Henry Moore Artwork Catalogue
Search
Skip to main content
Refine Results
15 results
for
dorothy hodgkin
0000852
Publisher: Trefoil Books
Place Published: London
Year: 1984
Date & Collation: .112pp.Illus.Biog.Bibliog by Sheena WAGSTAFF.
Description: Published in association with the Whitechapel Art Gallery. Book of 1984 British Council exhibition at Venice Biennale, travelling to Washington, New Haven, Hannover and London June 1984-August 1985. Contains two colour plates: Small Henry Moore at the Bottom of the Garden 1975-1977 and A Henry Moore at the Bottom of the Garden 1975-1977, both in private collections.
0011462
Publisher: British Council
Place Published: London
Year: 1990
Date & Collation: .96pp.Illus.Biog.Bibliog.Texts.
Description: Catalogue of exhibition in Nantes, Barcelona, Edinburgh and Dublin, June 1990-May 1991. Page 17 is a full-page colour reproduction of Small Henry Moore at the Bottom of the Garden 1975-1977 painting.
0015728
Publisher: Lefevre Gallery
Place Published: London
Year: 1945
Date & Collation: (April).12pp.
Description: List of 46 works. Exhibits 11-26 Drawings and Sculpture by Henry Mooore. 14 Drawings 1942-1944, two Sculptures 1930-1939.
0009611
Publisher: Walker Art Center
Place Published: Minneapolis, Minn.
Year: 1960
Date & Collation: (10 Jan-7 Feb).16pp.Illus.Introduction by Dorothy and John ROOD.
Description: Exhibition also at University Gallery, University of Minnesota (Minneapolis) 11 Feb-21 March 1960. 79 works by 67 artists.
Exhibits 30,69-70(1 illus) Henry Moore: one Drawing 1944 and two Bronzes 1944-1952.
Exhibits 30,69-70(1 illus) Henry Moore: one Drawing 1944 and two Bronzes 1944-1952.
0018758
Author/Editor: JORDANOVA Ludmilla.
Publisher: Reaktion Books
Place Published: London
Year: 2000
Date & Collation: 192pp.Illus.Bibliog.Index.
Description: Book published in association with the National Portrait Gallery to accompany an exhibition at the NPG.
156-158(1 illus) Henry Moore.
(Dorothy Hodgkin's Hands, 1978 drawing. This beautiful drawing is certainly not a study of abnormality but an exploration of form". The drawing is featured with portraits of Dorothy Hodgkin by Maggi Hambling and Graham Sutherland.
(Henry Moore made ten drawings which have all been catalogued as "Dorothy Hodgkin's Hands 1978". The one featured here is that owned by the Royal Society)."
156-158(1 illus) Henry Moore.
(Dorothy Hodgkin's Hands, 1978 drawing. This beautiful drawing is certainly not a study of abnormality but an exploration of form". The drawing is featured with portraits of Dorothy Hodgkin by Maggi Hambling and Graham Sutherland.
(Henry Moore made ten drawings which have all been catalogued as "Dorothy Hodgkin's Hands 1978". The one featured here is that owned by the Royal Society)."
0005675
Publisher: Smithsonian Institution
Place Published: Washington, D.C.
Year: 1966
Date & Collation: -1968.44pp(33 illus).Biog.Bibliog.Acknowledgements by Dorothy T.VAN ARSDALE.
Description: 32 Bronzes 1950-1964 and 30 Drawings 1930-1961. Catalogue of exhibition touring The Phillips Collection (Washington, D.C.); De Cordova Museum (Lincoln, Mass.); The Brooklyn Museum (Brooklyn, N.Y.); The High Museum of Art (Atlanta); The Denver Art Museum (Denver, Colo.); Brooks Memorial Art Gallery (Memphis, Tenn.); Philadelphia Museum of Art (Philadelphia); William Rockhill Nelson Gallery of Art (Kansas City); The Minneapolis Institute of Arts (Minneapolis, Minn.); The Winnipeg Art Gallery (Winnipeg); The Detroit Institute of Arts (Detroit); Munson-Williams-Proctor Institute (Utica, N.Y.).
For the 8pp supplement issued by the Rodin Museum, Philadelphia Museum of Art see 0005370. For 5pp checklist see 0000514.
For the 8pp supplement issued by the Rodin Museum, Philadelphia Museum of Art see 0005370. For 5pp checklist see 0000514.
0009210
Publisher: Museum of Modern Art
Place Published: New York
Year: 1936
Date & Collation: .250pp(223 illus).Biog.Bibliog by Beaumont NEWHALL.Catalog by Dorothy C.MILLER and Ernestine M.FANTL.Text by Alfred H.BARR,Jr.
