Henry Moore Artwork Catalogue
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0007146
Author/Editor: HENDY Philip.
Publisher: Goya
Place Published: Madrid
Year: 1959
Date & Collation: 33 1959-1960 138-141(7 illus).Text in Spanish.
Description: Spanish translation based on the text of Dudley Shaw Ashton's film (See 0007179) quoting Moore on the conception and production of U.N.E.S.C.O. Reclining Figure, 1957-1958 travertine marble.
0007285
Author/Editor: HENDY Philip.
Publisher: New Statesman
Place Published: London
Year: 1958
Date & Collation: (13 Dec) 853.
Description: Full-page review of Heads, Figures and Ideas (See 0007315). Discusses drawings for the U.N.E.S.C.O. Reclining Figure, 1957-1958 travertine marble: a universal noble thing. Constructed as if by the forces of nature..." Quotations are taken from the book and Hendy discusses the concept of truth to material and of humanism in Moore's work."
0005166
Author/Editor: HENDY Philip.
Publisher: The Times
Place Published: London
Year: 1968
Date & Collation: (13 July) 17-18(1 illus).
Description: Long feature in The Times Saturday Review section giving a view on Moore as a person, his working environment at Much Hadham, and his achievement. Outlines the references to nature and the human figure in Moore's work, the importance of the concept over the material used, and his recent return to carving.
Reprinted in Museum und Kunst, 1970 (See 0004678).
Reprinted in Museum und Kunst, 1970 (See 0004678).
0009069
Author/Editor: HENDY Philip.
Publisher: Horizon
Place Published: London
Year: 1941
Date & Collation: 21 1941(Sept) 200-206.4 plates.
Description: An aesthetic appreciation of Moore's Sculpture from 1923 to 1940 on the occasion of the Temple Newsam exhibition (See 0009049). The impression is of a superhuman scale... This remains essentially a carving from a block of stone the base remaining as witness of its original proportions. And so one can take no exception to the arbitrary proportion of the great limbs to the little trunk or to the fact that the head has no particular expression only the universal vital strength which animates the whole figure... Already Moore is using the geography of a woman's body to express his passionate feeling for the earth itself... as if Moore had been Time himself with all his patience and the wind and the waters for his tools... He has moved from adventure to adventure boldly and without compromise but never erratically always logically step by step always in sympathy with his medium always a craftsman always dealing with the real thing of sculpture.""
0016257
Author/Editor: HENDY Philip.
Publisher: HMF library copy
Place Published: Much Hadham
Year: 1968
Date & Collation: 11pp.
Description: Edited typescript for article in The Times 13 July 1968 (See 0005166).
0007542
Author/Editor: HENDY Philip.
Publisher: Universitas
Place Published: Stuttgart
Year: 1956
Date & Collation: 1017-1022(2 illus).Text in German.
Description: General article in simple language, dealing in particular with Moore's knowledge of form. Harlow Family Group, 1954-1955 Hadene stone, Moore's latest work, is described as his most humanitarian yet, and perhaps the most Greek, almost Classical in concept. Even Moore's abstract works still relate very closely to nature. Concludes with four short published quotations by Moore. This text by Philip Hendy also appeared in Englische Rundschau, 17 August 1956 (See 0007518).
0007379
Author/Editor: HENDY Philip.
Publisher: Nazione Sera
Place Published: Florence
Year: 1957
Date & Collation: (1 June)..(2 illus).Text in Italian.
Description: Biography, Moore's sense of sculptural form and feeling for materials. Influence of landscape and importance of the family in his work.
0007518
Author/Editor: HENDY Philip.
Publisher: Englische Rundschau
Place Published: Cologne
Year: 1956
Date & Collation: 33 1956(17 Aug) 415(2 illus).Text in German.
Description: This text also appeared in Universitas 1956 1017-1022. See 0007542 for annotation.
0008098
Author/Editor: HENDY Philip.
