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Henry Moore Artwork Catalogue

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0020952
Author/Editor: KOSTER Thomas, Thomas.
Publisher: Prestel
Place Published: Munich
Year: 2006
Date & Collation: 171pp.Illus.Glossary.Index.
Description: Reference guide profiling fifty major artists alongside their representative works. Brief biography and contempory timeline. 144-145 (3 Illus.) Two Women in a Shelter, 1940-41 drawing (HMF 1624). Large Two Forms, 1966-69 bronze (LH 556). Outlines Moore's key influences from upbringing, in particular viewing meat at the abattoir, to work of other artists such as Picasso, Rodin and Brancusi. Pays attention to Primitive influences. Touches on teacher training, time in the army and Shelter Drawings.Makes reference to Sacred stones" stating "Moore wanted to charge his stone with magic as if it were intended for a sacred ritual"."
0021016
Author/Editor: SLUSHER Katherine.
Publisher: Prestel
Place Published: Munich
Year: 2007
Date & Collation: 98pp.Illus.Bibliog.Chronology.
Description: Joint biography recounts the love story of two artists joined by the common cause of Surrealism. Illustrated with Miller's photographs and Penrose's paintings. Moore content: two brief mentions of Moore. Page 6 lists Moore amoung the famous visitors to Miller and Penrose in their Sussex home. Page 39 mentions Henry and Irina augmented" house-parties along with Eileen Agar and Joseph Bard."
0000501
Publisher: Prestel
Place Published: Munich
Year: 1985
Date & Collation: .272pp.Illus.Biog.Bibliog 256-266.
Description: Book of exhibition at Dallas Museum of Art 29 Sept-17 Nov 1985 touring Toronto, New York, Berlin, Düsseldorf, London through 20 April 1987.
NASH S.A. Introduction and acknowledgements.
NASH S.A. Naum Gabo: sculptures of purity and possibility.
(Includes a photograph of Moore's Stringed Figure, 1937 bronze and mention of Moore in a section on Gabo in England).
LODDER Christina. Gabo in Russia and Germany 1890-1922.
MERKERT J. Conceptions of sculpture: Gabo and Paris in 1937.
LEE Natalie H. and NASH S.A. Chronology.
Catalogue.
SANDERSON Colin and LODDER C. Catalogue raisonné of the constructions and sculptures.
0020506
Publisher: Prestel
Place Published: London and New York.
Year: 2003
Date & Collation: 216pp.Illus.Biog.Bibliog.
Description: Full-page photographs of 100 masterpieces of 20th century art in chronological order, with commentaries and biographical information about the artists.
82-83(4 illus) NETTA Irene. Henry Moore: Reclining Figure.
(Reclining Figure, 1929 brown Horton stone.
For 1997 and other editions see 0017485.
0022203
Author/Editor: BAVERSTOCK Alison
Publisher: Prestel
Place Published: London
Year: 2011
Date & Collation: 46pp.illus.glossary
Description: Generic picture based knowledge book for younger children. Pages 20-23 feature entry for Moore; contains biographical information as well as two illus: King and Queen at Glenkiln Three Piece Reclining Figure: Draped 1975 bronze, (LH 655). Brief accompanying text for each illus poses a set of thought provoking questions. Text states Moore's long career offers us a series of work that stretches, toffee-like, between pressure points. the liens become simpler, the spaces larger, but their impact never lessens.
0019953
Publisher: Prestel
Place Published: Munich.
Year: 2002
Date & Collation: 312pp.Illus.Bibliog.Chronologies.Maps.Text in German.
Description: Title could be construed as Atlas Kunst. Art history reference book from prehistic times to the twentieth century.
234-301(3 Moore illus) 20. Jahrhundert.^Three small photographs of two Henry Moore sculptures, and passing mentions: on pages 235, 254, 258, and 278.
