Henry Moore Artwork Catalogue
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0022298
Publisher: British Broadcasting Corporation
Place Published: London
Year: 2010
Date & Collation: 60mins.Colour.Sound
Description: Compassionate BBC2 documentary, presented by Alan Yentob, comprehensively re-assessing the life and work of Moore. Yentob explains Moore was the first artist to become a true media celebrity. Broadcast 18 March 2010 to co-inside with Tate Britain Moore retrospective exhibition. Includes interviews with Mary Moore, John Read, Chris Stephens, Anthony Caro, Philip King, David Mitchinson, John Wyver, Derek Howarth, Richard Wentworth and Antony Gormley. Includes previously seen BBC footage of Moore.
0022959
Publisher: British Broadcasting Corporation
Place Published: London
Year: 2010
Date & Collation: 8mins25secs.Colour.Sound.V422
Description: Presented by Martha Catherine Kearney on Henry Moore exhibition at Tate Britain; report on this exhibition; interview with Chris Stephens, curator; different aspects of his work and the early work - obscure, archeological and formal intensity; in relation to the historical, political and cultural context; debate on studio with three columnists on Moore’s work; drawing and direct carving; disembodies figures. See 0021726 for exhibition catalogue
0022957
Publisher: British Broadcasting Corporation
Place Published: London
Year: 2010
Date & Collation: 5mins25secs.Colour.Sound.V405
Description: Report by Stephen Smith on the occasion of the Moore Retrospective, Tate Britain. Interview with Henry Moore in 1960 on film strips of “Face to Face” and “Monitors” (body shapes and animal bones inspirations). Views of sculptures in landscape setting and in the studio at The Henry Moore Foundation, Hertfordshire. Interview with John Farnham, Ben Lewis (art critic, Prospect Magazine: “Until 1945, Henry Moore who made sculptures. From 1950, sculptures made Henry Moore”) and Chris Stephens (curator, Tate Britain). Drawings during the II World War (“Blitz Spirit”). Sculptures with explicit sexuality.
0022958
Publisher: British Broadcasting Corporation
Place Published: London
Year: 2010
Date & Collation: 2010.V406
Description: Report by David Silitoe. Presentation of the Moore exhibition at the Tate Britain; Primitive inspiration; Exhibitions in public places and landscapes settings (Greenwich Park); Vandalism troubles and thefts; Interview with citizens.
0023124
Publisher: British Broadcasting Corporation
Place Published: London
Year: 2010
Date & Collation: 8 mins 16 secs.Sound.A272
Description: Broadcast on BBC Radio 4, 23 May 2010. Presented by Paddy O'Connell, at the Radio Theatre in Broadcasting House with a live audience for an archive special. The Director-General of the BBC, Mark Thompson talks about how the Corporation is planning to use its archive in future; conservation of different kind of documentations (artists, writers, and music); cataloguing of archives and on line on the BBC website; Discusion of the Henry Moore Projects on audios and videos.
0023123
Publisher: British Broadcasting Corporation
Place Published: London
Year: 2010
Date & Collation: 29 mins 32 secs.Sound.A248
Description: Broadcast on BBC Radio 4. Thurs 4 Fberuary 2010 11.30am. On the occasion of the exhibition of Henry Moore's early sculpture at Tate Britain. Moore's daughter, Mary, gives a view of the life and work of Britain's foremost 20th-century sculptor; Contributors include artists and Moore’s assistants Antony Gormley, Anthony Caro, Richard Wentworth and Penelope Curtis, the Director of Tate Britain. Reference to Hoglands, crammed with carvings and paintings from all over the world. The Henry Moore Foundation was formed in the last years of Moore's life and it stands as the most important supporter for sculpture in Britain.
0022956
Publisher: British Broadcasting Corporation
Place Published: London
Year: 2010
Date & Collation: 61mins.Colour.Sound.V404
Description: Mark Lawson talks to the sculptor Sir Anthony Caro about his life and career in art. Caro reflects on his time as Henry Moore's assistant, his ground breaking shift from figurative to abstract sculpture, his position on public art and his dream of working “until I drop”.