Henry Moore Artwork Catalogue
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0010719
Author/Editor: MICHELI Silvio.
Publisher: Vie Nuove
Place Published: Rome
Year: 1962
Date & Collation: (27 Dec) 26-27(2 illus).Text in Italian.
Description: Account of a plan for the erection of a series of monumental works on the theme of Peace and Labour to be carved or erected on the mountain running from Marnia di Carrara to Viareggio. The principal sculptor to be Nardo Dunchi. Moore to work in Carrara on one such piece, using a block left over from earlier plans to produce massive works under Fascism. Moore's enthusiasm for the project and readiness to direct the enterprise starting in Spring 1963. His purchase of a house in the area, and desire to work in the manner of Michelangelo.
0009595
Publisher: For Sixth Forms
Place Published: London
Year: 1962
Date & Collation: (Autumn) 9-23(1 Moore illus).Bibliog.Text by David SYLVESTER.
Description: British Broadcasting Corporation Television for Schools bulletin. Includes an illustration of Two Piece Reclining Figure No. 1, 1959 bronze, and a paragraph on Figures in Space (See 0006625).
0009596
Author/Editor: KISS István.
Publisher: Müvészet
Place Published: Budapest
Year: 1962
Date & Collation: (Jan)..(1 illus).Text in Hungarian.
Description: Opening speech at exhibition (See 0006663), given by Communist sculptor and President of the Artists' Association. Welcomes the exhibition, and notes Moore's synthesis of nature and humanity. Refers to Moore's primitive influences in developing his sculptural style. The reproductions on display depict uncertainty and anxiety, whereas the Hungarian standpoint is hopeful and confident. Moore's works always represent genuine artistic values, and their abstraction is based on a deep understanding of reality.
0021465
Publisher: Look and Learn
Place Published: London
Year: 1962
Date & Collation: 1962(10 Feb)4 9(4 Moore illus)
Description: Half page article in educational magazine for children. Notes the importance of natural material in Moore's work. Brief quote from Moore. Four illus including:
King and Queen 1952-53 bronze, (LH 350)
Cast section of Family Group 1948-49 bronze, (LH 269) shows child and parent's arms.
Adjoining column entitled How a bronze statue is cast" depicts images from the Morris Singer Foundry."
0006606
Publisher: Time
Place Published: New York
Year: 1962
Date & Collation: (23 March) 70(1 illus).
Description: Review of the Knoedler exhibition (See 0006467), embodying comments by Henry Moore, and suggesting that his former elegance appears to have vanished and finding the bronzes 'bold, blunt, brutal, sometimes even crude'.
0006557
Author/Editor: DEL BO Anna.
Publisher: Abitare
Place Published: Milan
Year: 1962
Date & Collation: (Dec) Cover,2-19(illus).Text in Italian.
Description: Feature on home of Swiss lawyer (William R. Staehelin) including some works by Henry Moore.
0006563
Author/Editor: RUBIN William.
Publisher: Art International
Place Published: Zürich
Year: 1962
Date & Collation: (Nov) 34-37(10 illus).
Description: 27 works by Moore were exhibited (See 0006476), some of which can be seen in an installation photograph. His is one of the most inflated reputations in modern art"."
0006595
Author/Editor: SIMPSON Jean.
Publisher: Oxford Magazine
Place Published: Oxford
Year: 1962
Date & Collation: (8 Nov)..
Description: Short exhibition review (See 0006470). Some of the figures look like early gods...""
0006598
Author/Editor: COLLINS Howard F.
Publisher: School Arts
Place Published: Worcester, Mass.
Year: 1962
Date & Collation: (Oct) 62(2) 36-37(3 illus).
Description: Introduction to the appreciation of Moore's sculpture in art education magazine. These weathered forms seem to transcend time and effect an endless stream of murky associations which lie deeply buried in the shadows of the history of the race.""
0006569
Author/Editor: LAKE Carlton.
Publisher: Atlantic Monthly
Place Published: Boston
Year: 1962
Date & Collation: (Jan) Cover,39-45(7 illus).
Description: Report of a visit with Henry Moore in the Autumn of 1961, discussing the Musée Rodin exhibition (See 0006664), the War Drawings, Helmet Heads, Ideas for Sculpture, U.N.E.S.C.O. Reclining Figure, 1957-1958 travertine marble, Divided Figures, etc.
0006601
Author/Editor: WALLIS Nevile.
Publisher: Spectator
Place Published: London
Year: 1962
Date & Collation: (5 Oct) 512-513.
Description: Review of Kokoschka, Moore and Sutherland at Marlborough Gallery (See 0006484). Though the time will come when Moore's prodigious reputation must decline sharply no one can ever deny the multitude of variations he has played with astonishing certitude on the human figure: impassive and aloof...skeletal geological or spectral mummies sheltering human-wise in caves...he is seen exploring the plastic possibilities of a given shape sometimes in a fantastic environment bordering on Surrealism with which he has played hide-and-seek for thirty years.""
0006564
Publisher: Art News
Place Published: New York
Year: 1962
Date & Collation: (May) 10.Text initialled N.E.