0021407
Author/Editor: edited by ALLEMAND-COSNEAU Claude, FATH Manfred and MITCHINSON David
Publisher: Prestel
Place Published: Munich, Berlin, London and New York
Year: 2009
Date & Collation: 200pp.(227 illus).Bibliog.
Description: Paperback edition. First published in conjunction with exhibition at Musée des Beaux-Arts, Nantes and Städtische Kunsthalle, Mannheim. 8-31 FATH Manfred. Henry Moore: the path to maturity.
(Moore as the most important British sculptor of the twentieth century. Outline of his career, which divided into early carvings and late bronzes, with the human figure as central subject. The pioneers of modern sculpture. Contacts with Epstein. Gaudier-Brzeska. Moore and Primitve Art and Greek Art. Abstraction and Surrealism in the 1930s. Post-war bronzes).
32-45 ALLEMAND-COSNEAU Claude and FERBOS-NAKOV Catherine. Form: the seeing eye: Henry Moore, London to Paris and back.
(Indifference to Moore in France. Moore's interest in Rodin, and particularly Cézanne. Cahiers d'Art, Minotaure and other journals. Abstraction and Surrealism in London. Unesco Reclining Figure, 1957-1958 travertine marble.
46-53 HINDRY Ann. Moore, Moore's children: being there.
(Moore exerted no direct influence, although some young landscape and figure artits have been able to develop their own freedom on the basis of Moore's work).
59 MITCHINSON David. A note on plasters.
(Moore's use of maquettes, from which bronzes were produced by fifty assistants over the years. Collection at the Henry Moore Foundation and Art Gallery of Ontario).
60-183 Plates.
(120 sculptures and drawings 1921-1982, with commentaries mainly by Julie SUMMERS, and quotations mostly from published sources).
185-196 HOUDART Célia. Chronology.
(Illustrated chronology 1898-1995).
198-200 Selected Bibliography).
For German language edition see 0017149.
For French language catalogue see 0016895.
0017485
Publisher: Prestel
Place Published: Munich and New York
Year: 1997
Date & Collation: 216pp.Illus.Biog.Bibliog.
Description: Full-page photographs of 100 masterpieces of 20th century art in chronological order, with commentaries and biographical information about the artists.
82-83(4 illus) NETTA Irene. Henry Moore: Reclining Figure, 1929.
(Reclining Figure, 1929 brown Horton stone.
For German edition see 0017495. For Danish version see 18100. For 2003 edition see 0020506.
0017495
Publisher: Prestel
Place Published: Munich and New York
Year: 1997
Date & Collation: 216pp.Illus.Biog.Bibliog.Text in German.
Description: German edition of Icons of Art.
82-83 NETTE Irene. Henry Moore.

See 0017485 for description.
For Danish version see 0018100.
0018592
Publisher: Prestel
Place Published: Munich,London, New York
Year: 1999
Date & Collation: 384pp.Illus.Bibliog.Edited by Wieland Schmied, Frank Whitford, Frank Zöllner.Text in German.
Description: Title could be construed as Kunst und Künstler im 20. Jahrhundert: Prestel Lexikon. One-volume A-Z encyclopedia of twentieth century art and artists.
233-234 (2 illus) Henry Moore.
Entry initialled A.K.(Alexandra Knapp).
0019292
Author/Editor: RICHTER Klaus.
Publisher: Prestel
Place Published: Munich, London, New York
Year: 2001
Date & Collation: 168pp.Ilus.Biog.Bibliog.
Description: Prestel Sight Lines. Paperback introduction to modern art movements, in chronological order.
96(1 illus) Henry Moore.
Photograph of Upright Internal-External Form, 1951 plaster under '1945: Abstract Expressionism, Sculpture'. There is also brief mention of Henry Moore, and a three-line biography on page 18.
