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Henry Moore Artwork Catalogue

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0014930
Publisher: Dover Publications
Place Published: New York
Year: 1992
Date & Collation: 12pp(24 illus).Biog.
Description: Published in association with PepsiCo Inc., Purchase. published in Canada by General Publishing Company. Published in the U.K. by Constable. 24 Full-Color Ready-to-Mail Cards. Photographs by Malcolm Varon. List of postcards with brief biographical data on the artists printed inside the book covers. Book copyright PepsiCo. Postcards copyright Malcolm Varon.
Cover and 12 Henry Moore: Double Oval, 1966 bronze.
Postcard 17 Henry Moore: Working Model for Locking Piece, 1962 bronze.
0017306
Author/Editor: ZORACH William.
Publisher: Dover Publications
Place Published: New York
Year: 1996
Date & Collation: xii,306pp.Illus.Index.
Description: Published in London by Constable. Slightly altered republication of the revised and expanded work as published by Tudor Publishing, New York, in 1960. (For original 1947 edition see 0003085). In the Dover edition the list of suppliers has been omitted.
290-291(1 illus) Henry Moore.
0013997
Author/Editor: POORE Henry Rankin.
Publisher: Dover Publications
Place Published: New York
Year: 1976
Date & Collation: 96pp.Illus.
Description: Published in Canada by General Publishing Company. Published in the U.K. by Constable. Unabridged republication of the revised and enlarged 1967 edition of work originally titled Pictorial Composition and the Critical Judgement of Pictures, copyright Sterling Publishing Company (New York).
On page 80, within a section on Three Units, is a photograph of a Family Group with the caption that the two largest units are united by the third and smallest, creating pictorial unity simply and naturally. At the same time the child is symbolic of the unity of the family.
0006106
Author/Editor: TAYLOR John F.A.
Publisher: Dover Publications
Place Published: New York
Year: 1964
Date & Collation: x,245pp.Illus.
Description: Also published by Constable (London) and McClelland and Stewart (Canada). Study of visual design in art (composition, perception, colour, etc.).
131 Plate 32(1 illus) Henry Moore: Reclining Figure, 1935-1936 elm wood.
(Describes the effects which may be gained from the sculpture: A slow serpentine diagonal ascent begins at the extremity of the left leg crawls through the undulation of the shoulder sweeps aloft and terminates climatically in the head the mass diminishing as the measure of that simple undulation swells...")
225 Plate 53(1 illus) Henry Moore: Reclining Figure 1938 cast lead.
(Moore's expressionistic response rather than idealised portrayal of the subject)."
0019301
Publisher: Dover Publications
Place Published: Mineoloa, N.Y.
Year: 2000
Date & Collation: vi,186pp.Bibliog.
Description: Revised edition of the book published by Prentice-Hall in 1964 (See 0006118).
Moore: On Sculpture and Primitive Art now appears on pages 172-182: The Sculptor's Aims (See 0009258), Notes on Sculpture (See 0009196) and Primitive Art (See 0009071).
0013792
Author/Editor: FRIED Frederick.
Publisher: Dover Publications
Place Published: New York
Year: 1976
Date & Collation: 180pp.Illus.Biog.Bibliog.
Description: Published in Canada by General Publishing Company and in the United Kingdom by Constable.
70-71(1 illus) Henry Moore: Reclining Figure, 1963-1965 bronze at the Lincoln Center for the Performing Arts, a gift of the Albert A. List Foundation.