Henry Moore Artwork Catalogue
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0023957
Publisher: Yorkshire Sculpture Park
Place Published: Yorkshire Sculpture Park
Year: 2014
Date & Collation: 68pp.
Description: A guide to the works on display at Yorkshire Sculpture Park in 2014. Section on Henry Moore and his artwork in the grounds at YSP on pages 40-45. The short introduction to Henry Moore explores his upbringing in Castleford and the influence of the Yorkshire landscape on his sculpture. It also references Moore being the first patron of YSP and expressing his interest in his work being sited there during at visit in 1979. The works listed as being at YSP are: Draped Seated Woman, 1957-58 (LH 428), Two Piece Reclining Figure: Points, 1969-70 (LH 606), Large Totem Head, 1968 (LH 577), Reclining Figure: Arch Leg, 1969-70 (LH 610), Three Piece Reclining Figure No.1, 1961-62 (LH 500), Upright Motive No.2, 1955-56 (LH 379), Upright Motive No.7, 1955-56 (LH 386), Upright Motive No.1: Glenkiln Cross, 1955-56 (LH 377), Upright Motive No.9, 1979 (LH 586a), Large Two Forms, 1966-69 (LH 556) and Torso, 1967 (LH 569).
0023158
Publisher: Fondation Pierre Gianadda
Place Published: Martigny
Year: 2014
Date & Collation: 31pp.Illus.
Description: Guide to what's on 5 December 2014 - 14 June 2015. 30-31 map of the gardens showing location of one Moore work.
0023258
Publisher: Tate Britian
Place Published: London
Year: 2014
Date & Collation: 1pp.Illus.
Description: Education resource - welcome cards. Illus of Recumbent Figure 1938 green Horton stone (LH 191) on one sides, information and questions on the other.
0023262
Publisher: The George Washington University
Place Published: Washington DC
Year: 2014
Date & Collation: 2pp.Illus.
Description: Publicity material relating to exhibitio of the same name at the Luther W. Brady Art Gallery, 28 August - 10 October 2014. Illus of Draped Reclining Figure: Knee 1981 bronze (LH 815).
0023012
Publisher: Fundación ‘la Caixa’
Place Published: Barcelona
Year: 2014
Date & Collation: (20 May 2014)2pp.Illus.
Description: Invitation to the opening ceremony of the touring exhibition Henry Moore - Art on the Street. Illus of Reclining Mother and Child, 1975-76 bronze, (LH 649). See 0023009 for details of the exhibition.
0022997
Publisher: Veles-Capital
Place Published: Moscow
Year: 2014
Date & Collation: 141pp.Illus.
Description: Diary. 48 illus of Head 1972 drawing (HMF 3361).
0022982
Publisher: East Herts Council
Place Published: Hertford
Year: 2014
Date & Collation: 2014 (12 March) 2 (nno illus)
Description: Agenda for the public meeting of the Development Management Committee, at which planning permission was granted for the development of the archive building at Elmwood and visitor centre at Dane Tree House. On the back of the agenda are 2 stickers with the slogan NO MORE MOORE". These stickers were worn by local residents in opposition to the develoment at the public meeting. The stickers were stuck to the wall by opposers on leaving the meeting having lost their case against the development."
0023033
Publisher: Wurth Group
Place Published: Kunzelsau
Year: 2014
Date & Collation: 12pp.Illus
Description: Wurth Group newsletter. 10 illus of Large Interior Form 1953-4 bronze (LH 297b)
0023080
Author/Editor: MARTIN Jane
Publisher: Macmillan Iberia and Grupo Editorial Luis Vives
Place Published: Madrid
Year: 2014
Date & Collation: 79pp.Illus.Spiral bound.
Description: Children's art book. 46 Illus of Family Group 1945 bronze (LH 239). Practical exercise concerning the use of positive and negative space.
0023070
Publisher: The Hepworth Wakefield
Place Published: Wakefield
Year: 2014
Date & Collation: 24pp.Illus.
Description: What's On guide. 6 illus of Head of a Woman 1926 cast concrete (LH 36).
