Henry Moore Artwork Catalogue
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0023200
Publisher: Lehmbruck Museum
Place Published: Duisburg
Year: 2014
Date & Collation: (14 June 2014-18 January 2015)155pp.Illus.
Description: Catalogue of exhibition of the same name. 16-17 illus of Two Piece Reclining Figure No. 1 1959 bronze (LH 457). 133 reference to Moore in list of exhibitions in 1974 Henry Moore - Das graphische Werk 1931 - 1973.
0023202
Publisher: Bechtler Museum of Modern Art
Place Published: North Carolina
Year: 2014
Date & Collation: (30 January - 25 July 2015)272pp.Illus.Appendix.Biography.List of works.Personal exhibitions.Group exhibitions.Monographic bibliography.Critial anthology.colloborators.Biographies of the authors.Credits.
Description: Catalogue of exhibition, of the same name, spanning the 50-year career of internationally acclaimed architect Mario Botta, the designer of the Bechtler Museum of Modern Art building and one of the century's most fundamental contributors to postmodern architecture. 48 Moore included in chapter titled Encounters people, images and thoughts that have 'conditioned my view of the world'. Illus of Reclining Woman 1935 (HMF 1142) and Eight Reclining Figures 1966 lithograph (CGM 81).
0023011
Publisher: Fundación ‘la Caixa’
Place Published: Barcelona
Year: 2014
Date & Collation: (20 May-17 July 2014)8pp.Illus.Map.
Description: Bilbao Basque Spanish version: Fold out leaflet on touring exhibition of the same name, starting in Santa Cruz de Tenerife. Exhibition forms part of Art on the Street, the "La Caixa" Foundation programme for taking art to people. It includes seven monumental bronzes, created between 1960 and 1982 and representative of key motifs in Moore's work: the fascination with the reclining figure and the 'mother and child' themes; the exploration of the relationship of the human figure with the landscape, both urban and rural; the tension between naturalism and abstraction; the transformation of natural objects into sculptural forms. Illustrations of all works: Reclining Connected Forms 1969 bronze, (LH 612); Reclining Mother and Child 1975-76 bronze, (LH 649); Large Standing Figure: Knife Edge 1976 bronze, (LH 482a); Locking Piece 1963-64 bronze, (LH 515); Reclining Figure 1982 bronze, (LH 677a); Two Piece Reclining Figure No. 2 1960 bronze, (LH 458); Oval with Points 1968-70 bronze, (LH 596).
Exhibition tours to 4 other locations: Las Palmas de Gran Canaria, 12 December 2013 – 26 January 2014. Seville, 13 February – 27 March 2014. Valencia, 10 April – 22 May 2014. Bilbao, 5 June – 17 July 2014.
0023009
Publisher: Fundación ‘la Caixa’
Place Published: Barcelona
Year: 2014
Date & Collation: (20 May-17 July 2014)8pp.Illus.Map.
Description: Bilbao English version: Fold out leaflet on touring exhibition of the same name, starting in Santa Cruz de Tenerife. Exhibition forms part of Art on the Street, the "La Caixa" Foundation programme for taking art to people. It includes seven monumental bronzes, created between 1960 and 1982 and representative of key motifs in Moore's work: the fascination with the reclining figure and the 'mother and child' themes; the exploration of the relationship of the human figure with the landscape, both urban and rural; the tension between naturalism and abstraction; the transformation of natural objects into sculptural forms. Illustrations of all works: Reclining Connected Forms 1969 bronze, (LH 612); Reclining Mother and Child 1975-76 bronze, (LH 649); Large Standing Figure: Knife Edge 1976 bronze, (LH 482a); Locking Piece 1963-64 bronze, (LH 515); Reclining Figure 1982 bronze, (LH 677a); Two Piece Reclining Figure No. 2 1960 bronze, (LH 458); Oval with Points 1968-70 bronze, (LH 596).
