Henry Moore Artwork Catalogue
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0018729
Publisher: Fine Art Society
Place Published: london
Year: 2000
Date & Collation: (3-14 April).212pp.Illus.
Description: Spine title: Roy Davids at the Fine Art Society. Roy Davids Ltd. Catalogue 7: The Artist as a Portrait: comprising portraits and manuscripts of artists, with a prefatory note on self-portraiture by Tom Phillips.
119-121 (5 illus) Henry Moore.
Exhibit 104 Moore About the War: Early Autograph Letter to Lucie Margarite Dufty, later Mrs Clayton.(See also 0012680 and 0018202)
Exhibit 105 Moore About Sculpture: Autograph Manuscript Entitled Some Notes on Space and Form in Sculpture. (Reproduced in facsimile in 0007728).
119-121 (5 illus) Henry Moore.
Exhibit 104 Moore About the War: Early Autograph Letter to Lucie Margarite Dufty, later Mrs Clayton.(See also 0012680 and 0018202)
Exhibit 105 Moore About Sculpture: Autograph Manuscript Entitled Some Notes on Space and Form in Sculpture. (Reproduced in facsimile in 0007728).
0000096
Publisher: Fine Art Society
Place Published: London
Year: 1986
Date & Collation: .160pp.Illus.Biog.Bibliog.Prefatory text by Peyton SKIPWITH.Introduction by Benedict READ.
Description: 112 works by 49 artists.
5,116-117(3 illus) Henry Moore: one carving 1924. Read's text surveys the period, starting in agreement with the notion that the moderns, led by Moore and Hepworth, emerged from a background waste land of the debased end of a degenerate tradition... and inspired by a notion of truth to material as a password of artistic integrity led an ultimately triumphant revolution..."."
5,116-117(3 illus) Henry Moore: one carving 1924. Read's text surveys the period, starting in agreement with the notion that the moderns, led by Moore and Hepworth, emerged from a background waste land of the debased end of a degenerate tradition... and inspired by a notion of truth to material as a password of artistic integrity led an ultimately triumphant revolution..."."
0011086
Publisher: Fine Art Society
Place Published: London
Year: 1988
Date & Collation: (31 Oct-16 Nov).20pp(17 illus).
Description: SKIPWITH Peyton. Abstract sculpture and modern architecture.
(Documents the collaboration between Moore and Rosenauer on Time-Life Screen, 1952-1953 Portland stone. Proposals for Marconi House extension, the headquarters building of the English Electric Company in the Strand, were abandoned. Moore's designs have since been overlooked, despite their documentation in Architecture and Building, March 1955 (See 0007676)).
LINGARD Timothy. Michael Rosenauer, Architect (1884-1971): a biographical sketch.
(Describes his career, buildings and work with Moore and other artists).
Catalogue.
Photographs and introduction to:
1. Time-Life Screen: Maquette No. 4, 1952 plaster.
2. Working Model in Plaster for Upright Forms, based on the Bird Bath, 1954 plaster.
3a and b. Two Plaster Maquettes for Corner Stones, 1954 plaster.
4-9. Six Plaster Maquettes for Upright Forms, 1954 plaster.
Also on exhibit were Michael Rosenauer designs. A one-page typed sheet was also available at the exhibition, headed Please Help Leeds City Art Galleries Acquire This Remarkable Newly-Discovered Group of Eight Sculptures by Henry Moore". (The maquettes are offered for sale at £140000 by Fine Art Society to Leeds. The Henry Moore Foundation has made a contribution towards this total but funding is still required)."
(Documents the collaboration between Moore and Rosenauer on Time-Life Screen, 1952-1953 Portland stone. Proposals for Marconi House extension, the headquarters building of the English Electric Company in the Strand, were abandoned. Moore's designs have since been overlooked, despite their documentation in Architecture and Building, March 1955 (See 0007676)).
LINGARD Timothy. Michael Rosenauer, Architect (1884-1971): a biographical sketch.
(Describes his career, buildings and work with Moore and other artists).
Catalogue.
Photographs and introduction to:
1. Time-Life Screen: Maquette No. 4, 1952 plaster.
2. Working Model in Plaster for Upright Forms, based on the Bird Bath, 1954 plaster.
3a and b. Two Plaster Maquettes for Corner Stones, 1954 plaster.
4-9. Six Plaster Maquettes for Upright Forms, 1954 plaster.
Also on exhibit were Michael Rosenauer designs. A one-page typed sheet was also available at the exhibition, headed Please Help Leeds City Art Galleries Acquire This Remarkable Newly-Discovered Group of Eight Sculptures by Henry Moore". (The maquettes are offered for sale at £140000 by Fine Art Society to Leeds. The Henry Moore Foundation has made a contribution towards this total but funding is still required)."