0023094
Publisher: National Gallery of Victoria
Place Published: Melbourne
Year: 2014
Date & Collation: 108pp.illus.
Description: 2 Moore illus: Reclining Figure No.7 1980 bronze (LH 752) and Reclining Figure Distorted 1979 (HMF 79(21)).
0023128
Publisher: Sonce Alexander Gallery
Place Published: Los Angeles
Year: 2014
Date & Collation: 8pp.
Description: Folded leaflet to accompany exhibition curated by Ann HAREZLAK, shown 16 August - 1 September 2014. The exhibition explores intersections of sculpture in photography, considering manifestations and gestures of form framed within a two-dimensional space negotiating sculptural rhetoric. Includes Gemma Levine's recorded observations of Moore's sculptures from 1978.
0023090
Publisher: Lakeside Arts
Place Published: Nottingham
Year: 2014
Date & Collation: (Dec 14 - Mar 15)55pp.Illus
Description: What's on guide includes reference to exhibition In the Shadow of War showing at the Djanogly Art Gallery in anticipation of the 70th anniversary of the end of the Second World War, 29 November 2014 - 22 February 2015. Features the work of a generation of artists who rose to prominence inpost-war Britain. 5 Moore included in list of artists. 6 illus of Falling Warrior 1956-7 bronze (LH 405).
0023100
Publisher: MacLaren Art Centre
Place Published: Ontario
Year: 2014
Date & Collation: 14pp.Illus.
Description: Guide to spring/summer season and two exhibitions at the MaClaren Arts Centre, from 10 July to 2 November 2014. 6 reference to Moore/Snow in the Joan Lehamn Gallery. Exhibition pairs the works on paper from the MacLaren's Permanent Collection, of Moore and Michael Snow, and their iconic tratement of the human form. Two artists whose work has been central and definitive to the art of their time". Illus of Standing Figure Storm Sky 1978 lithograph (CGM 494). 7 reference to exhibition Etrog/Moore showing works on paper by Moore and Sorel Etrog (Romanian-Canadian 1933-2014) both artists "demonstrate a relentless fixation on the expression of that intangible aura that exist around a three-dimensional object in space". Illus of Reclining Woman with Yellow Background 1982 lithograph (CGM 656)."
0023068
Author/Editor: POLA Francesca
Publisher: Skira
Place Published: Milan
Year: 2014
Date & Collation: (1 October - 4 November 2014)222pp.Illus.Biography.Artist's writings.Exhibitions 1959-1971.Selected bibliography.Italian texts
Description: Catalogue to accompany exhibition of the same name. 43 illus of Reclining Figure: Snake 1939-40 bronze (LH 208a)
0023956
Author/Editor: BONNEY Hannah
Publisher: University of Manchester
Place Published: Manchester
Year: 2014
Date & Collation: 58pp.
Description: Undergraduate dissertation written for a degree in the school of Art History and Visual Studies at University of Manchester. The dissertation explores the studio practice of Henry Moore, focusing on the Bourne Maquette Studio. It argues that the Bourne Maquette Studio became the heart of Moore's sculptural practice and legacy, and that the maquettes should have a greater part to play in the current catalogue raisonné.
0023053
Publisher: Yorkshire Sculpture Park
Place Published: West Bretton
Year: 2014
Date & Collation: 32pp.Illus.
Description: Booklet promoting the Yorkshire Sculpture Park. 4-5 illus of Upright Motive No.1 :Glenkiln Cross 1955 bronze (LH 377); Upright Motive No.2 1955-56 bronze (LH 379); Upright Motive No.7 1955 bronze (LH 386). 28-29 illus of Large Spindle Piece 1968-74 bronze (LH 593)
0023022
Publisher: The Henry Moore Foundation
Place Published: Perry Green
Year: 2014
Date & Collation: 6pp.illus.
Description: Fold out leaflet to accompany exhibition of the same name (1 May - 26 october 2014). Illus of Oval with Points 1968-69 bronze (LH 595)
0023973
Place Published: Harlow
Year: 2014
Date & Collation: 24pp.illus.map.