Exhibition tours to 4 other locations: Las Palmas de Gran Canaria, 12 December 2013 – 26 January 2014. Seville, 13 February – 27 March 2014. Valencia, 10 April – 22 May 2014. Bilbao, 5 June – 17 July 2014.
0023031
Author/Editor: BICKERSTAFF Campbell.
Publisher: Museum of Applied Arts and Sciences
Place Published: Sydney
Year: 2014
Date & Collation: (15 August 2014 - 11 October 2015)192pp.Illus.Endnotes.Photocredits.Object acknowledgements.Bibliography.About the contributors.
Description: Catalogue published to accompany exhibition of the same name at the Powerhouse Museum. 66 Moore's early approach to work and the maniplulation of mass is compared to the design work of Marcello Nizzoli. 67 illus of Reclining Figure 1976 (CGM 423).
0023032
Author/Editor: edited by BARON Javier
Publisher: Museo Nacional del Prado
Place Published: Madrid
Year: 2014
Date & Collation: 24 June - 5 October 2014.343pp.Illus.Works in the exhibition.Bibliogprahy.Index.
Description: Catalogue to accompany exhibition of the same name. References to Moore on 13 pages. 277-282 in chapter titled 'El greco y la pintura europa: del surrealismo a las nuevas figuraciones' (El Greco and European painting: surrealism to new configurations). Includes reference to Moore in relation to Roger Fry, Ezra Pound, Vision and Design 1920 and Henri Gaudier-Brzeska. 278 Illus of Homage to El Greco c1921 (HMF 26 recto) Studies of Figures from Cezanne's 'Les Grandes Baigneuses' c1922 (HMF 26 verso). 281 illus of Two Mothers Holding Children 1941 (HMF 1837).
0023055
Publisher: Musee du Louvre-Lens
Place Published: Lens
Year: 2014
Date & Collation: (28 May - 6 October 2014)400pp.Illus.Selection Bibliographique
Description: Catalogue to accompany exhibition of the same name. Exhibition explores how artists have contributed to the movement of disenchantment with war, which began at the turn of the 19th century, during the Napoleonic campaigns. 254 illus of Shelter Scene: Bunks and Sleepers 1941 (HMF 1789); 255 illus of Woman seated in the Underground (HMF 1828).
0023045
Publisher: The Henry Moore Foundation
Place Published: Perry Green
Year: 2014
Date & Collation: (1 May - 26 October) 128pp.Illus.Works in the exhibition.Biographies.Credits.Texts by Richard CALVOCORESSI, Anita FELDMAN and Tony CRAGG
Description: Catalogue to accompany exhibition of the same name. Foreward by Richard CALVOCORESSI describing the exhibition as the first to 'look at the different ways in which Moore's rich sculptural vocabulary has been absorbed, reinterpreted and extended by contemporary artists, not always uncritically'. 15-37 Anita FELDMAN writes on Body & Void referring to the work of exhibiting artists; art critics Michael FRIED, David COHEN and Clement GREENBERG; work by other contemporary artists including Jenny Saville, David Nash, Anish Kapoor, Mark Leckle and Pierre Huyghe; and artists who have adopted a strategy of disempowering Moore's sculpture including PaulMcCarthy, and Julian Opie. 38-117 Plates and artist statements: Joseph Beuys, Keith Coventry, Tony Cragg, Richard Deacon, Anthony Gormley, Roger Hiorns, Damien Hirst, Des Hughes, Anish Kapoor, Richard Long, Sarah Lucas, Paul McDevitt, Bruce McLean, Bruce Nauman, Paul Noble, Thomas Schütte, Simon Starling and Rachel Whiteread.
