Henry Moore Artwork Catalogue
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0022049
Publisher: Currier Museum of Art
Place Published: New Hampshire
Year: 2011
Date & Collation: 2011(19 March-12 June)58pp.illus.
Description: Book to accompany exhibition of the same name. Features one Moore illus, page 14, Reclining Figure 1935-36 Elm wood, (LH 162). Listed as belonging to Albright-Knox Art Gallery, Buffalo, New York.
0022057
Publisher: The Phillips Collection
Place Published: Washington
Year: 2011
Date & Collation: 2011(12 February-15 May)
Description: Published in association with Yale University Press, to accompany exhibition of the same title. Emphasizes Smith's investigation of concave/convex forms, and notes his use of painted surfaces. Includes mention of Moore, page 69, within essay by Sarah HAMILL on Smith's photography of his own sculpture. One illus shows Moore's Reclining Figure 1938 lead, (LH 192). Mentions the way in which Moore uses the camera to monumentalize the maquette sized work.
0022102
Publisher: The Nelson-Atkins Museum of Art
Place Published: Kansas City, Missouri
Year: 2011
Date & Collation: 2011(29 April-28 August)112pp.illus
Description: Obituary of Nancy Thomas, prominent in the BBC Talks Department in the late 1950s and early 1960s. Her films built around Huw Wheldon's interviews with Jean Renoir and Henry Moore are often anthologised""
0022123
Publisher: The Hermitage Foundation UK
Place Published: London
Year: 2011
Date & Collation: 2pp.illus
Description: Invitation to launch of English version of catalogue to accompany Hermitage exhibition, see 0023025, 5 July 2011, Pushkin House, London. No Moore illus.
0022140
Publisher: Arken Museum of Modern Art
Place Published: Denmark
Year: 2011
Date & Collation: 2011 (25 June-14 August)64pp.illus.
Description: Catalogue to accompany exhibition of mixed-media works. Contains one Moore illus:
Page 19 Oval with Points 1968-70 bronze, (LH 596) is directly compared with Reyle's sculpture Harmony, 2007.
Brief mention of Moore within text on opposite page.
0022185
Publisher: Yorkshire Sculpture Park
Place Published: Wakefield
Year: 2011
Date & Collation: 40pp.Illus.Chronology.Additional promotional literature
Description: Booklet of collected quotes from Moore, compiled by Helen PHEBY, published as supplimentary guide to works at the Yorkshire Sculpture Park. Preface from Peter Murray, Foreword by Anita Feldman. Highly illustrated; front cover shows Large Spindle Piece 1974 bronze, (LH 593) situated at the park. Also: An Introduction to the History of the Bretton Estate three-fold leaflet 8pp. Yorkshire Sculpture Park - What's On Spring 2011 Leaflet 20pp.Illus. 10-12 Details of Moore exhibits: Henry Moore from the Arts Council Collection (31 March -26 June 2011) and Henry Moore & Barbara Hepworth (from 21 May 2011). Illus of Large Spindle Piece 1968 and 1974 bronze (LH 593). Yorkshire Sculpture Park - What's On Today & Map. Spring 2011 Two-fold leaflet 8pp. Illus of Large Two Forms 1966 and 1969 bronze (LH 556). Yorkshire Sculpture Park What's On Summer 2011 Leaflet 20pp.Illus. 10-12 Details of Henry Moore form the Arts Council Collection (31 March -26 June 2011. Illus of Draped Seated Figure Against Curved Wall 1956-7 (LH 423). Yorkshire Sculpture Park - Group Visits two-fold leaflet 6pp. Moore fridge magnet with illus of Illus of Large Two Forms. Yorkshire Sculpture Park What's On Autumn/Winter 2011 Leaflet 20pp.Illus. 14 Illus of Oval with Points 1968-70 (LH 596).
0022184
Publisher: Bridgestone Museum of Art
Place Published: Japan
Year: 2011
Date & Collation: 102pp.illus
Description: Paperback book featuring annual reports, recent acquisitions and exhibitions for the year 2010. Pages 20 and 73 provide listing for Henry Moore: Forms of Life exhibition. Four thumbnail images of the installation can be seen on page 22. See 0021918 for exhibition details.
0022099
Publisher: Grosvenor Vadehra
Place Published: London
Year: 2011
Date & Collation: 2011(06-20 May)
Description: Sale 1402. Lots 544, 545 and 546. No illus. Sheep back View 1972 (CGM 295); Sheep with Lamb 1972 (CGM 197); Seated Woman in Armchair 1973 (CGM 295).
0022180
Publisher: Museu Lasar Segall/IBRAM-MinC
Place Published: São Paulo
Year: 2011
Date & Collation: 56pp.illus.biography
Description: Book with accompanying cards of works by Brazilian artist Lasar SEGALL. Both book and cards also contain images of works by other artists for comparison. One Moore illus:
Page 24 Draped Reclining Mother and Baby 1983 bronze (LH 822). Brief accompanying text.