Description: Map of public sculpture in Harlow. Two of Moore's works, Harlow Family Group and Upright Motive No.2, are listed, along with 82 other sculptures. Works by two of Moore's one-time assistants, Malcolm Woodward (whose bronze Cat 1962 was acquired to mark Moore's 80th birthday) and Shelley Fausset, also feature.
0023913
Author/Editor: STEVENSON Struan
Publisher: Scottish Conservatives
Place Published: Ayr
Year: 2014
Date & Collation: 3 December.
Description:
Struan Stevenson, Conservative MEP for Scotland 1999-2014, delivered this speech at the 'Friends of the Maclaurin Bistro Supper' at Rozelle House, Alloway, Ayr on Wednesday 3 December 2014. The speech was transcribed into a blog post on the Scottish Conservatives website.
Stevenson describes his long-standing passion for art, having been appointed Director of the Richard Demarco Gallery in Edinburgh in 1986. He goes on to tell the story of how Ayr purchased Moore's Draped Reclining Figure, 1976-79 (LH 705, cast 2) for the Rozelle Gallery. Accompanied by his wife, Stevenson describes his visit to Hoglands on 1st November 1979 to view LH 705 in Moore's studios. Gives an insightful account into what it was like to be a guest in Hoglands, describing having coffee with Moore and Irina, before setting off for a tour of the grounds and studios.
Stevenson accounts for Moore's broken leg, leading him to give the tour from his car while Stevenson and his wife walked the grounds. He makes particular mention of the elephant skull and how it had been a gift from Julian Huxley. He also notes a meeting with Alan Bowness, who had come to Hoglands to see the newly completed Three Bathers - After Cézanne, 1978 (LH 741).
0023977
Author/Editor: SUTTON Robert James
Publisher: University of York
Place Published: York
Year: 2014
Date & Collation: 294pp.
Description:
Doctoral thesis written by Robert James Sutton in History of Art for the award of Doctor of Philosophy from the University of York, September 2014.
Robert Sutton writes about the period between 1938 and 1950, focusing on four public commissions that Moore completed at four different educational establishments. Each of these commissions represented a different strand of educational provision either side of the Second World War. The first two commissions that Sutton writes about did not come to fruition: a series of reliefs to cover the side of Senate House, commissioned by Charles Holden, and a sculpture to be situated in front of the new 'Village College' in Cambridgeshire, devised by Henry Morris and designed by the architects Walter Gropius and Maxwell Fry. The thesis then focuses on Family Group, 1948-49 (LH 269) and how it was commissioned at sited at the Barclay School, Stevenage, one of the first secondary modern schools built in England after the war and the implementation of the 1944 Education Act. The final commission written about in this thesis is Memorial Figure, 1945-46 (LH 262) for the ground of the Dartington School in Devon, set up by the philanthropic educationalists, Dorothy and Leonard Elmhirst.
0023149
Author/Editor: VEASEY Melanie
Place Published: High Wycombe
Year: 2014
Date & Collation: iii.222pp.Illus.Appendix.Bibliography.
Description: Thesis submitted for MA of Garden History in the School of Humanities, University of Buckinghamshire, September 2014 (blue bound). Passing reference to Moore: i in the Abstract, 11 and 16 in the Introduction. 20 VEASEY lists Moore's works that she focused on for their unique contributions to the aesthetic changes of the century: Recumbent Figure 1938 bronze (LH 184) at Bentley Wood, Sussex; Memorial Figure 1945-46 Horton stone (LH 262) at Dartington Hall, near Totnes, Devon; Three Standing Figures 1947-48 Darley Dale stone (LH 268) at Battersea Park, London; Large Reclining Figure 1984 bronze (LH 192b) Perry Green, Hertfordshire; King and Queen 1952-53 bronze (LH 350) at Glenkiln, Dumfries.