0023125
Author/Editor: BRÜDERLIN Markus
Publisher: Wienand
Place Published: Cologne
Year: 2014
Date & Collation: (15 March - 9 October 2014)398pp.Illus.(2 Moore illus)
Description: Catalogue of exhibition of the same name at the Kunstmuseum Wolfsburg, to celebrate the musuem's 20th anniversary in 2014, with a large-scale Kokoschka exhibition and special thematic explorations in search of traces in its own collection. 130-131 illus of Reclining Figure:Holes 1976-8 elmwood (LH 657); 136-137 illus of Upright Internal/External Form 1952-3 bronze (LH 296).
0023088
Publisher: Tucson Museum of Art
Place Published: Tucson
Year: 2014
Date & Collation: (18 October 2014 - 22 February 2015)173pp.Illus.
Description: Published in conjunction with exhibition of the same name. 118-119 section on Moore, written by Uwe HECKMANN with reference to and illus of Two Seated Figures Against Wall 1960 bronze (LH 454) and Small Head 1953 bronze (LH 356). HECKMANN writes that Moore utilized the architectural setting as a backdrop or small stage, heightening the narrative attributes of his compositions. Moore quoted: Some people have said why do I make heads so unimportant. Actually for me the head is the most important part of a piece of sculpture. It gives to the rest a scale it gives to the rest a certain human poise and meaning and it's because I think that the head is so important that often I reduce it in size to make the rest more monumental". The exhibition travels to the Philbrook Museum of Art Tulsa in May 31-13 September 2015."
0023027
Publisher: Kunstsammlung Nordrhein-Westfalen
Place Published: Dusseldorf
Year: 2014
Date & Collation: (5 April-10 October 2014)160pp.Illus.List of exhibited works.Bibliography.Photo credits
Description: Catalogue published in relation to exhibiton of the same name, exploring the themes of the subterranean, both as protective zone and place of danger. 15 Introductory thoughts on the exhibition references Moore and his Shelter Sketchbooks. 48-53 illus from Second Shelter Sketchbook 1940-41: Tube Shelter Scenes (HMF 1629); Study for Shelterers in the Tube (HMF1630); Women and Children with Bundles (HMF 1631); Tube Shelter Perspective (HMF 1654); Study for Tube Shelter Persecptive (HMF 1635); Tilbury Shelter Scene (HMF 1638); Study for Tube Shelter Perspective: The Liverpool Street Extension (HMF 1649) ; Tube Shelter Perspective: The Liverpool Street Extension 1941 (HMF 1801). 146 one page reference to Moore, written by Hannah FRASCH-MELNIK in 'The Artists and Thier Works Monographic Commentries'. Includes reference to the Blitz, Moore's sketchbooks, the War Advisory Committee, the job of war artist, drawing three-dimensinal forms. 153 details Moore's exhibited works.
0023062
Publisher: Nagoya/Boston Museum of Fine Arts
Place Published: Nagoya
Year: 2014
Date & Collation: (20 September - 30 November 2014)136pp.Illus.
Description: Catalogue of exhibition of the same name, exploring the ways in which artists from Europe and the USA have worked with the theme of the human figure, from postwar years through the decade of the 21st Century. 28 illus of Seated Figure Against a Curved Wall 1955-57 bronze (LH 422). 29 Illus of Reclining Nude 1931 woodcut (CGM 2) and Standing Leaf Figures 1951 etching (CGM 34). 123 detail in List of Works.
0023074
Publisher: Daniel Katz Gallery
Place Published: London
Year: 2014
Date & Collation: (5 November - 12 December 2014)104pp.Illus.Credits.