Eight line biography of Moore, page 46.
0022205
Publisher: Austin / Desmond Fine Art
Place Published: London
Year: 2011
Date & Collation: 2011(21 September-29 October).84pp.illus.biography.
Description: Catalogue to accompany exhibition of drawings and sculpture by Iranian sculptor. Mention of Moore within introductory text, see page 4. Biography notes that Tanavoli worked for some time at Marino Marini's studio in Italy.
0022217
Publisher: Victoria and Albert Museum
Place Published: London
Year: 2011
Date & Collation: 4pp.
Description: Promotional folder providing information on the launch of exhibition for Olympic year 2012. Cover design, postcard and invitation all feature cut-out image of Moore's Harlow Family Group 1954-55 Hadene stone, (LH 364).
0022213
Publisher: Sainsbury Centre for Visual Arts
Place Published: Norfolk
Year: 2011
Date & Collation: 4pp.illus
Description: Two postcards depicting biographical images of Moore taken by John and Julia Hedgecoe. Published in connection to exhibition at Sainsbury Centre for Visual Arts, see 0022211.
0023147
Publisher: various
Year: 2011
Date & Collation: 51pp.Illus.
Description: A4 white fold with press and web coverage of Mark Leckey's exhibition See, We Assemble at the Serpentine Gallery, 19 May - 26 June 2011. Leckey's sound sculpture/performance work titled BigBoxStatueAction, 2003/2011 incorporates Moore's Upright Motive No.9 1979 bronze, (LH 586a), loaned by The Henry Moore Foundation.
0022616
Publisher: Henry Moore Institute
Place Published: Leeds
Year: 2011
Date & Collation: 5pp
Description: Conference organised by the Henry Moore Institute, Leeds Art Gallery, the Yorkshire Sculpture Park and Hepworth Wakefield and Arts Council Longside. Call for submissions. Conference programme. Group A programme and Yorkshire Sculpture Park map
0022639
Author/Editor: Daniel Dutton
Place Published: London
Year: 2011
Date & Collation: 7pp.Illus
Description: Webpages. Artist who climbs sculptures. Illus of artist climbing Locking Piece 1963-4 bronze, (LH 515).
0022663
Author/Editor: GETSY David J.
Publisher: Getty
Place Published: Los Angeles
Year: 2011
Date & Collation: 16pp.Illus.Notes.
Description: Paper given at Anglo–American Exchange in Postwar Sculpture, 1945–1975 symposia at the Getty Center on April 25 and 26, 2008 (pages 105-121). Examines the art-theoretical debate or scuffle" between critics; Read's emphasis on tactility argued in The Art of Sculpture 1956 and exemplified by Moore versus Greenberg's emphasis on opticality identified in his essay Modernist Painting 1961 and exemplified by Smith. Reference to Moore throughout. 109 illus of Reclining Figure 1945 bronze (LH 257). GETSY writes on Read that "Moore's concern with such concepts as direct carving and the integrity of materials privileged a view of sculptural activity and aesthetics rooted in the tactile"; and cites Moore's statement in 1937 "The Sculptor Speaks". 109-10 Discussion of weight volume and mass traced to history and tradition in sculpture. "Modern sculpture in the form of Moore found a synthesis between the grandeur and civic function of the monument and the intimacy of the touchable amulet". 112 illus of plates from Read's The Art of Sculpture including detail from Draped Reclining Figure 1952-3 bronze (LH 336). 113 In contrast to Read Greenberg agued that "the most important modernist sculpture transcended its materiality to offer a purely visual experience". For him Moore was an anachronism. "The new way had been opened by Picasso with collage and construction and culminated in Julio González "drawing in space" and ultimately David Smith". 115 Both critics were concerned with writing a history of sculpture that justified their favoured artists Moore or Smith. "
0022675
Author/Editor: BREWIN Jennifer
Publisher: Courtauld Institute
Place Published: London
Year: 2011
Date & Collation: (14 October 2011)11pp.Ilus.
Description: Paper given by BREWIN, of Cambridge University, at Three Approaches and Three Dimensions - Three Workshops and a Conference on Sculpture and Change, at the Courtauld Institute. Conference programme and transcript of the paper. The paper explores the transformation of Large Figure in a Shelter 1985-6 bronze, (LH 652c) during the restoration and relationship with the surrounding space.
0022698
Publisher: Royal Academy of Arts
Place Published: London
Year: 2011
Date & Collation: 2011(28 January-7 April)various
Description: Press release and publicity pack. See 0021960 for exhibition catalogue and 0022337 for reviews.
0022665
Author/Editor: ROSE Pauline
Publisher: Getty
Place Published: Los Angeles
Year: 2011
Date & Collation: 13pp.Illus.Notes.
