Henry Moore Artwork Catalogue
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0002966
Author/Editor: HALL Donald.
Publisher: Quest
Place Published: New York
Year: 1978
Date & Collation: (Nov) 2(6) 22-28,90-93(13 illus).
Description: Report of two visits to Much Hadham in the Spring of 1978, twenty years after Hall first met Henry Moore. Describes Moore's working day, and reports on the conversation which ranges over drawings, prints, Stonehenge (Stonehenge is not a building it is a carving"). The tough physical as well as mental life is offered as the reason for longevity in artists ("it's no good having an objective that's attainable...only if work is unending is life endurable")."
0020419
Author/Editor: HALL Donald.
Publisher: Beacon Press
Place Published: Boston.
Year: 1995
Date & Collation: xiv,271pp.
Description: Two dozen previously published texts by the American poet Donald Hall (1928-).
152-172 Henry Moore's Day.
(Adapted from 0006053).
250-271 Afterword: We Have Lived By Our Wits.
(Includes a section on the business arrangements of publishing his original Henry Moore texts, including 0005628).
152-172 Henry Moore's Day.
(Adapted from 0006053).
250-271 Afterword: We Have Lived By Our Wits.
(Includes a section on the business arrangements of publishing his original Henry Moore texts, including 0005628).
0012754
Author/Editor: HALL Donald.
Publisher: Carcanet Press
Place Published: Manchester
Year: 1991
Date & Collation: xii,296pp.
Description: Book of verse containing three Moore poems from A Roof of Tiger Lilies (See 0006123): Internal and External Forms, King and Queen, Reclining Figure.
Also a poem in the 1987-1990 section, Notes for Nobody, which recalls the author's contacts with Moore. Opening:The first time I met him Henry Moore was sixty."
Also a poem in the 1987-1990 section, Notes for Nobody, which recalls the author's contacts with Moore. Opening:The first time I met him Henry Moore was sixty."
0006123
Author/Editor: HALL Donald.
Publisher: Deutsch
Place Published: London
Year: 1964
Date & Collation: 63pp.
Description: Slim volume of poems, previously published in magazines.
45-47 Three poems based on sculpture by Moore: Internal and External Forms, King and Queen, Reclining Figure.
45-47 Three poems based on sculpture by Moore: Internal and External Forms, King and Queen, Reclining Figure.
0009998
Author/Editor: HALL Donald.
Publisher: Harper and Row
Place Published: New York
Year: 1978
Date & Collation: xv,253pp.Illus.Bibliog.
Description: Portions of this book originally appeared in Commentary." Texts on Dylan Thomas Robert Frost T.S. Eliot and Ezra Pound with the Paris Review interviews of Eliot and Pound. Includes a paragraph on page 138. "Pound was an old man doubting the worth of what he had done... I mentioned to him casually that Henry Moore as a young sculptor had taken comfort from Pound's book on Gaudier-Brzeska... He was moved almost to tears; it was something he had not known before. I didn't have the idea that he knew Moore's work....but he knew Moore's reputation and he was touched by new evidence that he had done something worth while... 'There is no doubt that I have been some use to some people'.""
0006053
Author/Editor: HALL Donald.
Publisher: New Yorker
Place Published: New York
Year: 1965
Date & Collation: (11 Dec) 66-141(1 illus) Part 1.<br>1965(18 Dec) 59-151(1 illus) Part 2.
Description: A large part of the text published in book form by Harper (New York) and Gollancz (London) as Henry Moore: the life and work of a great sculptor (See 0005628 and 0005629).
0005629
Author/Editor: HALL Donald.
Publisher: Gollancz
Place Published: London
Year: 1966
Date & Collation: x,182pp(102 illus).
Description: London edition of 0005628.
0005628
Author/Editor: HALL Donald.
Publisher: Harper and Row
Place Published: New York
Year: 1966
Date & Collation: x,182pp(102 illus).
Description: A large part of this book in somewhat different form appeared originally in The New Yorker" (See 0006053). For Gollancz edition see 0005629.
A Note.
(Acknowledgements).
December 20 1963: The Locking Piece.
(Domestic and work routines at Much Hadham Irina Moore daughter Mary Moore assistants Isaac Witkin and Ron Swann. Work on Locking Piece 1963-1964 bronze. Process of producing finished works via Maquettes and Working models).
1898-1918: The Roll of Honour.
(Castleford Secondary School Roll of Honour 1916 wood. Castleford Raymond Spencer Moore Childhood Mary Moore (Mother) Education World War 1).
1919-1924: The Renaissance Head.
(Leeds School of Art Narayana and Bhataryan British Museum Raymond Coxon Royal College of Art Vorticism and other contemporary art Head of the Virgin 1922-1923 marble).
1925-1932: The Leeds Reclining Figure.
(Teaching Life Drawing Paris 1920s Marriage to Irina Radetzky Reclining Figure 1929 brown Hornton stone Hampstead in the 1930s Carvings Kent Critical attacks Holes).
1933-1939: The Detroit Reclining Figure.
(Unit One (See 0009258) Circle (See 0009178) Assistant Bernard Meadows Reclining Figure 1939 elm wood).
1940-1948 The Madonna and Child.
(War Drawings move to Much Hadham Northampton Madonna and Child 1943-1944 Hornton stone. New York visit 1946 for M.O.M.A. exhibition (See 0008703)).
1949-1957: The King and Queen.
(Modelling maquettes Bronze casting Time-Life Screen 1952-1953 Portland stone King and Queen 1952-1953 bronze. British Council exhibitions abroad. Honours. Reaction against Moore by young artists).
1958-1965: The Lincoln Center Reclining Figure.
(Open Air commissions Reclining Figure 1963-1965 bronze. Two- and Three-part Reclining Figures)."
A Note.
(Acknowledgements).
December 20 1963: The Locking Piece.
(Domestic and work routines at Much Hadham Irina Moore daughter Mary Moore assistants Isaac Witkin and Ron Swann. Work on Locking Piece 1963-1964 bronze. Process of producing finished works via Maquettes and Working models).
1898-1918: The Roll of Honour.
(Castleford Secondary School Roll of Honour 1916 wood. Castleford Raymond Spencer Moore Childhood Mary Moore (Mother) Education World War 1).
1919-1924: The Renaissance Head.
(Leeds School of Art Narayana and Bhataryan British Museum Raymond Coxon Royal College of Art Vorticism and other contemporary art Head of the Virgin 1922-1923 marble).
1925-1932: The Leeds Reclining Figure.
(Teaching Life Drawing Paris 1920s Marriage to Irina Radetzky Reclining Figure 1929 brown Hornton stone Hampstead in the 1930s Carvings Kent Critical attacks Holes).
1933-1939: The Detroit Reclining Figure.
(Unit One (See 0009258) Circle (See 0009178) Assistant Bernard Meadows Reclining Figure 1939 elm wood).
1940-1948 The Madonna and Child.
(War Drawings move to Much Hadham Northampton Madonna and Child 1943-1944 Hornton stone. New York visit 1946 for M.O.M.A. exhibition (See 0008703)).
1949-1957: The King and Queen.
(Modelling maquettes Bronze casting Time-Life Screen 1952-1953 Portland stone King and Queen 1952-1953 bronze. British Council exhibitions abroad. Honours. Reaction against Moore by young artists).
1958-1965: The Lincoln Center Reclining Figure.
(Open Air commissions Reclining Figure 1963-1965 bronze. Two- and Three-part Reclining Figures)."