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0016132

Author/Editor: ANDREWS Julian.

Publisher: Independent on Sunday

Place Published: London

Year: 1994

Date & Collation: (4 Sep)..

Description: Letter stressing the emotional power of Moore's War Drawings. Written in response to a review by Tim Hilton in the 28 August 1994 issue of the Independent on Sunday, Every Picture Tells a Life Story, of the Master Drawings Exhibition at the National Portrait Gallery (See 0015715). Hilton closed his review by stating that Moore had no place in a show called Master Drawings. The fact is that Moore couldn't draw at all"."

0001266

Author/Editor: ANDREWS Julian.

Publisher: Art and Artists

Place Published: London

Year: 1983

Date & Collation: (Oct)..(1 Moore illus).

Description: The work of the British Council, noting the value of Henry Moore as an ambassador for British art, forging openings in other countries over the years with exhibitions of his work, which are now followed by younger British artists.

0020104

Author/Editor: ANDREWS Julian.

Publisher: Lund Humphries

Place Published: London and Burlington, VT

Year: 2002

Date & Collation: 144pp(126 illus).Notes.Bibliog.

Description: The first part of the book outlines the historical context of Henry Moore's art, with photographs of the Blitz, and the work of one or two other war artists. Pages 50-141 are headed 'Commentary on the Plates' and consist of 83 full-page colour illustrations, mostly from the First Shelter Shetchbook and the Second Shelter Sketchbook, together with commentaries. These are grouped as:NLExperiments in War Drawing.
First Tube Shelter Sketches and Drawings.
Single Figures and Pairs of Figures in Underground Shelters.
Large Groups in Tube Shelters.
The Sea of Sleepers.
Tube Shelter Perspective.
The Tilbury Warehouse Shelter.
Multiple Studies of Single Figures.
Bunks and Sleepers.
Sleeping Positions.
Sleepers.
The Fates.
Reprinted in 2005.