Description: Catologue for exhibition of the same name. The catalogue opens with a qoute from Moore You see I think a sculptor is a preson who is interested in the shape of things .. a person obsessed with the form and the shape of things and it's not just the shape of anyone thing but the shape of anything and everything." Essay titled The Shape of Things by James RAWLIN describes pre-war pioneers such as Moore and Hepworth as making an impact on the sculpture scene of their time. 14 quote by Moore after the death of Jacob Epstein in 1959. 17 illus of Henry and Irina Moore with Hitchens Hepworth Nicholson and Jenkins on holiday in Norfolk 1931. Reference to Moore in relation to European modernist circles and Axis Unit One Circle and Abstract and Concrete avant-garde exhibitions. 19 African and pre-classical references. 21 Reference to Moore's studio in Hampstead; the War Artists Advisory Committee and Kenneth Clark; Shelter Drawings; Moore's retrospective in New York 1948; 1951 Festival of Britian. 28-35 section on Moore. Illus of Seated Girl 1931 Anhydrite stone (LH 110); Working Model for Reclining Figure 1945 bronze (LH 257); Tube Shelter Perspective: The Liverpool Street Extension 1941 (HMF 1801); 90 Biography of Moore and four illus of Moore in his studio.
0023687
Publisher: John Martin Gallery
Place Published: London
Year: 2014
Date & Collation: 28 November - 20 December. illus.
Description:
An exhibition at the John Martin Gallery of Barry McGlashan's paintings of other artists, their studios, and their works. One of these, Endless Forms, is "an amalgamation of two of Moore's studios". Brief artist's notes on some of the works, including Endless Forms, are included at the back of the catalogue.
0023758
Publisher: Kunst Sammlung Nordrhein Westfalen
Place Published: Dusseldorf
Year: 2014
Description: Catalogue for exhibition at Kunst Sammlung Nordrhein Westfalen in 2014. pp.48-53: illus. of 8 of Moore's Shelter Drawings. Mention on p.15 and entry on Moore on p.146.
0023657
Author/Editor: Edited by BETHENOD Martin
Publisher: LienArt
Place Published: Paris
Year: 2014
Date & Collation: 12 July - 7 September. 200pp.illus.
Description:
Bilingual catalogue of exhibition at Grimaldi Forum in Monaco. p.65: illus of Moore's Large Spindle Piece and Bruce Nauman's Henry Moore Bound to Fail. pp.120-121: discussion and illus. of Henry Moore Bound to Fail Maquette by Paul McCarthy.
0023615
Author/Editor: Edited by LE FEUVRE Lisa
Publisher: Henry Moore Foundation
Place Published: Leeds, UK
Year: 2014
Date & Collation: June. 48pp.illus.
Description:
One of the Henry Moore Institute's Essays on Sculpture series, to accompany the Institute's 2014 exhibition on D'Arcy Thompson's teaching models. Introduction by Lisa LE FEUVRE notes the influence of Thompson's On Growth and Form on Moore's "sculptural thinking" (Moore first read On Growth and Form while a student at Leeds School of Art in 1919). JARRON (p.4) mentions the influence of On Growth and Form on Moore's Transformation Drawings. HAMMER (pp.17-18) quotes Edward JULER on Moore's Transformation Drawings (three illustrated) and the influence of Thompson. Along with three Transformation Drawings, Moore's Studies for Sculptures in Various Materials 1939 is illustrated. LE FEUVRE and KEMP (pp.35-37) also discuss the influence of Thompson's Theory of Transformation on Moore's work.
0023667
Author/Editor: Edited by STEPHENS Chris and STONARD John-Paul
Publisher: Tate Publishing
Place Published: London
Year: 2014
Date & Collation: 19 May - 10 August. 160pp.illus.list of exhibits.
Description:
Catalogue for exhibition of the same name at the Tate Britain, which looked at Clark's life and work and featured many of the works that he collected. Mentions of Moore passim, esp. Clark's patronage of Moore and Moore's work as a war artist (in "Patron and Collector" by Chris STEPHENS and "Second World War" by David Alan MELLOR). Illus. of Moore works throughout, including those owned by Clark (e.g. Head 1930), those Clark supported the acquisition of by public collections (Recumbent Figure 1938, which Clark pressed Tate to acquire), and those produced for the War Artist's Advisory Committee (Pink and Green Sleepers 1941). There are also photographs of Clark with works by Moore, and with Moore himself from Is Art Necessary? (0010674) Along with the works illustrated, there is a mention that Moore's Two Piece Reclining Figure No.1 was inspired by Seurat's painting Le Bec du Hoc, which was in Clark's collection.
