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Henry Moore Artwork Catalogue

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0017032
Author/Editor: GRAHAM-DIXON Andrew.
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1996
Date & Collation: 256pp.Illus.Bibliog.
Description: Book published to accompany the television series (See 0017091).
216-217(1 illus) Henry Moore.
Henry Moore spent his life putting his idea of the ideal woman on a pedestal.
0017056
Author/Editor: GRAHAM-DIXON Andrew.
Publisher: Harper Collins
Place Published: London
Year: 1996
Date & Collation: xii,384pp.Illus.Index.
Description: 218-222(1 illus) Moore.
(20 Sept 1988 Independent review (See 0013091) of Moore's Royal Academy exhibition (See 0011076)).
193-197 Sickert.
(24 Nov 1992 text which mentions briefly meeting between Sickert and Moore at a Leicester Galleries exhibition).
0021216
Author/Editor: GRAHAM-DIXON Andrew.
Publisher: Penguin Group.
Place Published: London
Year: 2003
Date & Collation: xii.212pp.Illus.
Description: Book based on Graham-Dixon's weekly column In the Picture in the Sunday Telegraph. Provides fifty-two essays and accompanying artwork to illustrate the weeks of the year, month by month. Pages 138-141 provides text on Moore's Nuclear Energy, linking Moore's sculpture to 6th August, the anniversary of the Hiroshima bombing. Includes a passage from Michihiko Hachiya's Hiroshima Diary. One Moore illus: Page 138: Nuclear Energy 1964-66 bronze, (LH 526).
0013152
Author/Editor: GRAHAM-DIXON Andrew.
Publisher: Independent
Place Published: London
Year: 1988
Date & Collation: (27 Dec)..(1 illus).
Description: Art education funding, opening with a report on Mrs. Thatcher's speech at the Royal Academy exhibition (See 0011076). The illustration is a drawing by Nick May depicting Mrs. Thatcher as the Madonna in a Moore Madonna and Child.
0013091
Author/Editor: GRAHAM-DIXON Andrew.
Publisher: Independent
Place Published: London
Year: 1988
Date & Collation: (20 Sept)..(2 illus).
Description: Review of Royal Academy exhibition (See 0011076), seeing Moore's mother as the original Moore monument. He emerges as a distinctly one-track artist... Early Moore is resolutely modern... Moore was a religious artist living in secular times... Maybe in the end there was a kind of anxiety in Moore. There's something compulsive about his need to people a hostile threatening world with mothers.""