Henry Moore Artwork Catalogue
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0009232
Publisher: Wishart
Place Published: London
Year: 1935
Date & Collation: 87pp.
Description: 7 REA Betty. Foreword.
(Some of these essays were originally given as lectures to the Artists' International association the body of artists which sponsors this book whose members believe that the artist as an individual is a responsible part of the society in which he lives and as such cannot escape the issues of his time").
9-22 READ Herbert. What is Revolutionary Art?
(Passing mention of Moore: "between an abstract artist like Mondrian or Ben Nicholson at one end of the scale and an equally so-called 'abstract' artist like Miró or Henry Moore there is only a remote connection").
23-44 KLINGENDER F.D. Content and Form in Art.
45-49 GILL Eric. All Art is Propaganda.
51-71 LLOYD A.L. Modern Art and Modern Society.
("the new artist should...take over all that is valid for him and his class from...the great modern artists such as Gris Picasso Hélion and Henry Moore").
73-87 WEST Alick. On Abstract Criticism.
Title as printed: 5 on Revolutionary Art."
(Some of these essays were originally given as lectures to the Artists' International association the body of artists which sponsors this book whose members believe that the artist as an individual is a responsible part of the society in which he lives and as such cannot escape the issues of his time").
9-22 READ Herbert. What is Revolutionary Art?
(Passing mention of Moore: "between an abstract artist like Mondrian or Ben Nicholson at one end of the scale and an equally so-called 'abstract' artist like Miró or Henry Moore there is only a remote connection").
23-44 KLINGENDER F.D. Content and Form in Art.
45-49 GILL Eric. All Art is Propaganda.
51-71 LLOYD A.L. Modern Art and Modern Society.
("the new artist should...take over all that is valid for him and his class from...the great modern artists such as Gris Picasso Hélion and Henry Moore").
73-87 WEST Alick. On Abstract Criticism.
Title as printed: 5 on Revolutionary Art."
0009233
Publisher: Cassell
Place Published: London
Year: 1935
Date & Collation: 464pp.
Description: Thirty-seven chapters on famous people, including
311-320 READ Herbert. Pablo Picasso, and
91-101 GOLDING Louis. Jacob Epstein
which mentions in passing Epstein's ownership of carvings by Henry Moore who for him is the one important figure in contemporary English sculpture"."
311-320 READ Herbert. Pablo Picasso, and
91-101 GOLDING Louis. Jacob Epstein
which mentions in passing Epstein's ownership of carvings by Henry Moore who for him is the one important figure in contemporary English sculpture"."
0009231
Publisher: John Lane The Bodley Head
Place Published: London
Year: 1935
Date & Collation: xiv,301pp.16 plates.Bibliog.
Description: AUDEN W.H. Psychology and art.
MACNEICE Louis. Poetry.
GRIGSON Geoffrey. Painting and sculpture.
(Survey beginning with Cézanne. Moore belongs to the Cézanne type. His energy emerges not volcanically but in slow and solid block." Outlines Moore's carving ability exploration of the human figure and its relation to natural objects. He is criticised for following Picasso's "pin-headed giantesses".
The frontispiece is a photograph of Two Forms 1934 ironstone).
CALDER-MARSHALL Arthur. Fiction.
CRANKSHAW Edward. Music.
JENNINGS Humphrey. The theatre.
GRIERSON John. The cinema.
SUMMERSON John. Architecture.
For 1970 reprint edition see 0004650."
MACNEICE Louis. Poetry.
GRIGSON Geoffrey. Painting and sculpture.
(Survey beginning with Cézanne. Moore belongs to the Cézanne type. His energy emerges not volcanically but in slow and solid block." Outlines Moore's carving ability exploration of the human figure and its relation to natural objects. He is criticised for following Picasso's "pin-headed giantesses".
The frontispiece is a photograph of Two Forms 1934 ironstone).
CALDER-MARSHALL Arthur. Fiction.
CRANKSHAW Edward. Music.
JENNINGS Humphrey. The theatre.
GRIERSON John. The cinema.
SUMMERSON John. Architecture.
For 1970 reprint edition see 0004650."
0009230
Author/Editor: NEWTON Eric.
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1935
Date & Collation: 8pp.32 plates(59 illus).Bibliog.
Description: A pictorial guide to twelve broadcast talks and discussions on The Artist and his Public, 7 January-25 March 1935.
Illustrations 42 and 53 Henry Moore: two sculptures.
Mother and Child, 1931 Burgundy stone.
(Static harmony and simplicity expressed in a hard material).
Composition, 1931 Cumberland alabaster.
(Chosen by R.H. Wilenski for reference during the series).
Illustrations 42 and 53 Henry Moore: two sculptures.
Mother and Child, 1931 Burgundy stone.
(Static harmony and simplicity expressed in a hard material).
Composition, 1931 Cumberland alabaster.
(Chosen by R.H. Wilenski for reference during the series).
0010785
Publisher: Europa Publications
Place Published: London
Year: 1935
Date & Collation: ..pp.
Description: 38 Henry Spencer Moore
Seven-line entry in the first edition of International Who's Who. Address given as 42a Ordnance Road, St. John's Wood, London N.W.8. Henry Moore entries appeared in each issue until the 50th edition 1986-1987 which totalled 49 lines. Moore's name appeared in the Obituary list in the 1986-1987 edition.
Seven-line entry in the first edition of International Who's Who. Address given as 42a Ordnance Road, St. John's Wood, London N.W.8. Henry Moore entries appeared in each issue until the 50th edition 1986-1987 which totalled 49 lines. Moore's name appeared in the Obituary list in the 1986-1987 edition.