0023142
Author/Editor: MARTIN Simon
Publisher: Pallant House Gallery
Place Published: Chichester
Year: 2014
Date & Collation: (8 November 2014 - 15 February 2015)160pp.Illus.Select bibliography.Timeline.Exhibited works.Credits.Index
Description: Exhibition of the same name considering the wide-ranging responses of British artists to the Spanish Civil War (July 1936 - April 1939). 13 Moore mentioned alongside other artists in an essay titled The Painter's Object by Myfanwy EVANS, 1937. 16 address given by Dolores Ibárruri, Communist MP from Asturia, at the farewell parade for the International Brigades in Barcelona, October 1938 included: "numerous others went out to Spain, including Surrealists S.W Hayter, John Banting and Roland Penrose, while others such as Henry Moore and Jacob Epstein were prevented from doing so by the British Government. The question of direct action versus artistic creation was much discussed, particularly by the left-wing communist artists."
Chapter 2 Artists Takes Sides: The Artists International Association and Support for Spain - Reference to Moore in relation to: 35 a younger generation of modernists who were members of the Artists International Association (AIA), formed 1933; 49 In April/May 1937 the AIA held the first British Artists' Congress and the Exhibition for Unity of Artists for Peace, for Democracy, for Cultural Progress in aid of the Spanish Republic. Moore was on the committee; 53 AIA Portraits for Spain scheme, organised by Ewan Phillips in 1938;
Chapter 5 Dreaming of Spain: The British Surrealist Group Takes Arms - 88 The Declaration of Spain and the British Government's policy of non-intervention, signed by leading artists and poets; 88-90 exhibition Unity of artists for Peace, for Democracy, for Cultural Progress organised by the AIA at Grosvenor Square, London and related broadsheet with motif over text designed by Moore. Two Moore illus: Surrealist Declaration on the Occasion of the Artists' International Congress and Exhibition with motif by Henry Moore 1937. Printed by Farleigh Press; Arms for Spain - Contemporary Poetry and Prose Autumn 1937. 92 illus of Five Figures in a Setting 1937 (HMF 1319), cited as an example of artworks created around this time bridging figuration, abstraction and Surrealism.
Chapter 6 Amongst The Ruins: Guernica and its Impact on British Art and Culture - 118 artists visiting Picasso whilst he was working on Guernica included Moore; 124-125 Motifs that featured in Picasso's studies were a powerful stimulus for British sculptors seeking a vocabulary of forms which convey the darkness and violence of the times. Moore's Three Points 1939-40 cast iron (LH 211) cited as an example and illustrated. Reference to F.E. McWilliam, Moore and A.H. Gerrard visiting a Derbyshire quarry to obtain commercially rejected Hopton Wood stone.
Chapter 7 Helping Them To Forget: Recording and Supporting Spanish Prisoners and Refugees - 141-144 reference to Moore in relation to the plight of Spanish prisoners of War; the psychological state of imprisonment; stringed sculptural forms; the artist's role in defending democracy. Discussion and illus of Head 1939 bronze (LH 195), Spanish Prisoner 1939 (HMF 1464) and The Helmet 1939-40 lead (LH 212). The Spanish Prisoner 1939 lithograph was intended to raise money for Spanish refugees held in detention camps in France, but it was never published due to the outbreak of the Second World War.
In the Timeline reference to Moore: 14 April-5 May; January 1938 Art & Literature; 1939 October Art & Literature.
Exhibition tours to the Laing Art Gallery, Newcastle-upon-Tyne 7 March - 7 June 2015.
0024078
Publisher: Marlborough Fine Art
Place Published: London
Year: 2014
Date & Collation: 7-29 March. 40 works. illus.
