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Henry Moore Artwork Catalogue

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10 results for dorothy hodgkin
0015796
Author/Editor: OPIE June.
Publisher: Ascent
Place Published: Christchurch, N.Z.
Year: 1969
Date & Collation: (Dec) 49-64(1 illus).
Description: In Frances Hodgkins Commemorative Issue of Ascent, marking the centenary of her birth in 1869. June Opie interviews Moore for Radio New Zealand programme Frances Hodgkins: the European years. Moore recalls the 7 and 5 Society and meeting Frances Hodgkins in her studio: I liked her very much She was several years older than I but I found she had a twinkle in her eye and a sense of humour".
This interview is also cited in Letters of Frances Hodgkins (See 0015660)."
0012244
Author/Editor: ROBINS Nicholas., ROBINS Robert.
Publisher: Journal of Hand Surgery
Year: 1987
Date & Collation: (Feb) 140-143(4 illus).
Description: Quotes Moore on hands as the most expressive part of the body after the face. Notes the tension Moore conveyed in his drawing of hands by the bones pressing from within. His humanity is expressed in drawings of his own hands and in those of Dorothy Hodgkin.
0020424
Author/Editor: FURST Herbert.
Publisher: Apollo
Place Published: London.
Year: 1931
Date & Collation: (Dec) 343-344.
Description: Includes a short review of Young British Artists at the Lefevre Gallery. Frances Hodgkins, Ben Nicholson, Winifred Nicholson, John Aldridge, David Jones, and Henry Moore. Mr Henry Moore's drawings... are most entertaining and this being so I cannot help thinking that sculpture is not the right medium for his distorted carvings... they take upon themselves an air of humorless ponderosity"."
0023246
Author/Editor: TURNER Christopher
Publisher: Icon Magazine
Year: 2015
Date & Collation: 2015 (1 June)2pp.Illus
Description: Review of exhibition Magnificent Obsessions: The Artist as Collector at the Barbican including reference to Andy Warhol, Howard Hodgkin, Martin Parr, Jim Shaw, Damien Hirst, Moore, Picasso and Sol LeWitt.
0019432
Author/Editor: GRIMES Shelly.
Publisher: D Dallas-Fort Worth
Place Published: Dallas
Year: 2001
Date & Collation: (Feb) 28(2)5,48-53(6 illus).
Description: Periodical title also printed as D and as D Magazine. A behind-the-scenes look at Henry Moore: sculpting the 20th century (See 0019295) incorporating comments by the curator Dorothy Kosinski.
Jim Murray records his memories of Henry Moore in a column headed Moore at 84: a Dallas filmmaker recounts his week with the late British sculptor (See 002596).
0017453
Publisher: Reality: a journal of artists' opinions.
Place Published: New York
Year: 1955
Date & Collation: 1(3) 3.
Description: Excerpt from letter to Dorothy Greenbaum.
0021955
Author/Editor: PERKINS Jeanne
Publisher: Life Magazine
Place Published: New York
Year: 1947
Date & Collation: 1947(12 May) 118 (no Moore illus)
Description: Article describing the working life of Dorothy Shaver, President of Lord & Taylor department stores, New York. Brief passing mention of Mooore, page 118. No Moore illus.
0007796
Author/Editor: GRAFLY Dorothy.
Publisher: American Artist
Place Published: New York
Year: 1954
Date & Collation: (March) 18(3) 30-35(1 Moore illus).
Description: Draws an analogy between Moore's Family Group, 1945 bronze and a Pre-Columbian Tarascan vase figure.
0019431
Author/Editor: KOSINSKI Dorothy.
Publisher: Veranda
Place Published: Atlanta, Ga.
Year: 2001
Date & Collation: (March-April) 15(2) Between 264 and 265(5 illus).
Description: Pages W2, W4, W6, and W8 between 264 and 265. Henry Moore: sculpting the 20th century (See 0019295) by the curator of the exhibition. Outline of Henry Moore's career, mentioning individual works, commissions, and the sculptor's site specific projects. With the passage of time it is valuable to reappraise Moore's work and its place in the cultural and historical contexts of the twentieth century"."
0002322
Author/Editor: ARMSTRONG Dorothy.
Publisher: Cambridge Quarterly
Place Published: Cambridge
Year: 1980
Date & Collation: 9(2) 143-154(7 illus).
Description: Outlines approaches to the appreciation of sculpture, and continues with comments on individual torsos and Reclining Figures by Moore. Early torsos exhibit a stiff simplicity of form" their stylisation representing "a compromise between the form of a woman and the exigencies of the stone". The Reclining Figures represent "our fundamental physical being". Other figures show variously the influence of Landscape Surrealism and product design. They similarly exhibit degrees of sexuality threat unease tenderness anxiety. A disintegration of form is noticed particularly in some male figures. "Moore has made an important contribution to widening the possibilities of experience and to our imaginative liberation.""