0022445
Author/Editor: DELAVAUX Céline
Publisher: Prestel
Place Published: Paris
Year: 2012
Date & Collation: 192pp.illus.index
Description: Coffee table style book listing a variety of masterpieces which are missing, transformed, destroyed or stolen. Illustration led. Pages 186-189 feature text on the theft of Moore's Reclining Figure 1951 bronze, (LH 608) on 15 December 2005 from the grounds of The Henry Moore Foundation. Includes basic biographical information. Notes rumour that the theft was organised by a private collector.
0019338
Author/Editor: PENROSE Anthony.
Publisher: Prestel
Place Published: Munich, London, New York
Year: 2001
Date & Collation: 192pp.Illus.Chronology.Bibliog.Index.
Description: Published on the occasion of the exhibition Roland Penrose and Lee Miller at the Dean Gallery and the Scottish National Gallery of Modern Art, Edinburgh, 19 May-9 Sept 2001. Includes a dozen mentions of Henry Moore's friendship with Roland Penrose. International Surrealist Exhibition 1936. Institute of Contemporary Arts. Hampstead in the 1930s. Mother and Child, 1936 green Hornton stone.
0006444
Author/Editor: BURCHARTZ Max.
Publisher: Prestel
Place Published: Munich
Year: 1962
Date & Collation: 273pp.Illus.Bibliog.Text in German.
Description: Study in art appreciation.
234,235(1 illus) Henry Moore.
Photograph of Woman, 1957-1958 bronze and brief mention in section Examples of Images in Contemporary Works: displays the powerful expression of movement of the formative processes of pressing stroking hands that created the work that so successfully conveys the contrasts of mountain-like swellings within the cavities of the body.""
0023314
Author/Editor: KOSTER Thomas
Publisher: Prestel
Place Published: Munich
Year: 2015
Date & Collation: 156pp.Illus.Glossary.Index.
Description: Reference guide profiling fifty major artists alongside their representative works. Brief biography and contemporary timeline. 44 Henry Moore pages 136-137 including illus of Large Two Forms 1966 bronze (LH 556); brief profile of Moore; timeline; early years; World War I and II; inspirations; sacred stones; Shelter Drawings.
0016894
Author/Editor: edited by ALLEMAND-Cosneau Claude, FATH Manfred, and MITCHISON David
Publisher: Prestel
Place Published: Munich and New York
Year: 1996
Date & Collation: 1996(03 May-02 September)200pp(227 illus).Bibliog.
Description: Published in conjunction with exhibition at Musée des Beaux-Arts, Nantes and Städtische Kunsthalle, Mannheim.
7 LLEWELLYN Tim, AUBERT Jean, MARK Lothar. Foreword.
8-31 FATH Manfred. Henry Moore: the path to maturity.
(Moore as the most important British sculptor of the twentieth century. Outline of his career, which divided into early carvings and late bronzes, with the human figure as central subject. The pioneers of modern sculpture. Contacts with Epstein. Gaudier-Brzeska. Moore and Primitive Art and Greek Art. Abstraction and Surrealism in the 1930s. Post-war bronzes).
32-45 ALLEMAND-COSNEAU Claude and FERBOS-NAKOV Catherine. Form: the seeing eye: Henry Moore, London to Paris and back.
(Indifference to Moore in France. Moore's interest in Rodin, and particularly Cézanne. Cahiers d'Art, Minotaure and other journals. Abstraction and Surrealism in London. Unesco Reclining Figure, 1957-1958 travertine marble.
46-53 HINDRY Ann. Moore, Moore's children: being there.
(Moore exerted no direct influence, although some young landscape and figure artits have been able to develop their own freedom on the basis of Moore's work).
59 MITCHINSON David. A note on plasters.
(Moore's use of maquettes, from which bronzes were produced by fifty assistants over the years. Collection at the Henry Moore Foundation and Art Gallery of Ontario).
60-183 Plates.
(120 sculptures and drawings 1921-1982, with commentaries mainly by Julie SUMMERS, and quotations mostly from published sources).
185-196 HOUDART Célia. Chronology.
