Henry Moore Artwork Catalogue
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0017052
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norwich
Year: 1996
Date & Collation: 12pp.Illus.Texts Robert SAINSBURY, Norman FOSTER.
Description: Folder with illustration of Mother and Child, 1932 green Hornton stone, and mention by Sainsbury that it was his first major purchase.
0022213
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norfolk
Year: 2011
Date & Collation: 4pp.illus
Description: Two postcards depicting biographical images of Moore taken by John and Julia Hedgecoe. Published in connection to exhibition at Sainsbury Centre for Visual Arts, see 0022211.
0019692
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norwich
Year: 2001
Date & Collation: 2pp(1 illus).
Description: Printed 30 Jan 2002 from Internet www.uea.ac.uk. Photograph and short commentary on Henry Moore's Madonna and Child, 1943 bronze.
0022614
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norwich
Year: 2005
Date & Collation: 2005 (Autumn) 8 (1 illus)
Description: Illus of Mother and Child 1932 green Horton stone, (LH 121)
0021797
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norwich
Year: 2010
Date & Collation: 4pp.illus
Description: Invitation to opening of Henry Moore Textile exhibition, 21 June 2010. See 0021766. Features one Moore illus:
Reclining Figures 1944-46 textile, (TEX 8.2).
0021844
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norwich
Year: 2010
Date & Collation: 4pp.illus
Description: Leaflet providing list of twenty four works by Moore in the collection, seperated by location within the building. 24 Moore illus including: Mother and Child 1932 green Hornton stone, (LH 121) on the front cover, with accompanying text which states this was the first work to be acquired by Robert and Lisa Sainsbury.
0019782
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norwich.
Year: 2002
Date & Collation: Plastic envelope containing 24 cards (24 illus).
Description: Friends of the Sainsbury Centre for Visual Arts, Recipe Card 9 (1 illus): Henry Moore Mother and Child, 1932 green Horton stone.
The menus on the back of the card are for Orange and Rosemary Chcken and Chicken Breasts in Cream Sauce with Parmesan.
The menus on the back of the card are for Orange and Rosemary Chcken and Chicken Breasts in Cream Sauce with Parmesan.
0011298
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norwich
Year: 1989
Date & Collation: (7 Feb-14 May).12pp(1 illus).Preface.
Description: Lists a selection of works bought during the first 25 years of collecting.
Cover,etc(1 illus) Henry Moore.
Includes five Sculptures 1929-1944 and four Drawings 1935-1945.
Cover,etc(1 illus) Henry Moore.
Includes five Sculptures 1929-1944 and four Drawings 1935-1945.
0015302
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norwich
Year: 1992
Date & Collation: (1 Oct).
Description: Auction in aid of Norwich Playhouse, at Sainsbury Centre for Visual Arts, University of East Anglia, arranged with assistance from School House Gallery, Wighton, North Norfolk. Lot 63 Henry Moore: one Print 1974.
0021481
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norwich
Year: 2006
Description: Large scale booket featuring highlights of the World Art Collections Exhibitions at the Sainsbury Centre for Visual Arts. Two Moore illus. Page 3 features illustration of Moore's Mother and Child 1932 Green Hornton stone, (LH 121). Accompanying text examines the friendship between Moore and Lisa and Robert Sainsbury.
0019261
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norwich
Year: 2001
Date & Collation: 6pp folded leaflet(1 Moore illus).
Description: Publicity leaflet and booking form for Sixth Annual School Friends Conference on 10 July 2001. Contains an illustration of Henry Moore's Family Group, 1945 drawing.
0019262
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norwich
Year: 2001
Date & Collation: 6pp folded leaflet(1 Moore illus).
Description: Publicity leaflet of The School of World Art Studies and Museology. The front page has a photograph of a Henry Moore bronze reclining figure seen from the back.
0022421
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norwich
Year: 2012
Date & Collation: (31 July 2012-27 January 2013)10pp.illus.Text by Calvin WINNER.
Description: Leaflet to accompany exhibition of the same name at Sainsbury Centre for Visual Art. Mentions of Moore throughout. One illus: Half-Figure No.2 1929 cast concrete, (LH 66)
0001811
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norwich
Year: 1981
Date & Collation: (30 June-9 Aug).58pp.Illus.Biog.Statements.Foreword by Alan BORG.Introduction by Kathleen MCFARLANE.
Description: Exhibition of 72 works by 42 artists travelling to Walsall, St. Andrew, Edinburgh, Liverpool through 12 March 1982.