Description: 22-line review in Reviews and Previews section (See 0006467): England's official modern sculptor brilliantly innovates in this show.""
0006567
Author/Editor: TILLIM Sidney.
Publisher: Arts Magazine
Place Published: New York
Year: 1962
Date & Collation: (May-June) 36(9) 82-84(1 Moore illus).
Description: Includes a review of the Knoedler exhibition (See 0006467). It was really a physically spectacular exhibition...I felt rather like a tourist visiting a national monument" although "Moore has sought refuge in monumentality almost for its own sake"."
0006570
Author/Editor: OBERG K.
Publisher: British Journal of Photography
Place Published: London
Year: 1962
Date & Collation: (19 Jan)..(1 Moore illus).
Description: Includes, as a good example, Mark Gerson's photograph of Moore.
0006599
Author/Editor: PIEROTTI Piero.
Publisher: Sele Arte
Place Published: Florence
Year: 1962
Date & Collation: 60 1962(Nov-Dec) 51-56(1 Moore illus).Text in Italian.
Description: Exhibition review of Premio Carrara (See 0006483) with list-mention of Moore, and a photograph of Relief No. 1, 1959 bronze.
0006559
Author/Editor: READ Herbert.
Publisher: Apollo
Place Published: London
Year: 1962
Date & Collation: (Sept) 536-540(1 Moore illus).
Description: Reminiscences of Hampstead in the 1930s, and Read's early contacts with Moore, and others.
0006588
Author/Editor: GOPEL Erhard.
Publisher: Neue Deutsche Hefte
Place Published: Gütersloh
Year: 1962
Date & Collation: (May-June) 87 106-110.Text in German.
Description: Moore's critical acclaim, and the book by Will Grohmann (See 0006853). The over-analysis of Moore's work spoils the initial reaction of the onlooker. Praises the book and its colour plates of the War Drawings.
0006591
Author/Editor: MELVILLE Robert.
Publisher: New Hungarian Quarterly
Place Published: Budapest
Year: 1962
Date & Collation: 3(5) 235-241.
Description: the geography of woman mingles with vegetable and mineral substances to form sacred images of the natural world." Moore's drawings and sculpture have always maintained a relationship with natural forces. Early works were massive powerful and intense. Recent concentration on the use of bronze has created dramatic effects and symbols as with Warriors King and Queen 1952-1953 bronze and other works. Landscape images are combined in the Divided Figures."
0006594
Author/Editor: POWELL J.C., SUTCLIFFE M.
Publisher: Oasis
Place Published: York
Year: 1962
Date & Collation: (Summer) 2-4(1 illus).
Description: Exhibition review (See 0006468) by two sixth form pupils in the magazine of St. Peter's School. Notes the solidarity and smoothness of the works, and their concentration on essential form, albeit ambiguous at times.
0006572
Author/Editor: KAUFMAN Betty.
Publisher: Commonweal
Place Published: New York
Year: 1962
Date & Collation: (9 Nov) 182-183.
Description: Review of Guggenheim Museum exhibition (See 0006476) noting the emotional expressiveness of the Moore works included.
0006575
Author/Editor: WAGNER Herbert H.
Publisher: Deutsche Post
Place Published: Frankfurt
Year: 1962
Date & Collation: 19 1962 14 526-527(6 illus).Text in German.
Description: Hostility to sculpture, and the appreciation of Moore's works, as symbols rather than portraits. Landscape connotations, sculptural space, human forms, and psycho-analytic approaches to his art.
0006604
Author/Editor: WHITTET G.S.
Publisher: Studio
Place Published: London
Year: 1962
Date & Collation: (Oct)..(2 Moore illus).
Description: Short review of Aspects of Twentieth Century Art at Marlborough (See 0006454), concentrating on Moore: we are moved to wonder and unreserved admiration.""
0006607
Author/Editor: ROBERTS Keith.
Publisher: Time and Tide
Place Published: London
Year: 1962
Date & Collation: (2 Aug)..
Description: Marlborough exhibitions (See 0006454), including brief discussion on some individual works by Moore: art to an astonishing and profound degree.""
0006578
Author/Editor: CRAFT E.M.
Publisher: Geijutsu Techno
Place Published: Tokyo
Year: 1962
Date & Collation: (Sept) 53-63(21 illus).Bibliog.Text in Japanese.
Description: Shortened version, translated from German, of lecture given at the German Cultural Institute in Tokyo on 19 June 1962, and originally titled The Significance of Henry Moore's Work in Relation to Contemporary Sculpture. Stages of Moore's work are described under several headings. Structurality in the early works saw the union of solid elements. Truth to Materials. Organic Directions and asymmetry followed the early Cubist works. New Relationship to Space: Archipenko's use of holes took on a new momentum through Moore. A Distant Primitivism was seen in the weird forms of his post-war sculpture. Shadow of War was seen in the Warriors and the Shelter sketches: a communal graveyard with people waiting to be exterminated". Sculptural Fantasy was seen in his developing abstract works of the 1950s.
Title romanized: Henri Muua: Gendai to iu koya no kinenbi."
Title romanized: Henri Muua: Gendai to iu koya no kinenbi."