(Illustrated chronology 1898-1995).
198-200 Selected Bibliography).
For German language edition see 0017149.
For French language catalogue see 0016895.
0002379
Publisher: Prestel
Place Published: Munich
Year: 1985
Date & Collation: 279pp.Illus.Text in German.
Description: Handbook to a selection of 686 works in the Kunsthalle with illustration and brief commentary to each entry.
550-551(2 illus) Henry Moore; texts by Georg SYAMKEN. In the 20th Century Sculpture section: Three Standing Figures, 1953 bronze; Upright Internal-External Form, 1952-1953 bronze.
0002409
Author/Editor: SPIES Werner.
Publisher: Prestel
Place Published: Munich
Year: 1979
Date & Collation: 347pp.Illus.Text in German.
Description: Texts mainly from Frankfurter Allgemeine Zeitung. For English language version see 0001421.
162-165 Der Mythos vom Ursprung. Reprinted from F.A.Z., 18 June 1977. See 0003173 for summary.
0006860
Author/Editor: HAFTMANN Werner.
Publisher: Prestel
Place Published: Munich
Year: 1960
Date & Collation: 296pp.Text in German.
Description: 259-260 Henry Moore.
From Die Kunst und das schöne Heim, Nov 1949 (See 0008427). There are two or three passing mentions of Moore in other texts in this volume.
0010458
Publisher: Prestel
Place Published: Munich
Year: 1986
Date & Collation: 278pp.Illus.Bibliog.
Description: Translated from the original German 1986 edition. Distribution in U.S.A. and Canada by Neues Publishing (New York), in U.K. and the Commonwealth by Lund Humphries (London).
76(1 illus) Henry Moore.
Photograph showing Draped Reclining Figure, 1952-1953 bronze outside Kunstgewerbe Museum (Museum of Applied Art).
0000236
Publisher: Prestel
Place Published: Munich
Year: 1986
Date & Collation: 348pp.Illus.Biog.Bibliog.Texts.Manifestoes.Text in German.
Description: German book edition of Centre Georges Pompidou exhibition catalogue Qu'est-ce que la Sculpture Moderne (See 0000107). Omits the list of works exhibited; edits the essays, with some omissions; and restructures the biographies and bibliography by Bénédicte AJAC.
146,147,329-330(3 illus) Henry Moore.
For annotation see 0000107. The biography/bibliography on pages 329-330 has been restructured, but the catalogue entry remains the same as in the French edition.
0017149
Author/Editor: edited by ALLEMAND-COSNEAU Claude, FATH Manfred, and MITCHINSON David
Publisher: Prestel
Place Published: Munich
Year: 1996
Date & Collation: 200pp.Illus.Biog.Bibliog.Text in German.
Description: German edition of exhibition book. For French edition see 0016895. For contents and English edition see 0016894.
0023636
Author/Editor: FINDLAY Michael
Publisher: Prestel
Place Published: Munich
Year: 2014
Date & Collation: 208pp.illus.
Description:

p.50: mention of Moore sculpture outside the headquarters of the Banque Lambert in Brussels (Locking Piece). pp.97-98: Moore as successful self-marketer. illus. of Sheep Piece.

0023543
Author/Editor: WEIDEMANN Christiane; NIPPE Christine
Publisher: Prestel
Place Published: Munich, London, New York
Year: 2017
Date & Collation: 158pp.Illus.Glossary.Timeline.
Description:

50 artists are presented, each with brief biography and thumbnail portrait together with representational image/s of their work. Moore's biography is presented on page 94, it includes reference to some of his influences, contemporaries and his works: reclining figures sited at UNESCO in Paris, Lincoln Center in New York and his Transformation Drawings and Shelter Drawings. On page 95 there is a full page image of King and Queen 1952-53 (LH 350) sited at Glenkiln, Scotland and a double page image of Reclining Figure No.7 1980 plaster with surface colour (LH 752) on pages 96 and 97.