36-37(1 illus) Henry Moore: Two Standing Figures, 1981 tapestry.
Includes brief Edwin MULLINS quotation from 1980 Victoria and Albert catalogue (See 0002199). Passing mention of Moore and West Dean in the Introduction.
36-37(1 illus) Henry Moore: Two Standing Figures, 1981 tapestry.
Includes brief Edwin MULLINS quotation from 1980 Victoria and Albert catalogue (See 0002199). Passing mention of Moore and West Dean in the Introduction.
0020201
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norwich.
Year: 1998
Date & Collation: 5pp(5 illus).
Description: Printed 25 January 2003 from Internet www.uea.ac.uk. Henry Moore Centenary Exhibition and Events, and Works by Henry Moore in the Robert and Lisa Sainsbury Collection.
0022916
Author/Editor: Edited by COLLINS Ian
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norwich
Year: 2013
Date & Collation: (14 September 2013 -24 February 2014 Dec).285pp.Illus.(1 Moore illus).Acknowledgements.Photographic acknowledgements.Index.
Description: Catalogue of exhibition of the same name, celebrating masterpeices by painters, sculptors, ceramicists, goldsmiths and exceptional works by shawl-makers, silk weavers, engravers, chair makers, stained glass artists, photographers, product designers and engineers. 210 - 213 reference to the Happisburgh Group, in chapter titled Modern and Contemporary. Details work, friendships and holidays in East Anglia, of Hepworth, Moore, Skeaping, Nicholson, Douglas and Mary Jenkins, Hitchens and Robert Sainsbuty. Illus of Henry and Irina Moore with Ivon Hitchens, Barbara Hepworth, Ben Nicholson and Mary Jenkins on holiday at Happisburgh, Norfolk 1931. Illus of Reclining Figure 1930 ironstone (LH 85).
0017953
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norwich
Year: 1998
Date & Collation: iv,41pp.(10 illus).Biog.Texts.
Description: 4-6 Dec 1998 Symposium programme and summaries of papers.
BADDELEY Orianna. Reclaiming Barbarism: Moore, modernity and identity in early 20th century Mexico.
BOAL Iain. Ground Zero: Henry Moore's Atom Piece at the University of Chicago.
BURSTOW Robert. Henry Moore and Open-Air Sculpture.
CAUSEY Andrew. Henry Moore: drawing towards painting.
COHEN David. Henry Moore and the Sculptor as Superman.
CONEKIN Becky. Henry Moore, More British; the place of Henry Moore at the Festival of Britain, 1951.
CURTIS Penelope and RUSSELL Fiona. Moore in the Post-War Landscape.
FELDMAN-BENNET Anita. Henry Moore as Collector.
GARLAKE Margaret. Moore's Eclecticism.
GLAVES-SMITH John. Henry Moore and the Blitz.
GLOSSOP Claire. Modernist Sculpture's Pictorial Past: Clement Greenberg and Henry Moore.
HARTOG Arie. German Contexts and Henry Moore.
HILLER Susan. Truth, and Truth to Materials.
HOLMAN Valerie. Moore in Print.
KAUSCH Michael. Henry Moore: man and nature.
KELLY Julia. The Unfamiliar Figure: Henry Moore in French periodicals in the 1930s.
LACOSS Donald W.. Prehistoric as Post-Human?: notes for a Surrealist exhumation of Figure 1937.
LEWIS Adrian. Drawing and the Image of Creativity.
MACLEOD Suzanne.Sculpture in the Landscape.
MILLER Sanda M. Form From All Round Itself.
MURAWSKA-MUTHESIUS Katarzyna. Henry Moore in Polish Art Criticism and Art History, 1945-1960.
PARASKOS Michael. Moore and Regional Discourse.
PARKE-TAYLOR Michael. Cultural Ambassador or Cultural Imperialist?: the reception of Henry Moore in Toronto.
PETERS CORBETT David. Closing Plenary.
PICTON John. A Sculpture and an Eye.
POWERS Alan. The Transhistorical Theme in British Modernism.
READ Ben. Moore: the myths.
RENFREW Colin. The Englishness of Henry Moore.
RUSHING W.Jackson. Essentialism, Archaism, and 4th World Modernism: the inscription of Henry Moore in the art of Allan Houser.
SALE Don. Surface Tension.
STONEBRIDGE Lyndsey. Untying the Object: anxiety, empathy and the landscape of war.
VICKERY Jonathan. Seeing Moore in Caro.