Description: 444 works by about 100 artists.
200,202,218,247(1 illus) Henry Moore: Two Forms, 1934 pynkado wood.The non-geometric biomorphic forms of Arp and Miró and Moore are definitely in the ascendent.
For 1966 Arno Press reprint see 0005617. For 1975 Secker and Warburg edition see 0003549. For 1986 Belknap Press edition see 0000203."
200,202,218,247(1 illus) Henry Moore: Two Forms, 1934 pynkado wood.The non-geometric biomorphic forms of Arp and Miró and Moore are definitely in the ascendent.
For 1966 Arno Press reprint see 0005617. For 1975 Secker and Warburg edition see 0003549. For 1986 Belknap Press edition see 0000203."
0019295
Author/Editor: edited by KOSINSKI Dorothy
Publisher: Dallas Museum of Art
Place Published: Dallas, Tex.
Year: 2001
Date & Collation: (25 Feb-27 May).324pp(464 illus).Biog.Bibliog.Texts by Dorothy KOSINSKI, and others.
Description: Published with Yale University Press, New Haven and London. Book of exhibition also at Fine Arts Museums of San Francisco 24 June-16 Sept 2001, and National Gallery of Art, Washington, D.C. 21 Oct 2001-27 Jan 2002. Organised with the Henry Moore Foundation.
8-9 LAND John R. Director's Foreword.
(Introduction to the exhibition. Acknowledgements)
10-19 Moore Photographs Moore; compiled by Elizabeth BROWN.
(12 photographs by Henry Moore of his own sculpture).
20-31 KOSINSKI Dorothy. Some Reasons for a Reputation.
(Critical responses to Moore over the years. Henry Moore's staggering success and popularity define his reputation and simultaneously render the man and his work untouchable beyond critical discourse").
32-41 WILKINSON Alan G. Moore: a modernist's primitivism.
(Henry Moore's dialogue with primitivism in his drawings and sculpture and in his writings and interviews).
42-51 NASH Steven A. Moore and Surrealism Reconsidered.
(Influence on Moore of Giacometti Picasso and others).
52-61 BENNET Anita Feldman. A Sculptor's Collection.
(Moore's collections of historical art in Hoglands and their influence on his work. Primitive art Seurat Cézanne and others).
Chronology and Plates; Gail DAVITT Eik KAHNG Jed MORSE.
62-143 1898-1939.
144-145 ANDREWS Julian. Henry Moore: the war years.
(Shelter and Coal Mine drawings).
146-175 1940-45.
176-209 1946-59.
210-261 1960-86.
262-275 COHEN David.Who's Afraid of Henry Moore?
("Henry More was loved by the Establishment and ignored by young artists. Today his reputation is precarious. Epstein Hepworth Caro Kapoor).
276-285 SENIE Harriet F. Implicit Intimacy: the persistent appeal of Henry Moore's public art.
("What precisely is the nature of his appeal to public art audiences?... His sculpture conveys the essence of stability in a notoriously unstable world").
286-295 BROWN Elizabeth. Moore Looking: photography and the presentation of sculpture.
(Moore's photographs and the relationship between sculpture and reproduction. Moore's art has always been involved with photography and his bibliography teems with collaborations with other photographers. Comments on the sculptor's depiction of women).
296-307 The Dallas Piece; Tom Jenkins.
(Photographs by Jennkins of Three Forms Vertebrae 1978-1979 bronze).
308-316 Checklist of Sculpture and Drawings.
(206 works 1922-1982).
317-323 Index.
324 Permissions and Photo Credits.
Also issued with the title 'Henry Moore: sculpting the 20th century' were four separate Private View cards a two-page publicity leaflet and a two-page sheet with details of a tour of London Amsterdam Copenhagen 19-26 September 2001.
For National Gallery of Art brochure see 0019579."
8-9 LAND John R. Director's Foreword.
(Introduction to the exhibition. Acknowledgements)
10-19 Moore Photographs Moore; compiled by Elizabeth BROWN.
(12 photographs by Henry Moore of his own sculpture).
20-31 KOSINSKI Dorothy. Some Reasons for a Reputation.
(Critical responses to Moore over the years. Henry Moore's staggering success and popularity define his reputation and simultaneously render the man and his work untouchable beyond critical discourse").
32-41 WILKINSON Alan G. Moore: a modernist's primitivism.
(Henry Moore's dialogue with primitivism in his drawings and sculpture and in his writings and interviews).
