Henry Moore Artwork Catalogue
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0013543
Publisher: Harcourt, Brace
Place Published: New York
Year: 1936
Date & Collation: 251pp.96 plates.
Description: USA edition of book published in London by Faber.
Plates 58-61 Henry Moore.
See 0009206 for London edition and further details.
Plates 58-61 Henry Moore.
See 0009206 for London edition and further details.
0009256
Author/Editor: Courtauld Institute of Art.
Publisher: Cambridge University Press
Place Published: London
Year: 1936
Date & Collation: xvi,94pp(1067 entries).
Description: First of a series of annual bibliographies of books and articles on British art, architecture and applied arts from mediaeval times to the present, and edited by Miss L.F. GURRY.
47(Item 613) Henry Moore.
Lists Herbert Read's monograph (See 0009257), and notes its review in Architectural Review by J.M. Richards (See 0009270).
Volume 2, 1936 (1937) had no Henry Moore entries.
Volume 3, 1936 (1938) listed three articles.
Volume 4, 1937 (1939) listed The Painter's Object (See 0009169).
For Volume 5 see 0008122-0008123. For Volume 6 see 0007426-0007427.
Series reprinted by Johnson Reprint Corporation (New York) 1970.
47(Item 613) Henry Moore.
Lists Herbert Read's monograph (See 0009257), and notes its review in Architectural Review by J.M. Richards (See 0009270).
Volume 2, 1936 (1937) had no Henry Moore entries.
Volume 3, 1936 (1938) listed three articles.
Volume 4, 1937 (1939) listed The Painter's Object (See 0009169).
For Volume 5 see 0008122-0008123. For Volume 6 see 0007426-0007427.
Series reprinted by Johnson Reprint Corporation (New York) 1970.
0009203
Author/Editor: READ Herbert.
Publisher: Faber and Faber
Place Published: London
Year: 1936
Date & Collation: 160pp.128 plates.Bibliog.
Description: Slightly revised version of the first edition. Includes one passing mention of Henry Moore on page 146, and:
Plates 48-50,96(4 illus) Henry Moore: one Drawing 1931 and three Sculptures 1931-1935.
For other editions see 0009284.
Plates 48-50,96(4 illus) Henry Moore: one Drawing 1931 and three Sculptures 1931-1935.
For other editions see 0009284.
0009205
Author/Editor: MACNAB Iain.
Publisher: Studio
Place Published: London and New York
Year: 1936
Date & Collation: 79pp.Illus.
Description: How to Do It series, 12. Introduction to technique of drawing.
78-79(1 illus) Henry Moore.
A brief note on a seated nude in a section Fifteen Figure Drawings Discussed. Seen as a sculptor's working drawing conceived in terms of stone and expressing the weight and massiveness of sculpture.""
78-79(1 illus) Henry Moore.
A brief note on a seated nude in a section Fifteen Figure Drawings Discussed. Seen as a sculptor's working drawing conceived in terms of stone and expressing the weight and massiveness of sculpture.""
0009206
Publisher: Faber and Faber
Place Published: London
Year: 1936
Date & Collation: 251pp.96 plates.Poems.
Description: READ Herbert. Introduction.
BRETON André. Limits not frontiers of Surrealism.
DAVIES Hugh Sykes. Surrealism at this time and place.
ELUARD Paul. Poetic evidence.
HUGNET Georges. 1870 to 1936.
Plates 58-61 Henry Moore: three Sculptures 1933-1934 and one Drawing 1936.
Study of Surrealism published during the year of the International Surrealist Exhibition in London (See 0009213). There seem to be no textual references to Moore.
BRETON André. Limits not frontiers of Surrealism.
DAVIES Hugh Sykes. Surrealism at this time and place.
ELUARD Paul. Poetic evidence.
HUGNET Georges. 1870 to 1936.
Plates 58-61 Henry Moore: three Sculptures 1933-1934 and one Drawing 1936.
Study of Surrealism published during the year of the International Surrealist Exhibition in London (See 0009213). There seem to be no textual references to Moore.
0009204
Author/Editor: JOHNSTONE William.
Publisher: Art Book Club
Place Published: London
Year: 1936
Date & Collation: 276pp.Illus.
Description: Study of the tradition of English art from Anglo-Saxon times to the 20th century, noting a revival in British art. In a largely pictorial survey entitled The Contemporary Scene on pages 185-247 there is a full-page illustration of Sculpture, 1934 ironstone with the caption: Moore Henry: Sculptor. Had as forerunners Gaudier Gill Epstein. In wood and stone considers natural grain and colour; simplifies surface occasionally incising it. His work is abstracted from organic form from parts of the human figure. Realizes the value of prehistoric and early Celtic carving pebbles stone hammers stone incisions. Must have looked at early palaeolithic stones. Weight and mass; sense of silhouette sense of creating silhouette within the stone by holes through it; expresses surface texture and space."
For 1950 edition see 0008233."
For 1950 edition see 0008233."