Description: Paper given at Anglo–American Exchange in Postwar Sculpture, 1945–1975 symposia at the Getty Center on April 25 and 26, 2008 (pages 32-44). Examines the significance or journalism and photography in shaping perceptions of Moore, from 1946. Numerous references to Moore throughout, including references to: Moore's personality; his "homely appearance"; the national stereotype and Moore as representative of Englishness; Moore's self-presentation; the complex history of relations between Britain and the USA; the role of fine art in the context of "Cold War anxieties"; support of the British Council; Moore's relationship with MoMA; Curt Valentin, Moore's New York dealer; Journalists Henry J. Seldis in the 1970s; James Hall; Donald Hall; the role of photography in defining readings of his work; John Hedgecoe's book Henry Spencer Moore 1968; images of Moore's home; the photographs of David Finn; Lord Clark of Civilisation; City Hall, Dallas and Raymond Nasher; John Russell.
ROSE writes that Moore was frequently quoted verbatim in newspaper and journal articles, and in this way was able to control the personal and artistic attributes ascribed to him. These and photographs of his home and studio in England are more revealing of how Moore was regarded in America than more academic texts. "The nature of his personality, his appearance, his living situation, and his steady and continuous creative output could vividly be conveyed through words and images, and the effect on his reception in America was profound". 33 illus of Irina and Moore at Hoglands Irina at work photograph by Hedgecoe 1968. 39 illus of Moore sweeping up after working on Reclining Figure 1959-64 elmwood (LH 452) photograph taken by Crispin Eurich, 1964. 40 two illus: Moore photographing a sculpture 1953 taken by Keystone Press; photograph by John Swope of Moore at Perry Green, April 1972. 41 two illus: black and white photograph by Hedgecoe; Photograph by Lidbrook of Moore in the small sitting room at Hoglands 1955. 42 illus from Ruder Finn Conference Room Quotations New York 1967.
0022692
Year: 2011
Date & Collation: 34pp
Description: Details of films on Moore or in which Moore is featured, with details obtained from the internet. Mainly from the Arts Council England Film Collection.
0022699
Publisher: Tate
Place Published: London
Year: 2011
Date & Collation: 2010(Feb/Mar)
Description: Small booklet which promotes exhibitions, displays and events at all Tate galleries from February and March. 10 passing reference to Moore in list of artists in BP British Art Displays 1500-2011.
0022713
Publisher: Barclay School
Place Published: Stevenage
Year: 2011
Date & Collation: 7pp.Illus.
Description: October Half Term Newsletter, with Moore inspired logo. Print out from web About Barclay.
0022658
Author/Editor: SLIFKIN Robert
Publisher: Getty
Place Published: Los Angeles
Year: 2011
Date & Collation: 17pp.Illus.Notes.
Description: Paper given at Anglo–American Exchange in Postwar Sculpture, 1945–1975 symposia at the Getty Center on April 25 and 26, 2008 (pages 59-75). Numerous mentions of Moore throughout. 62-67 Nauman's Moore series: drawings, photographs and sculptures made by Bruce Nauman between 1966-7 dedicated to Moore, in response to malicious criticism of Moore. Reference to Seated Storage Capsule for H.M. Made of metallic plastic 1966 drawing; Seated Storage Capsule (For Henry Moore) 1966 drawing; Light Trap for Henry Moore 1967 photograph, numbers one and two; Henry Moore Bound to Fail (Back View) 1967 sculpture. Reference to essay by Michael Fried, Art and Objecthood. 66 reference to Moore in relation to Roland Piché and The New Generation exhibition at the Whitechapel Art Gallery, London, 1965; and Donald HALL's profile of Moore in the New Yorker, November 1965; De Man's hidden system of relays";. Piché is "against nature" while "Moore is on its side". Moore promotes the use of "universal shapes to which everybody is subconsciously conditioned and to which they can respond if their conscious control does not shut them off". 68 criticism of Moore by Anthony Caro William Tucker and Patrick McCaughey. 69 Moore in relation to Nauman's techniques of monumentalism in the 1960s and residual monumentalism. Reference to Moore's crosshatched lines in his drawings; Shelter Drawings. 70-72 Mourning Moore Figuration further discussion including Anne WAGNER's comment on Nauman's Moore series; postmodernist analysis of Nauman's work with continued reference to Moore and humanist figurative work;"
0022682
Publisher: Stiftung Opelvillen
Place Published: Rüsselsheim
Year: 2011
Date & Collation: 15pp. 2 Moore illus.
Description: Dual language booklet celebrating the Foundations's 10th anniversary. Reference to Henry Moore und die Landschaft (Henry Moore Imaginary Landscapes) 2007-8. 2 Moore illus from the exhibition. 8-9 Description of the exhibition and reference to the catalogue. See 0021259 for the catalogue.