42-51 NASH Steven A. Moore and Surrealism Reconsidered.
(Influence on Moore of Giacometti Picasso and others).
52-61 BENNET Anita Feldman. A Sculptor's Collection.
(Moore's collections of historical art in Hoglands and their influence on his work. Primitive art Seurat Cézanne and others).
Chronology and Plates; Gail DAVITT Eik KAHNG Jed MORSE.
62-143 1898-1939.
144-145 ANDREWS Julian. Henry Moore: the war years.
(Shelter and Coal Mine drawings).
146-175 1940-45.
176-209 1946-59.
210-261 1960-86.
262-275 COHEN David.Who's Afraid of Henry Moore?
("Henry More was loved by the Establishment and ignored by young artists. Today his reputation is precarious. Epstein Hepworth Caro Kapoor).
276-285 SENIE Harriet F. Implicit Intimacy: the persistent appeal of Henry Moore's public art.
("What precisely is the nature of his appeal to public art audiences?... His sculpture conveys the essence of stability in a notoriously unstable world").
286-295 BROWN Elizabeth. Moore Looking: photography and the presentation of sculpture.
(Moore's photographs and the relationship between sculpture and reproduction. Moore's art has always been involved with photography and his bibliography teems with collaborations with other photographers. Comments on the sculptor's depiction of women).
296-307 The Dallas Piece; Tom Jenkins.
(Photographs by Jennkins of Three Forms Vertebrae 1978-1979 bronze).
308-316 Checklist of Sculpture and Drawings.
(206 works 1922-1982).
317-323 Index.
324 Permissions and Photo Credits.
Also issued with the title 'Henry Moore: sculpting the 20th century' were four separate Private View cards a two-page publicity leaflet and a two-page sheet with details of a tour of London Amsterdam Copenhagen 19-26 September 2001.
For National Gallery of Art brochure see 0019579."
0022032
Publisher: Swiridoff / Kunsthalle Würth
Place Published: Schwäbisch Hall
Year: 2005
Date & Collation: 2005(11 June-16 October)328pp.illus.chronology.Preface by C. Sylvia WEBER.Essay text by Christa LICHTENSTERN and Ian BARKER.
Description: Dual language catalogue to accompany exhibition of the same title at Kunsthalle Würth. Exhibition of works by Moore and the following sculptors; Barbara HEPWORTH; Anthony CARO; Eduardo PAOLOZZI; Tim SCOTT; Barry FLANAGAN; David NASH; Tony CRAGG; Richard DEACON; Antony GORMLEY; Anish KAPOOR. English translation of extended essay texts; 276 Preface; C. Sylvia Weber. 279 An Artistic Dialogue with Rodin - Moore's place in the History of Sculpture; Christa Lichtenstern. 297 Henry Moore - A Chronology. 305 From Moore to Kapoor - Turning Points from Six Decades of British Sculpture; Ian Barker 316 Artists Biographies. Twelve monumental Moore sculptures are illustrated as installed in the town of Schwäbisch Hall. 64 other Moore sculptures and 45 works on paper are also illustrated.
0000713
Publisher: Alsager Gallery
Place Published: Alsager
Year: 1984
Date & Collation: (8 Nov-5 Dec).26pp.8 plates.Biog.
Description: 29 Bronzes 1974-1982, 25 Drawings 1972-1982 and 24 Prints 1973-1980.
3-4 WELTON Peter. Introduction.
(Notes Moore's genius, his early decision to become a sculptor, and that the college was the venue, during the exhibition of the first performance since the 1920s of Narayana and Bhataryan).
5-7 GARROULD Ann. Henry Moore at Alsager.
(Although late works by Moore, the exhibits are imbued with a new sense of invention and vitality" with drawing as a major medium for the expression of ideas. Outlines Moore's career and influences particularly nature and natural forms).
8-13 Biographical outline.
14-22 List of exhibits.
23 PICKERING Dorothy. The Alsager Gallery.
24-25 WELTON Peter and PICKERING Dorothy. Acknowledgements."
3-4 WELTON Peter. Introduction.
(Notes Moore's genius, his early decision to become a sculptor, and that the college was the venue, during the exhibition of the first performance since the 1920s of Narayana and Bhataryan).
5-7 GARROULD Ann. Henry Moore at Alsager.
(Although late works by Moore, the exhibits are imbued with a new sense of invention and vitality" with drawing as a major medium for the expression of ideas. Outlines Moore's career and influences particularly nature and natural forms).
8-13 Biographical outline.
14-22 List of exhibits.
