of giving the figure vitality".
There is an extract from this text in Rodin in Perspective (See 0002150). For Serbo-Croatian edition see 0009828."
0005816
Author/Editor: THOMPSON David.
Publisher: Studio International
Place Published: London
Year: 1966
Date & Collation: (July) 31-33(1 Moore illus).
Description: Includes mention of Battersea Park Sculpture in the Open Air exhibition (See 0005677), with a photograph of Three Way Piece No. 1: Points, 1964-1965 bronze which completely dominates the exhibition.
0005819
Publisher: Studio International
Place Published: London
Year: 1966
Date & Collation: (Dec)..(3 Moore illus).
Description: A page from Marlborough/Rembrandt Verlag's Shelter Sketch Book (See 0005394) is reproduced in colour, there is a small black and white reproduction of Eight Reclining Figures with Architectural Background, 1963 lithograph in a Marlborough advertisement; and a photograph of Henry Moore at Curwen Studio.
0006067
Author/Editor: WHITTET G.S.
Publisher: Studio International
Place Published: London
Year: 1965
Date & Collation: (Oct) 168-171(1 Moore illus).
Description: London commentary with a photograph of Three Way Piece No. 1: Points, 1964-1965 bronze and brief mention of Marlborough exhibition (See 0005900). Moore expresses if not the goodness at least the strength and the dignity that survive in this civilization"."
0006065
Author/Editor: SPENCER Charles S.
Publisher: Studio International
Place Published: London
Year: 1965
Date & Collation: (March) 98-105(1 Moore illus).
Description: Assessment of modern British sculpture at the time of the British Sculpture in the Sixties exhibition (See 0006034). Includes a photograph of Three Piece Reclining Figure No. 1, 1961-1962 bronze, and pays particular note to Moore's almost single-handed achievement in creating a new tradition. Quotes Moore's statement There are universal shapes to which everyone is subconsciously conditioned..." and outlines his way of creating new forms from the art of the past and integrating them within an English and humanist tradition."
0006068
Author/Editor: SPENCER Charles S.
Publisher: Studio International
Place Published: London
Year: 1965
Date & Collation: (Dec) 232-237(1 Moore illus).
Description: First Athenian Biennale with a photograph and passing mention of Standing Figure: Knife Edge, 1961 bronze with its impersonal heroic god-like air of being above mortal involvement"."
0006066
Author/Editor: HOFMANN Werner.
Publisher: Studio International
Place Published: London
Year: 1965
Date & Collation: (Sept) 92-97.Illus.
Description: Text on the Museum des 20.Jahrhunderts by its Director, translated into English. Includes a list-mention of Henry Moore, and a view of the garden with works by Moore and others. There is a brief review on page 134 of this issue of Studio International of Henry Moore: Sculpture and Drawings, Volume 3, Sculpture 1955-64 (See 0005860).
0001344
Author/Editor: JULER Caroline.
Publisher: Studio International
Place Published: London
Year: 1983
Date & Collation: 1983 58(1 illus).
Description: Full-page descriptive review of Henry Moore: Animals (See 0000969): the author constantly reminds us of thematic or stylistic similarities which although limited are supported by photographs and his scholarship is faultless.""
0003986
Author/Editor: O'KEEFE Timothy.
Publisher: Studio International
Place Published: London
Year: 1974
Date & Collation: (July-Aug) 47-48(1 illus).
Description: Review of British Museum exhibition (See 0003805) which is basically unfavourable, seeing an incompatibility of temperament between the poet and the sculptor.
0006238
Author/Editor: SPENCER Charles S.
Publisher: Studio International
Place Published: London
Year: 1964
Date & Collation: (Sept) 110-117(1 Moore illus).
Description: Includes a photograph of Henry Moore by Erhard Wehrmann, and notes that Henry Moore towers above his contemporaries...his forms and manner continue to be fresh and life-enhancing..." For catalogue see 0009624."
0006237
Author/Editor: LEVY Mervyn.
Publisher: Studio International
Place Published: London
Year: 1964
Date & Collation: (May) Cover,178-185(13 illus).
Description: The Artist at Work, 29. Since 1940 Henry Moore the world's greatest living sculptor has lived and worked at Hoglands Perry Green in Hertfordshire heart of the English home counties. Last February he was the self-revealing host to writer Mervyn Levy and photographer Crispin Eurich." Amid the activity on his estate Moore is interviewed on patinas carving monumentality and work in progress."