Publisher: Britain Today
Place Published: London
Year: 1952
Date & Collation: 1952(April) 20-23.
Description: Report of The Unknown Political Prisoner competition, announced by Henry Moore at an I.C.A. press conference in January 1952. Notes Moore's responsibility for centering the competition in England. Also contains brief reference to Moore within book review, page 44, of A Land by Jacquetta Hawkes.
0008418
Author/Editor: HENDY Philip.
Publisher: Britain Today
Place Published: London
Year: 1949
Date & Collation: 1949(June) 34-37.2 plates.
Description: Aesthetic appreciation of Moore's sculpture at the time of the exhibition opening in Wakefield City Art Gallery (See 0008350) and tour by the British Council. Notes Moore's love of nature and natural forms, and his basic concerns with form and material, with the human figure as a starting point.
0008429
Author/Editor: HENDY Philip.
Publisher: Listener
Place Published: London
Year: 1949
Date & Collation: (3 Sept)..(3 illus).
Description: A B.B.C. Third Programme broadcast on the occasion of the British Council exhibition touring Europe from 7 October 1949 (See 0008026). Moore's form is seen as crucial to his importance, and comes into play at just that point where his work ceases to be a copy of nature. Classical and primitive works influencing Moore are outlined, while the problem Moore has set himself is to get from his material the maximum of what I can only call form life." Letters in response to this text appeared in issues of the Listener for 10 September 1949 (Horace Shipp Margaret MacKenzie) 17 September 1949 (Francis Watson) 24 September 1949 (Horace Shipp) 1 December 1949 (Francis Watson)."
0008430
Author/Editor: HENDY Philip.
Publisher: Listener
Place Published: London
Year: 1949
Date & Collation: (1 Dec)..(3 Bellini illus).
Description: Text of Third Programme broadcast which makes brief comparisons between Bellini and Moore.
0008194
Author/Editor: HENDY Philip.
Publisher: Britain Today
Place Published: London
Year: 1951
Date & Collation: 1951(Aug) 19-23.
Description: Brief mention of the Tate Gallery exhibition (See 0008139) and its catalogue, and the small exhibition at Leicester Galleries (See 0008134).
0008771
Author/Editor: HENDY Philip.
Publisher: Britain Today
Place Published: London
Year: 1946
Date & Collation: 117 1946 (Jan) 33-34.3 plates.
Description: Royal Academy National War Pictures exhibition (See 0008817). Includes brief mention of Henry Moore, and illustrates Shelter Scene: Two Swathed Figures, 1941 drawing.
0008855
Author/Editor: HENDY Philip.
Publisher: Britain Today
Place Published: London
Year: 1945
Date & Collation: 1945(2 illus).
Description: Church patronage of art, the Northampton Madonna and Child, 1943-1944 Hornton stone, the subject of a full-page photograph. Summarises Moore's sculpture and War Drawings, and mentions Herbert Read's monograph (See 0008893).
0008850
Author/Editor: HENDY Philip.
Publisher: Architectural Review
Place Published: London
Year: 1945
Date & Collation: (March) 92.
Description: Review of 0008893. A book on this scale about the most distinguished of living English artists by the most famous of English critics is an event of great importance.""
0008193
Author/Editor: HENDY Philip.
Publisher: Britain Today
Place Published: London
Year: 1951
Date & Collation: (July) 29-33(2 illus).
Description: Includes a one-paragraph comment on Reclining Figure: Festival, 1951 bronze.
0008539
Author/Editor: HENDY Philip.
Publisher: Britain Today
Place Published: London
Year: 1948
Date & Collation: 1948(July) 14-17.2 Moore plates.
Description: L.C.C. Battersea Park sculpture exhibition (See 0008483). Deals mainly with Moore's Three Standing Figures, 1947-1948 Darley Dale stone, commissioned by the Contemporary Art Society for the exhibition, and Recumbent Figure, 1938 green Hornton stone.