Henry Moore Artwork Catalogue
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0005559
Author/Editor: HAMILTON George Heard.
Publisher: Saturday Review
Place Published: New York
Year: 1967
Date & Collation: (25 Nov) 38,40,42(illus).
Description: Book review column, including Henry Moore on Sculpture (See 0005345). The best book yet on England's most distinguished sculptor." Notes that Moore's art is "slightly out of touch with the times now" and that the artist does not address himself to psychoanalytical writings. Incorporates brief quotations."
0009688
Author/Editor: HAMILTON George Heard.
Publisher: Penguin Books
Place Published: London
Year: 1967
Date & Collation: xxv,443pp.Front,192 plates.Bibliog 391-419.
Description: The Pelican History of Art.
345-350,Plate 192(2 illus) Henry Moore.
For description see 1972 paperback entry: 0004249.
345-350,Plate 192(2 illus) Henry Moore.
For description see 1972 paperback entry: 0004249.
0015480
Author/Editor: HAMILTON George Heard.
Publisher: Yale University Press
Place Published: New Haven & London
Year: 1993
Date & Collation: 621pp(307 illus).Bibliog 553-591.
Description: Now standard history of modern art, first published in 1967 by Penguin Books (See 0009688).
512-519, etc. (2 Moore illus). Stanley Spencer and Henry Moore.
Section unchanged from 1972 Pelican History of Art edition. See 0004249 for description.
512-519, etc. (2 Moore illus). Stanley Spencer and Henry Moore.
Section unchanged from 1972 Pelican History of Art edition. See 0004249 for description.
0004249
Author/Editor: HAMILTON George Heard.
Publisher: Penguin Books
Place Published: London
Year: 1972
Date & Collation: 624pp(307 illus).Bibliog 559-591.
Description: First paperback edition, based on 1967 work (See 0009688), revised and corrected. Culminating volume of The Pelican History of Art.
514-519,etc(2 illus) Henry Moore.
In a section on Stanley Spencer and Henry Moore, in the chapter Independent Schools and Masters. Outlines Moore's career, influences, materials and main works. Such works might have been admired only for the sculptor's technical control of his recalcitrant materials and for the assurance they offered that modern sculpture might once again equal in formal power the works of the primitive and archaic cultures of the past had not Moore infused them with a specifically contemporary quality as unmistakably visible as it is difficult to describe. It has something to do with the implacable generalizations that removed from his figures any connotations of the immediate present." Other references to Moore occur mainly in sections on Abstract Art in England and The Surrealist Movement in England."
514-519,etc(2 illus) Henry Moore.
In a section on Stanley Spencer and Henry Moore, in the chapter Independent Schools and Masters. Outlines Moore's career, influences, materials and main works. Such works might have been admired only for the sculptor's technical control of his recalcitrant materials and for the assurance they offered that modern sculpture might once again equal in formal power the works of the primitive and archaic cultures of the past had not Moore infused them with a specifically contemporary quality as unmistakably visible as it is difficult to describe. It has something to do with the implacable generalizations that removed from his figures any connotations of the immediate present." Other references to Moore occur mainly in sections on Abstract Art in England and The Surrealist Movement in England."
0009778
Author/Editor: HAMILTON George Heard.
Publisher: Abrams
Place Published: New York
Year: 1970
Date & Collation: 484pp(417 illus).Plates.Bibliog.
Description: Library of Art History. Concluding volume in a series of five surveying the history of Western art.
334(1 illus) Henry Moore.
Photograph of Recumbent Figure, 1938 green Hornton stone and paragraph on Moore's influences and landscape references, in the chapter European and American Sculpture 1900-1940. There is a passing mention of Moore on page 272 in the chapter Dada and Surrealism. The figures in the paintings of Yves Tanguy are cited as predecessors of the stone sculptures of Henry Moore.
Title as printed: 19th and 20th Century Art: painting, sculpture, architecture.
334(1 illus) Henry Moore.
Photograph of Recumbent Figure, 1938 green Hornton stone and paragraph on Moore's influences and landscape references, in the chapter European and American Sculpture 1900-1940. There is a passing mention of Moore on page 272 in the chapter Dada and Surrealism. The figures in the paintings of Yves Tanguy are cited as predecessors of the stone sculptures of Henry Moore.
Title as printed: 19th and 20th Century Art: painting, sculpture, architecture.