23 PICKERING Dorothy. The Alsager Gallery.
24-25 WELTON Peter and PICKERING Dorothy. Acknowledgements."
0019855
Publisher: National Gallery of Art
Place Published: Washington, D.C..
Year: 2001
Date & Collation: National Gallery of Art folder containing six items.
Description: Probably press pack for Henry Moore: sculpting the 20th century (See 0019295).
1. Henry Moore: British, 1898-1986: Checklist.
15pp list of 205 exhibits.
2. Major Henry Moore Retrospective on View at the National Gallery of Art.
2pp(5 illus) press release.
3. Henry Moore: Special Activities.
1pp list of Lecture, Symposium, Tours, Film Programs.
4. Henry Moore.
10pp(9illus) brochure, by Claudia Bohn-Spector.
5. Henry Moore: Order of Speeches.
1pp list of four people: Earl A. Powell, David Mitchinson, Dorothy Kosinski, Jeffrey Weiss.
6. Image Request Form.
1pp form.
1. Henry Moore: British, 1898-1986: Checklist.
15pp list of 205 exhibits.
2. Major Henry Moore Retrospective on View at the National Gallery of Art.
2pp(5 illus) press release.
3. Henry Moore: Special Activities.
1pp list of Lecture, Symposium, Tours, Film Programs.
4. Henry Moore.
10pp(9illus) brochure, by Claudia Bohn-Spector.
5. Henry Moore: Order of Speeches.
1pp list of four people: Earl A. Powell, David Mitchinson, Dorothy Kosinski, Jeffrey Weiss.
6. Image Request Form.
1pp form.
0020846
Publisher: The Art Institute of Chicago
Place Published: Chicago
Year: 2006
Date & Collation: pp224.Index.Illus.
Description: Exhibition catalogue including European and American drawings, prints, illustrated books, paintings, decorative arts, furniture, jewelry, and Asian art in many media, all from the collection of Dorothy Braude Edinburgh.
p216-7 Moore's Miners, 1942 drawing (HMF 1971a and HMF 1971b)
p216-7 Moore's Miners, 1942 drawing (HMF 1971a and HMF 1971b)
0011633
Publisher: Museum of Modern Art
Place Published: New York
Year: 1991
Date & Collation: (24 Feb-30 April).160pp.Illus.Chronology.Foreword by Richard E.OLDENBURG.Essay by Guy DAVENPORT.Introduction and edited by Riva CASTLEMAN.
Description: Clothbound edition distributed in the United States and Canada by Abrams, and elsewhere by Thames and Hudson.
82,138-139(2 illus) Henry Moore.
Seated and Reclining Figures, 1942 drawing and Family Group, 1948-1949 bronze.
Quotes from Moore's letter to Dorothy Miller, 31 January 1951 in the M.O.M.A. Archives on the Family Group project for Impington.
82,138-139(2 illus) Henry Moore.
Seated and Reclining Figures, 1942 drawing and Family Group, 1948-1949 bronze.
Quotes from Moore's letter to Dorothy Miller, 31 January 1951 in the M.O.M.A. Archives on the Family Group project for Impington.
0004063
Author/Editor: SELDIS Henry J.
Publisher: Phaidon
Place Published: London
Year: 1973
Date & Collation: .283pp(120 illus).Biog.Bibliog.
Description: Book published in association with the Los Angeles County Museum of Art. Published in the U.S.A. by Praeger (See 0004064) in conjunction with the exhibition Henry Moore in Southern California at L.A.C.M.A, 2 October-18 November 1973. Text in eight chapters built around tape-recorded conversations with Moore and others.
6 MOORE Henry. Letter to Henry J. Seldis.
(Acknowledges role of America in appreciation of his work).
7 Acknowledgements.
9-28 Recollections and Reflections.
(Introduces Henry Moore as a person, recalling visits to Much Hadham and to Forte dei Marmi. Biographical details, working routines, comments on sculpture, nature and other influences).
29-64 First Transatlantic Contacts.
(More than three quarters of Henry Moore's work is in America. Reputation established by time of Curt Valentin exhibition in 1943 (See 0008959). Quotes from reviews).
65-106 The 1946-47 Museum of Modern Art Show.
(Exhibition (See 0008703) established Moore's reputation internationally and led to 1948 Venice Biennale. Documents Moore's time in U.S.A. for exhibition, meetings with artists, visit to Barnes Collection. Quotes from reviews, Dorothy Miller and Andrew Ritchie).
107-132 Dealers and Collectors.
(Recollections of R. Sturgiss Ingersoll, Joseph H. Hirshhorn, Harry Brooks, Harry Fischer and others. Describes unveiling of Nuclear Energy, 1964-1966 bronze in Chicago).
