Henry Moore Artwork Catalogue
Sargent to Freud.
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Exhibition travelling 1998-2000 to: Arthur Ross Gallery (Philadelphia), Dalhousie Art Gallery (Halifax, N.S.), Mendel Art Gallery (Saskatoon), Canada House Gallery (London), Graves Art Gallery (Sheffield), London Regional Arts and Historical Museums (London, Ont.).
English Subtitle: Modern British Paintings and Drawings in the Beaverbrook Collection. French subtitle: Toiles et dessins de peintres britanniques modernes dans la collection Beaverbrook.
Moore is mentioned in passing in Schone's text 'Look Stranger at this Island Now: a View of British Painting in the 20th Century'.
110-111,188(2 illus) Henry Moore: Standing Nude, 1924 drawing with commentary and documentation. All Moore's drawings tend to conform to the following prototype: massive female figures with soft contours reminiscent of Renoir or Maillol usually in repose either standing or sitting and without the erotic overtones of an artist like Rodin"."
Bib. Number0018112
Sargent to Freud.
PublisherBeaverbrook Art Gallery
Place PublishedFredericton
Year1998
Date & Collation(24 May-13 Sept).216pp.Illus.Bibliog.Index.Texts by Richard Shone, and Ian G. Lumsden.Catalogue entries by Ian G. Lumsden.Text in English and French.
LanguageFrench/English/
More InformationFrench title: De Sargent à Freud. Title as printed: De Sargent à to Freud.Exhibition travelling 1998-2000 to: Arthur Ross Gallery (Philadelphia), Dalhousie Art Gallery (Halifax, N.S.), Mendel Art Gallery (Saskatoon), Canada House Gallery (London), Graves Art Gallery (Sheffield), London Regional Arts and Historical Museums (London, Ont.).
English Subtitle: Modern British Paintings and Drawings in the Beaverbrook Collection. French subtitle: Toiles et dessins de peintres britanniques modernes dans la collection Beaverbrook.
Moore is mentioned in passing in Schone's text 'Look Stranger at this Island Now: a View of British Painting in the 20th Century'.
110-111,188(2 illus) Henry Moore: Standing Nude, 1924 drawing with commentary and documentation. All Moore's drawings tend to conform to the following prototype: massive female figures with soft contours reminiscent of Renoir or Maillol usually in repose either standing or sitting and without the erotic overtones of an artist like Rodin"."