Description:
Catalogue for a 2014 exhibition of works by Cathie PILKINGTON at Marlborough Fine Arts. Several of Pilkington's reclining figures are reminiscent of Moore's works, and the introductory essay by Benedict CARPENTER compares cat.22, Reclining Doll 2013, to Moore's Reclining Figure 1929 (LH 59).
0024194
Publisher: Tate Publishing
Place Published: London
Year: 2014
Date & Collation: 17 May - 28 September; 24 October 2014 - 25 January 2015. 160pp.illus.
Description: Catalogue accompanying exhibition at Tate St. Ives and Middlesborough Institute of Modern Art. Two Moore works illustrated in the chapter titled "Handmade": Girl 1931 and Reclining Figure 1930.
0023760
Publisher: Pangolin London
Place Published: London
Year: 2014
Date & Collation: 8 April - 17 May
Description: Catalogue for exhibition looking at the series of touring exhibitions in the 1940s and 50s in Britain under the name Sculpture in the Home. Introduction by Polly BIELECKA. Mentions of Moore, pp.4, 5, 16; catalogue entry for Moore's Wall Relief: Maquette No.4 pp.72-3. Images featuring sculptures by Moore on pp.4 and 5.
0023515
Publisher: Fundación ‘la Caixa’
Place Published: Barcelona
Year: 2014
Date & Collation: (27 March - 6 May 2014)8pp.Illus.Map.
Description: Valencia English edition: Fold out leaflet on touring exhibition of the same name, starting in Santa Cruz de Tenerife. Exhibition forms part of Art on the Street, the "La Caixa" Foundation programme for taking art to people. It includes seven monumental bronzes, created between 1960 and 1982 and representative of key motifs in Moore's work: the fascination with the reclining figure and the 'mother and child' themes; the exploration of the relationship of the human figure with the landscape, both urban and rural; the tension between naturalism and abstraction; the transformation of natural objects into sculptural forms. Illustrations of all works: Reclining Connected Forms 1969 bronze, (LH 612); Reclining Mother and Child 1975-76 bronze, (LH 649); Large Standing Figure: Knife Edge 1976 bronze, (LH 482a); Locking Piece 1963-64 bronze, (LH 515); Reclining Figure 1982 bronze, (LH 677a); Two Piece Reclining Figure No. 2 1960 bronze, (LH 458); Oval with Points 1968-70 bronze, (LH 596). Exhibition tours to 4 other locations: Las Palmas de Gran Canaria, 12 December 2013 – 26 January 2014. Seville, 13 February – 27 March 2014. Valencia, 10 April – 22 May 2014. Bilbao, 5 June – 17 July 2014.
0023016
Publisher: Fundación ‘la Caixa’
Place Published: Barcelona
Year: 2014
Date & Collation: (27 March - 6 May 2014)8pp.Illus.Map.
Description: Valencia Spanish edition: Fold out leaflet on touring exhibition of the same name, starting in Santa Cruz de Tenerife. Exhibition forms part of Art on the Street, the La Caixa" Foundation programme for taking art to people. It includes seven monumental bronzes created between 1960 and 1982 and representative of key motifs in Moore's work: the fascination with the reclining figure and the 'mother and child' themes; the exploration of the relationship of the human figure with the landscape both urban and rural; the tension between naturalism and abstraction; the transformation of natural objects into sculptural forms. Illustrations of all works: Reclining Connected Forms 1969 bronze (LH 612); Reclining Mother and Child 1975-76 bronze (LH 649); Large Standing Figure: Knife Edge 1976 bronze (LH 482a); Locking Piece 1963-64 bronze (LH 515); Reclining Figure 1982 bronze (LH 677a); Two Piece Reclining Figure No. 2 1960 bronze (LH 458); Oval with Points 1968-70 bronze (LH 596). Exhibition tours to 4 other locations: Las Palmas de Gran Canaria 12 December 2013 – 26 January 2014. Seville 13 February – 27 March 2014. Valencia 10 April – 22 May 2014. Bilbao 5 June – 17 July 2014.