Henry Moore Artwork Catalogue
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0017030
Publisher: Manchester University Press
Place Published: Manchester and New York.
Year: 1996
Date & Collation: xii,271pp.Illus.Bibliog.
Description: Distributed in the USA and Canada by St. Martin's Press. Collection of essays on E.H. Gombrich.
196-215 BIRTWISTLE Graham. When skills become obtrusive: on E.H. Gombrich's contribution to the study of primitivism in art.
(204-207 Negation of action: Moore, Appel, and Constant.
Mentions Moore's claim that he learned more from visiting the British Museum and reading Roger Fry than from his studies at the Royal College of Art, and how this was not received well by the College. Public also disliked primitive elements in mural made by the Cobra artists. Subsequent works by each artist became accepted).
196-215 BIRTWISTLE Graham. When skills become obtrusive: on E.H. Gombrich's contribution to the study of primitivism in art.
(204-207 Negation of action: Moore, Appel, and Constant.
Mentions Moore's claim that he learned more from visiting the British Museum and reading Roger Fry than from his studies at the Royal College of Art, and how this was not received well by the College. Public also disliked primitive elements in mural made by the Cobra artists. Subsequent works by each artist became accepted).
0017462
Author/Editor: HYDE Sarah.
Publisher: Manchester University Press
Place Published: Manchester and New York
Year: 1997
Date & Collation: 120pp.Illus.Bibliog.
Description: Distributed in the USA by St. Martin's Press.The way in which women's art and representation of women are collected and presented in museums and art galleries today.Developed out of an exhibition called Women and Men held at Whitworth Art Gallery, December 1991 to August 1992.
18,46-48(1 Moore illus) Barbara Hepworth and Henry Moore.
Compares Hepworth's Sphere With Inner Form of 1963 and Moore's Two Piece Sculpture, No. 7: Pipe, 1966 bronze. Hepworth's is an image of a child within a womb, whilst Moore's imagery is phallic and sexual.
Since their deaths, the reputation of both artists has declined. Moore has probably taken the biggest dip, and his early reputation was inflated by the urgent nationalistic need to find a great British modernist who could represent this country on an international stage.
18,46-48(1 Moore illus) Barbara Hepworth and Henry Moore.
Compares Hepworth's Sphere With Inner Form of 1963 and Moore's Two Piece Sculpture, No. 7: Pipe, 1966 bronze. Hepworth's is an image of a child within a womb, whilst Moore's imagery is phallic and sexual.
Since their deaths, the reputation of both artists has declined. Moore has probably taken the biggest dip, and his early reputation was inflated by the urgent nationalistic need to find a great British modernist who could represent this country on an international stage.
0015380
Publisher: Manchester University Press
Place Published: Manchester and New York
Year: 1993
Date & Collation: x,240pp(17 illus).Bibliog.
Description: Distributed in USA and Canada by St. Martin's Press. The essays collected here originated as papers at the 1991 conference of the Association of Art Historians hosted by the Courtauld Institute of Art.
68-81 HOLMAN Valerie. Framing critics: the publishing context.
(Mentions the popular Penguin Modern Painters series with an illustration of Grigson's Henry Moore (See 0008952)).
164-179 COHEN David. Herbert Read and Psychoanalysis.
(Read in relation to D.H. Lawrence Roger Fry Clive Bell Freud Jung etc. Mentions writing on Moore by Read and Neumann).
180-195 GARLAKE Margaret. Between Paris and New York: critical construction of Englishness c.1945-60.
("A strand of chauvinist sometimes xenophobic writing which sought to identify and promote a specifically English (rather than British) art practice". Mentions Read and Heron writing on Moore)."
68-81 HOLMAN Valerie. Framing critics: the publishing context.
(Mentions the popular Penguin Modern Painters series with an illustration of Grigson's Henry Moore (See 0008952)).
164-179 COHEN David. Herbert Read and Psychoanalysis.
(Read in relation to D.H. Lawrence Roger Fry Clive Bell Freud Jung etc. Mentions writing on Moore by Read and Neumann).
180-195 GARLAKE Margaret. Between Paris and New York: critical construction of Englishness c.1945-60.
("A strand of chauvinist sometimes xenophobic writing which sought to identify and promote a specifically English (rather than British) art practice". Mentions Read and Heron writing on Moore)."
0015406
Author/Editor: ROBERTSON A.H., MERRILLS J.G.
Publisher: Manchester University Press
Place Published: Manchester and New York
Year: 1993
Date & Collation: xiii,422pp.Bibliog.
Description: Distibuted in the USA and Canada by St. Martin's Press. Previous editions 1963, 1977. Dust jacket photograph: Woman with Upraised Arms, 1924-1925 Hopton wood stone.
0017479
Author/Editor: WALKER John A., CHAPLIN Sarah.
Publisher: Manchester University Press
Place Published: Manchester and New York.
Year: 1997
Date & Collation: viii,231pp.Illus.Bibliog.
Description: Distributed in the USA by St. Martin's Press.
91(1 illus) Henry Moore.
Illustration of U.N.E.S.C.O. Reclining Figure, 1957-1958 Roman travertine marble within a chapter in Institutions.
91(1 illus) Henry Moore.
Illustration of U.N.E.S.C.O. Reclining Figure, 1957-1958 Roman travertine marble within a chapter in Institutions.
0017785
Publisher: Manchester University Press
Place Published: Manchester and New York.
Year: 1998
Date & Collation: ix,206pp.Illus.Bibliog.Texts.
Description: Distributed in the USA by St. Martin's Press.
97-111 DEEPWELL Katy. Hepworth and her Critics.
(A revised and edited version of the text in Barbara Hepworth Reconsidered (See 0017028).
97-111 DEEPWELL Katy. Hepworth and her Critics.
(A revised and edited version of the text in Barbara Hepworth Reconsidered (See 0017028).
0023920
Author/Editor: Edited by BAKER Malcolm and HEMINGWAY Andrew
Publisher: Manchester University Press
Place Published: Manchester
Year: 2018
Date & Collation: 346pp.illus.
Description: Collection of essays on realism in art in honour of the art historian Alex Potts. Jon Wood's contribution, "A portrait of the artist as a dead man", includes a photograph of Henry Moore standing with Madame Tussaud's waxwork of Picasso.
0018101
Author/Editor: TAYLOR Brandon.
Publisher: Manchester University Press
Place Published: Manchester
Year: 1999
Date & Collation: xvii,314pp.Illus.Bibliog. Index.
Description: The Barber Institute's Critical Perspectives in Art History Series. Includes half-a-dozen mentions of Moore, focused in Chapter 6 entitled 'Post-War Positions: Arts Council, LCC and ICA'. A photograph on page 194 shows visitors in front of Three Standing Figures, 1947-1948 Darley Dale stone at the Open Air Exhibition of Sculpture 1948 (See 0008484). Unpublished sources cited a plan to rename the carving 'Enemy Overhead'. In 1947 the Travel Association had refused to use Recumbent Figure, 1938 green Hornton stone on their poster for overseas use.
For American edition see 0019631.
For American edition see 0019631.