133-168 Exhibitions and Reactions.
(Quotes from articles and reviews of subsequent Moore exhibitions in the U.S.A. The Marlborough-Knoedler 1970 exhibitions (See 0004701)).
169-200 Moore and Architecture.
(Moore's views on Architecture and sculpture, and Commissions. Comments by Harry Fischer, Gordon Bunshaft. Lincoln Center Reclining Figure, 1963-1965 bronze and other works).
201-219 Moore's Art in Southern California.
(Collectors, including Film stars. Comments by Norton Simon, Taft Schreiber. Reviews of 1943 Stendhal Galleries exhibition and subsequent California shows).
220-252 Toronto Moore Centre.
(Henry Moore Sculpture Centre at Art Gallery of Ontario. Association with Sam Zacks. Comments by architect John C. Parkin, Ayala Zacks, William Withrow).
253-262 Drawings and Prints.
(Illustrations of 13 Works 1941-1973).
264-269 Henry Moore in Southern California Exhibition.
(List of 106 Sculptures 1924-1969 and 27 Drawings and Prints 1932-1970).
270 Henry Moore Visits to America.
(List of nine visits to the Continent).
271-272 Exhibitions and Honors in America.
272-274 Major Sculptures in United States and Canadian Public Collections.
275 Works in United States Public Collections.
276-281 Selected Chronological Bibliography.
282-283 Photograph credits.
6 MOORE Henry. Letter to Henry J. Seldis.
(Acknowledges role of America in appreciation of his work).
7 Acknowledgements.
9-28 Recollections and Reflections.
(Introduces Henry Moore as a person, recalling visits to Much Hadham and to Forte dei Marmi. Biographical details, working routines, comments on sculpture, nature and other influences).
29-64 First Transatlantic Contacts.
(More than three quarters of Henry Moore's work is in America. Reputation established by time of Curt Valentin exhibition in 1943 (See 0008959). Quotes from reviews).
65-106 The 1946-47 Museum of Modern Art Show.
(Exhibition (See 0008703) established Moore's reputation internationally and led to 1948 Venice Biennale. Documents Moore's time in U.S.A. for exhibition, meetings with artists, visit to Barnes Collection. Quotes from reviews, Dorothy Miller and Andrew Ritchie).
107-132 Dealers and Collectors.
(Recollections of R. Sturgiss Ingersoll, Joseph H. Hirshhorn, Harry Brooks, Harry Fischer and others. Describes unveiling of Nuclear Energy, 1964-1966 bronze in Chicago).
133-168 Exhibitions and Reactions.
(Quotes from articles and reviews of subsequent Moore exhibitions in the U.S.A. The Marlborough-Knoedler 1970 exhibitions (See 0004701)).
169-200 Moore and Architecture.
(Moore's views on Architecture and sculpture, and Commissions. Comments by Harry Fischer, Gordon Bunshaft. Lincoln Center Reclining Figure, 1963-1965 bronze and other works).
201-219 Moore's Art in Southern California.
(Collectors, including Film stars. Comments by Norton Simon, Taft Schreiber. Reviews of 1943 Stendhal Galleries exhibition and subsequent California shows).
220-252 Toronto Moore Centre.
(Henry Moore Sculpture Centre at Art Gallery of Ontario. Association with Sam Zacks. Comments by architect John C. Parkin, Ayala Zacks, William Withrow).
253-262 Drawings and Prints.
(Illustrations of 13 Works 1941-1973).
264-269 Henry Moore in Southern California Exhibition.
(List of 106 Sculptures 1924-1969 and 27 Drawings and Prints 1932-1970).
270 Henry Moore Visits to America.
(List of nine visits to the Continent).
271-272 Exhibitions and Honors in America.
272-274 Major Sculptures in United States and Canadian Public Collections.
275 Works in United States Public Collections.
276-281 Selected Chronological Bibliography.
282-283 Photograph credits.
0012559
Publisher: Wadsworth Atheneum
Place Published: Hartford, Conn.
Year: 1959
Date & Collation: (9 July-9 Aug)..pp.Illus.Foreword initialled C.C.C.
Description: The Private Collections of Mr. and Mrs. Richard Rogers and Mr. and Mrs. Leopold Godowsky, including paintings from the collection of George Gershwin.
Exhibit 10 Henry Moore: one bronze from the collection of Mr. and Mrs. Richard Rogers.
Exhibit 10 Henry Moore: one bronze from the collection of Mr. and Mrs. Richard Rogers.