WARD JOUVE Nicole. Mother and Child.
WELCH Martyn. Inspiring Art.
WILLIAMS Glyn. Moore Relevance: influence on contemporary practice.
WILLIAMS Gordon. Herbert Read's Henry Moore.
WOOD Jonathan. A Household Name: Henry Moore's studios and their bearings.
BADDELEY Orianna. Reclaiming Barbarism: Moore, modernity and identity in early 20th century Mexico.
BOAL Iain. Ground Zero: Henry Moore's Atom Piece at the University of Chicago.
BURSTOW Robert. Henry Moore and Open-Air Sculpture.
CAUSEY Andrew. Henry Moore: drawing towards painting.
COHEN David. Henry Moore and the Sculptor as Superman.
CONEKIN Becky. Henry Moore, More British; the place of Henry Moore at the Festival of Britain, 1951.
CURTIS Penelope and RUSSELL Fiona. Moore in the Post-War Landscape.
FELDMAN-BENNET Anita. Henry Moore as Collector.
GARLAKE Margaret. Moore's Eclecticism.
GLAVES-SMITH John. Henry Moore and the Blitz.
GLOSSOP Claire. Modernist Sculpture's Pictorial Past: Clement Greenberg and Henry Moore.
HARTOG Arie. German Contexts and Henry Moore.
HILLER Susan. Truth, and Truth to Materials.
HOLMAN Valerie. Moore in Print.
KAUSCH Michael. Henry Moore: man and nature.
KELLY Julia. The Unfamiliar Figure: Henry Moore in French periodicals in the 1930s.
LACOSS Donald W.. Prehistoric as Post-Human?: notes for a Surrealist exhumation of Figure 1937.
LEWIS Adrian. Drawing and the Image of Creativity.
MACLEOD Suzanne.Sculpture in the Landscape.
MILLER Sanda M. Form From All Round Itself.
MURAWSKA-MUTHESIUS Katarzyna. Henry Moore in Polish Art Criticism and Art History, 1945-1960.
PARASKOS Michael. Moore and Regional Discourse.
PARKE-TAYLOR Michael. Cultural Ambassador or Cultural Imperialist?: the reception of Henry Moore in Toronto.
PETERS CORBETT David. Closing Plenary.
PICTON John. A Sculpture and an Eye.
POWERS Alan. The Transhistorical Theme in British Modernism.
READ Ben. Moore: the myths.
RENFREW Colin. The Englishness of Henry Moore.
RUSHING W.Jackson. Essentialism, Archaism, and 4th World Modernism: the inscription of Henry Moore in the art of Allan Houser.
SALE Don. Surface Tension.
STONEBRIDGE Lyndsey. Untying the Object: anxiety, empathy and the landscape of war.
VICKERY Jonathan. Seeing Moore in Caro.
WARD JOUVE Nicole. Mother and Child.
WELCH Martyn. Inspiring Art.
WILLIAMS Glyn. Moore Relevance: influence on contemporary practice.
WILLIAMS Gordon. Herbert Read's Henry Moore.
WOOD Jonathan. A Household Name: Henry Moore's studios and their bearings.
0018742
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norwich
Year: 1999
Date & Collation: 60pp.Illus.Preface by Steven HOOPER.
Description: Commemorative booklet published on the occasion of the award of the Freedom of the City of Norwich jointly to Sir Robert and Lady Sainsbury.
Illustrations of 27 works, including Henry Moore's Mother and Child, 1932 green Hornton stone, a detail of which appears on the front cover.
(An Audio-Tour was also issued, but SCVA was unable to supply this).
Illustrations of 27 works, including Henry Moore's Mother and Child, 1932 green Hornton stone, a detail of which appears on the front cover.
(An Audio-Tour was also issued, but SCVA was unable to supply this).
0017881
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norwich
Year: 1998
Date & Collation: 2pp(3 illus).
Description: Two sheets of paper, one advertising A Symposium at the Sainsbury Centre for Visual Arts, University of East Anglia, the other a Call for Papers. A contribution to Moore's Centenary Year, coinciding with two exhibitions (See 0017878).
For programme see 0017880.
For programme see 0017880.
0017882
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norwich
Year: 1998
Date & Collation: 4pp(3 illus).
Description: Internet printout 24 Sept 1998 from scva@uea.ac.uk publicising two exhibitions 13 Oct-13 Dec 1998 (See 0017878). Mentions 4-6 Dec 1998 conference (See 0017880).
