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Henry Moore Artwork Catalogue

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0005683
Publisher: Columbia Broadcasting System
Place Published: New York
Year: 1966
Date & Collation: 56pp.Illus.
Description: 8,11(1 illus) Henry Moore.
Passing mention, and a still from Henry Moore: man of form, a special C.B.S. News broadcast (See 0006096).
Title as printed: 1965 Annual Report to the Shareholders of Columbia Broadcasting System, Inc.
0019377
Publisher: Columbia Broadcasting System
Place Published: New York
Year: 2001
Date & Collation: 3pp.
Description: Internet printout 14 May 2001 from www.cbsnews.com.
Summary of C.B.S. News, Sunday Morning: Henry Moore (See 0019376) on occasion of the exhibition Henry Moore: sculpting the 20th century (See 019295).
0019376
Publisher: Columbia Broadcasting System
Place Published: New York
Year: 2001
Date & Collation: 9mins.Colour.Sound.
Description: Cassette labelled Sunday Morning: Henry Moore. Part of television programme, on Henry Moore: sculpting the 20th century exhibition in Dallas (See 0019295). Commentary by Bob McNamara. Views of exhibits. Group of visiting school children. Dorothy Kosinski, and Raymond Nasher speak briefly on camera.
Incorporates sections from 1983 CBS News, Sunday Morning (See 0001379) and 1965 CBS film Henry Moore: man of form (See 0006096), both featuring statements by the sculptor.
For internet summary see 0019377.
0020158
Publisher: Columbia Broadcasting System
Place Published: New York.
Year: 2001
Date & Collation: 9mins.Colour.Sound.
Description: Cassette labelled: 'Dallas Museum of Art: CBS Sunday Morning: CBNS National'. See 0019376 for description.
0000945
Publisher: Columbia Broadcasting System
Place Published: New York
Year: 1984
Date & Collation: 8 mins.Colour.Sound.V40
Description:

Presenter comments on a typical day's activity at Much Hadham, showing sculpture on the estate, Moore and Ann Garrould with Italian publishers, with Malcolm Woodward enlarging Figure in a Shelter, 1983 bronze, and in Aisled Barn. Works from the Ablah Collection currently on display in New York City are shown, with visitors climbing on them in their open air settings.

Henry Moore: man of form.
0006096
Publisher: Columbia Broadcasting System
Place Published: New York
Year: 1965
Date & Collation: 52 mins.Black and white.Sound.Producer and photographer: William K.McCLURE.V97
Description: C.B.S. News Special with commentary and interviews with Henry MOORE by Charles COLLINGWOOD. Writer: Herbert MITGANG. Made over a period during the production of Lincoln Center Reclining Figure, 1963-1965 bronze. Shows Moore's works on film, and incorporates interviews with the artist at Much Hadham in Hoglands and in the studios and grounds, discussing the purpose of art, his Castleford childhood, use of Natural forms and the working of plaster maquettes. Kenneth CLARK in a short interview describes Moore as the greatest sculptor since Rodin. There are views of Michelangelo's sculpture, and Moore is seen at Carrara. British Museum and its exhibits are filmed, with commentary on Moore's Primitive influences, concept of opposites, and the female form. Extracts from Out of Chaos (See 0008950) show Moore producing War Drawings with comments on the Reclining Figures and the sense of Greek drama. Contemporary coal mining film is interspersed with Moore's Coal Mine Drawings and comments. There is general film and commentary on the Mother and Child theme, Reclining Figure theme, Interior and Exterior theme, and Family Groups. Moore also comments on Atom Piece (Working Model for Nuclear Energy), 1964-1965 bronze with its skull, death and architectural analogies. The Lincoln Center Reclining Figure, 1963-1965 bronze is described from its initial idea seen in a bone form, through its working model stages, packing for Berlin, production at Noack Foundry, shipping to New York and final placement.
See https://vimeo.com/showcase/7064783/video/403264798
0017128
Publisher: Columbia Broadcasting System
Place Published: New York
Year: 1974
Date & Collation: 55mins.Colour.Sound.Produced and directed by John MUSILLI.
Description: Film made on occasion of opening of Henry Moore Sculpture centre at the Art Gallery of Ontario. Moore is seen with the plasters. Views of Three Way Piece, No. 2: Archer, 1964-1965 bronze (LH 535). Bernier in conversation with Moore at Much Hadham, in grounds, studios, and Hoglands. Film and comments on sculpture, including Knife Edge Two Piece 1962-65 bronze (LH 516) and Standing Figure: Knife Edge, 1961 bronze (LH 482), Sheep Piece, 1971-1972 bronze (LH 627), holes and space. Moore working in Maquette Studio, with bones and other natural forms. Spindle Piece, 1968-1969 (LH 593) in polystyrene, and process of working in plaster and polystyrene. Now I don't care what the medium is. I now think the final result is what matters. Material is only a means of producing that result". Shelter and Coal Mine war drawings and blackness. Sheep Sketchbook is seen page by page on film with Moore describing how he worked on the drawings. Views of works by other artists in Moore's art collection. For 2000 Creative Arts Television version see 0019867."