Henry Moore Artwork Catalogue
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0013206
Author/Editor: SPALDING Frances
Publisher: R.A
Place Published: London
Year: 1988
Date & Collation: (Winter) 40-41(3 illus)
Description: Royal Academy magazine review of exhibition (See 0011076), describing briefly some of the exhibits, and mentioning the British Museum drawings exhibition (See 0000179).
0022529
Author/Editor: SPALDING Frances
Publisher: MacMillan
Place Published: London
Year: 1984
Date & Collation: xiii.387pp.Illus.Bibliography.Index.
Description: Photocopied extract from book about Vanessa Bell. 322 List mention of Moore, in relation to an exhibition held at Miller's Gallery Lewes, January 1942, (see 0009032). Notes that Kenneth Clark lent small bronze work by Moore, alongside works by Rodin, Maillol and Degas. Mention of accompanying catalogue.
0023417
Author/Editor: SPALDING Frances
Publisher: The Mail on Sunday
Place Published: London
Year: 2016
Date & Collation: 2016 (13 November) 3pp (1 Moore illus).
Description: Review of exhibition at Pallant House Gallery, Chichester titled The Mythic Method: Classicism in British Art 1920-1950, showing the work of forty artists including Eric Gill, Moore, Ben Nicholson and Duncan Grant. 2 illus of Reclining Figure 1945 bronze (LH 242).
0023084
Author/Editor: SPALDING Frances
Publisher: Burlington Magazine
Place Published: London
Year: 2009
Date & Collation: 2009(August) 561-562(1 Moore illus)
Description: Exhibition review of Moore, Hepworth, Nicholson: A Nest of Gentle Artists exhibition (20 May – 31 August 2009), at the Graves Gallery, Sheffield. 561 illus of Reclining Figure 1930 ironstone, (LH 85).
0024125
Author/Editor: SPALDING Frances
Publisher: Thames and Hudson
Place Published: London
Year: 2022
Date & Collation: 384pp.147illus.
Description: Much discussion of Moore. Two works illus. in Chapter 7: "Expanding the Western European Tradition": the Cumberland alabaster Girl with Clasped Hands 1930 (LH 93), and Reclining Figure 1929 in brown Hornton stone (LH 59). Also mentioned (p.204) is the pynkado wood Two Forms 1934 in the collection of the Museum of Modern Art (LH 153). Discussion of Moore's experiences in the First World War, his education, the influence of the British Museum and of non-Western art on his work, the influence of Fry's Vision and Design and of Gaudier-Brzeska's work, and his association with the Seven and Five Society. Discussion of many of Moore's contemporaries, friends, and associates, including Barbara Hepworth, Ben Nicholson, Herbert Read, and Unit One.