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Catalogue of artworks in the collection of the Unipol Group, the Italian financial services company based in Bologna. A section entitled "Intermezzo II: Other Foreign Works" lists Moore's Two Piece Reclining Figure No.5, on display in Turin (illus. p.148) along with works by Chagall, Braques, Maria Helena Vieira da Silva, and Ipousteguy. There is brief commentary on Moore's work, the influence of Picasso and of Pre-Colombian artwork.

Collection catalogue for the National Museum of Modern Art, Osaka, showing highlights from a collection of more than 8000 works. Work #13, in the section "Contemporary International Artists" is Large Standing Figure: Knife Edge. illus. with brief commentary in English and Japanese.

Collection of biographical essays on artists by John BERGER, translated into Korean. Arranged in chronological order, beginning with the Chauvet cave painters (c. 30,000 BC) and concluding with contemporary artist Randa Mdah (b.1983). pp.420-431 is an essay on Moore. Mentions of Three Standing Figures, King and Queen, and Mother and Child: Block Seat.

Second edition of 0021405. Story of the J. Paul Getty Museum, its origins and programs, two campuses, art and architecture and inner workings. Highly illustrated with photographs of interior and exterior shots of the museum and it's staff. Includes two Moore illus: Page viii-ix shows Moore's Seated Woman 1958-59 bronze, (LH 440) and Reclining Mother and Baby 1983 bronze, (LH 822) in storage prior to being sited on the Fran and Ray Stark Sculpture Terrace. Page 150 shows Seated Woman 1958-59 bronze, (LH 440) in its new location.

Textbook on modern European history. Moore's Sculptural Object (1960) illustrated as part of discussion of 20th century art (p.1047). Caption describes it as an example of the non-representational art which became common in both 20th century sculpture and painting.

Book celebrating the 100th birthday of the art dealer Alex Rosenberg. Mentions of Moore and images of his work throughout, including:

p.6: photograph of Rosenberg in his office with a bronze cast of Horse

pp.94-97: Rosenberg's relationship with Moore. Two photographs of Moore: one in the Etching Studio; the other in Gildmore Graphics Studio. Recollections by Rosenberg and David Mitchinson.

p.105: illus of Two Women Bathing a Child

pp.124-125: Illus of The Alex Rosenberg Gallery, with various works by Moore installed for the 1983 exhibition Henry Moore: The New Work.

pp.144, 146, 148: illus of the Rosenbergs' apartment on East 69th Street, New York. Three HM sculptures are on view.

pp.156-157: Rosenberg loans and then sells Upright Motive No.9 to Hofstra university (illus.)

pp.158-159: illus of Rosenberg looking at Harlow Family Group.

pp.160-161: 1987 exhibition Mother and Child: The Art of Henry Moore at Hofstra University.

Subtitled "a few remarks on the art of drawing". Two Henry Moore works illustrated: Studies of Sculpture in the British Museum (HMF 123) and Sheep with Lamb I (CGM 196). Henry Moore's time teaching art mentioned on p.64.

Art textbook. Section headed "Schattentäler - Lichtberge" ["Valleys of Shadow - Mountains of Light"] (pp.94-95) discusses Moore's elmwood Reclining Figure 1945-46 (LH 263) alongside Constantin Brancusi's Mlle. Pogany. Discusses Moore's use of the reclining figure theme. Illustrated with a drawing of the Reclining Figure. A full-page version of the same illustration is reproduced on p.139.

Monograph on the influence of prehistory on art.

p.147: mentioned in a discussion of images of apocalypses and the post-apocalyptic in art, alongside Tacita Dean, Robert Smithson, and Max Ernst.

p.155: mentions of Moore's visits to the caves of Altamira and the valley of Vézère in the 1930s,  alongside other artists who visited these sites: de Staël, Paalen and Miro to Altamira; Brassaï, Giacometti, Tal-Cat, Motherwell and Francenthaler to Vézère.

p.156: mentions of Moore's drawings of the Venus of Grimaldi. Study after 'Venus of Grimaldi' 1926 illus. (fig.119).

p.200: discussion of British artists making art inspired by neolithic sites in the UK, with faching illus. of Moore's Stonehenge I 1972 (fig.156).

Monograph on the influence of prehistory and prehistoric art on the work of Henry Moore. The book is titled after the paleolithic Venus figurines which Moore sketched in Notebook No.6, but discusses more broadly Moore's works which draw on prehistoric artworks, and the places he would have come into contact with these prehistoric sources (especially the British Museum, and the book Die Kunst der Primitiven). Illustrations of Moore works discussed throughout.

Textbook on drawing. p.225 has illus. and analysis of Moore's Tube Shelter Perspective: The Liverpool Street Extension. The book discusses Moore's "Artistic Aims", the context of the drawing, and Moore's techniques.

Monograph on the surrealist artist Gordon Onslow-Ford. Divided into seven chapters, each by a different contributor. Dawn ADES' on "Gordon Onslow-Ford: Surrealism, Automatism, and Science" mentions Onslow-Ford's use of an image of Reclining Figure 1939 in a photocollage published in the London Bulletin; the photocollage is illustrated. Reclining Figure 1939 also shown in a photograph of the Zwemmer Gallery's 1940 exhibition Surrealism Today. 

38-page booklet made up of a brief interview between Roland Piché and Debra Blik, a selection of Piché's sculptures dating from 1967 to 2019, biographical information, and photographs of Piché in his studio.

Interview mentions that Piché was an assistant to Moore, and talks briefly about his relationship to Moore's work. Biography mentions Piché's curation of Bronze Sculpture at the Herbert Read Gallery in 1996, which included works by Moore.