Chapter One - Bentley Wood and Dartington Hall: 26-37 Moore and Recumbent Figure 1938 in relation to landscape architect Christopher Tunnard; architect Sergé Chermayeff's modernist home at Bentley Wood; position at the end of a paved terrace, near an outdoor five bay window frame conveyed the sense of an indoor room; Moore's biographer John Russell; conscious and Jungian unconscious; photographer Gordon Cullen; Kenneth Clark Civilisation exhibition 2014. VEASEY describes Bentley Wood as a formative experience for Moore. "It defined the criteria by which he went on to assess the future placements of his landscape sculptures: their integrity with the landscape, their simplicity of display, their elevation and their ability to mediate the viewer's relationship with the landscape." Illus of Moore with Reclining Figure 1929 Brown Horton stone (LH 59); Recumbent Figure 1938 in-situ from different vistas at Bentley Wood.
41-51 Moore and Memorial Figure 1945-46 in relation to collectors Dorothy and Leonard Elmhirst; experimental rural art colony; World War II; celebration of the life of Christopher Martin, the first Arts Administrator of Dartington Hall; broad stone steps designed by Percy Cane; the site and perspective of the sculpture, within the landscape. At the time of installation Moore commented that he wanted Memorial Figure "to convey a sense of permanent tranquility, a sense of being from which the stir and fret of human ways had been withdrawn, and all the time I was working on it I was very much aware that I was making a memorial to many generations of men who have engaged in a subtle collaboration with the land." Illus of Memorial Figure 1945-46 ; from different view points; and the dedication for Christopher Martin.
Chapter Two - The open air exhibition of sculpture at Battersea Park, 1948: 55, 58, 61, 72, 74, 78 Moore and Three Standing Figures 1947-48 Darley Dale stone in relation to: Patricia Strauss, Chief Officer of the London County Council Parks Committee, who proposed the idea of an open-air exhibition, to show the world modern trends in sculpture. Her idea was initially viewed too radical. Her eventual achievement in demystifying a previously elite form of art and making it accessible to the middle and working classes; map of Battersea Park; Moore's concern about delivering the work in time for the opening, given restriction on materials and tools; the "far seeing gaze" of the sculpture; Malliol; polarised reaction to Moore's work; controversial acceptance of Three Standing Figures by London County Council as a gift in 1948; World War II and the Spanish Civil War; 71, 72, 76 illus of Three Standing Figures 1947-48 with Strauss and Aneurin Bevan.
Moore confessed that 'without the war... I would have been a far less sensitive and responsible person, the war brought out and encouraged the humanist side of one's work"
Chapter Three - Henry Moore (1898-1986): 86-142 VEASEY writes on the history and development of Hoglands, meadows and sheep fields that the Moore's acquired, eventually comprising a seventy-two acre estate; working in a rural environment; immense vision behind sculptural ideas; Underground sketches from World War II; Roger Berthoud; Moore's preference to shape the female form; Malcolm Woodward and Moore's techniques; Moore, a self-declared atheist and his ecclesiastic commissions; the Moore's influential network of friends, artists, curators and patrons who visited Perry Green; Frank Farnham; formation of the Henry Moore Foundation; renovation of the garden by Yvonne Innes, under Mary Moore's guidance; Irina's vision for the garden; the small foundry in the meadow; Stephen Spender; swimming pool; colour of the sculptures against the seasonal leaf change in the garden; the elevated mound Moore constructed; the King and Queen 1952-1953 at Perry Green and the Glenkiln Estate; theft of Standing Figure 1950 (LH 290) from Glenkiln. Illustrated throughout, including maps of the estate and photographs of Hoglands; Henry and Irina Moore on their wedding day 27 July 1929; views across the estate; Tube Shelter Perspective: The Liverpool Street Extension) 1941 drawing (HMF 1801); Moore working on Reclining Figure: Festival 1951 bronze (LH 293); Henry and Mary Moore 1940s; Moore's assistants; Irina's montage of Henry's sketches; Irina in the garden; garden planting; Sundial 1965 bronze (LH 528); sculptures in the grounds at Perry Green.
143 passing reference to Moore in relation to Elizabeth Frink. 193-199 reference to Moore in the Conclusion.