0017878
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norwich
Year: 1998
Date & Collation: (13 Oct-13 Dec).39pp(23 illus).Bibliog.6pp(12 illus)fold-out A Brief Chronology of Henry Moore's Life and Work.
Description: 5 JOHNSON Nichola. Preface.
(Contribution to Henry Moore's Centenary year. Acknowledgements. Mentions parallel photographic exhibition entitled Moore and Mexico.)
7-26 DYER Angela. Henry Moore: friendship and influence.
(Exhibition concentrates on first twenty years of Moore's career. Outlines the sculptor's life and work at this time, incorporating published statements by the artist. Stresses influence of British Museum and of primiitive art).
28-37 Catalogue.
(List of 65 Moore Drawings 1925-1935, 2 Sketchbooks, 1 Print 1939, and 26 Sculptures 1922-1940. Plus 24 Primitive art works from the British Museum, Museum of Mankind, and other sources).
(Contribution to Henry Moore's Centenary year. Acknowledgements. Mentions parallel photographic exhibition entitled Moore and Mexico.)
7-26 DYER Angela. Henry Moore: friendship and influence.
(Exhibition concentrates on first twenty years of Moore's career. Outlines the sculptor's life and work at this time, incorporating published statements by the artist. Stresses influence of British Museum and of primiitive art).
28-37 Catalogue.
(List of 65 Moore Drawings 1925-1935, 2 Sketchbooks, 1 Print 1939, and 26 Sculptures 1922-1940. Plus 24 Primitive art works from the British Museum, Museum of Mankind, and other sources).
0017879
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norwich
Year: 1998
Date & Collation: 12pp.Illus.
Description: Largely devoted to two exhibitions: Moore in Mexico, and Henry Moore: friendship and influence (See 0017878).
Some related events:
Place, Body, Script: contemporary views on Henry Moore (See 0017880).
GARROULD Ann. Life with Henry Moore (lecture).
Inserted in Calendar of Events: Henry Moore. 2pp(2illus) Private View card 12 Oct 1998.
Friends of the Sainsbury Centre for Visual Arts 6pp folded Newsletter and Programme, Autumn 1998 also has a Moore photograph on the front cover, and mentions the exhibition and events.
Some related events:
Place, Body, Script: contemporary views on Henry Moore (See 0017880).
GARROULD Ann. Life with Henry Moore (lecture).
Inserted in Calendar of Events: Henry Moore. 2pp(2illus) Private View card 12 Oct 1998.
Friends of the Sainsbury Centre for Visual Arts 6pp folded Newsletter and Programme, Autumn 1998 also has a Moore photograph on the front cover, and mentions the exhibition and events.
0024229
Author/Editor: MOORE Tania
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norwich
Year: 2020
Date & Collation: 176pp.illus.
Description:
Book on Henry Moore, focusing particularly on his relationships with the Sainsbury family and the photographer John Hedgecoe. Foreword by Moore's godson, David Sainsbury, with some personal recollections of Moore's friendship with his parents. Introduction discusses Moore and his relationships generally, especially those with his artistic contemporaries formed during his student years and subsequent life in London. Chapter on "Visions and Sightings" focuses on Moore's relationship with Robert and Lisa Sainsbury. Essay by Norman Foster on "Meeting Henry Moore and Living with his Work" recalls their meeting when Foster was designing the Sainsbury Centre for Visual Arts to discuss the placement of Moore's Reclining Figure (LH 402) outside it. Chapter on "Portrait of a Friendship" discusses Moore's relationship with John Hedgecoe, and touches on his relationship with other photographers and filmmakers, particularly Errol Jackson, Gemma Levine, and John Read. Second half of book discusses specific works in the Sainsbury Centre collection in depth, arranged in chronological order from Half Figure No.2 1929 to the Animals in the Zoo portfolio of 1981-82.
0023768
Author/Editor: Edited by WINNER Calvin
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norwich
Year: 2018
Date & Collation: 13 Oct - 24 Feb. 160pp.illus.
Description: Exhibition catalogue for 2018-19 exhibition of the same name at the Sainsbury Center for Visual Arts. A chapter on "Elisabeth Frink and the Geometry of Fear" by Tania MOORE features two images of works by Henry Moore - one of Falling Warrior, and one of Double Standing Figure outside the British Pavilion at the Venice Biennale in 1952. The first two pages of this chapter discusses Moore's position in British art in the early 1950s, as a forerunner to the Geometry of Fear school with whom Frink was associated. Other mentions of Moore in the foreword and in Tania Moore's chapter.