Skip to main content

Henry Moore Artwork Catalogue

Search

Skip to main content
Sort:
Filters
173 results for *
0023777
Publisher: Sotheby's
Place Published: New York
Year: 2013
Date & Collation: 2013 (17 November) 100pp.
Description:

Lot no. 112, Landscape with Cows (HMF 81 (274)) illust.

Work from the collection of David C. Copley, La Jolla, California.


0023779
Publisher: Sotheby's
Place Published: New York
Year: 2013
Date & Collation: 2013 (7 May) 267pp.
Description:

Lot 34, Pointed Torso, 1969 (LH 601) illust.

Property from the Museum of Modern Art, New York. Sold to benefit the acquisitions fund.


0023780
Publisher: Sotheby's
Place Published: New York
Year: 2013
Date & Collation: 2013 (8 May) 324pp.
Description:

Lot 201. Upright Motive B, 1968 (LH 587) illust.

Lot 202. Maquette for Three Standing Figures: Right Figure, 1952 illust.

Lot 203. Maquette for Figure on Steps, 1956 (LH 426) illust. and accompanying text.

Lot 232. Three Quarter Figure: Lines, 1980 (LH 797) illust.

See 0023781 for afternoon sale.

0023782
Publisher: Christie's
Place Published: New York
Year: 2013
Date & Collation: 2013 (9 May) 365pp.
Description:

Lot 133. Ideas for Sculpture, 1942 (HMF 2040) illust.
Lot 313. Maquette for Mother and Child, 1952 (LH 314, cast -a) illust.
Lot 330. Reclining Figure: Thin, 1976 (LH 693, cast 1) illust.
Lot 335. Two Standing Women, 1983 (LH 894, cast 9) illust.
Lot 352. Head, 1984 (LH 918, cast 1) illust and accompanying text.
Lot 367. Interior Form, 1966 (LH 545, cast 5) illust.
Lot 370. Bird, 1955 (LH 393, cast d) illust.
Lot 371. Headless Animal, 1965 (LH 449, cast 3) illust.
Lot 388. Wall Relief: Maquette No. 1, 1955 (LH 365, cast d) illust.
Lot 389. Wall Relief: Maquette No. 9, 1955 (LH 373, cast d) illust.

0023783
Publisher: Christie's
Place Published: London
Year: 2013
Date & Collation: 2013 (16 June) 235pp.
Description: Lot 444. Two Piece Reclining Figure: Maquette No.1, 1960 (LH 473, cast 5) illust.
Lot 451. Upright Motive D, 1968 (LH 589, cast 9) illust.
0023784
Publisher: Christie's
Place Published: Paris
Year: 2013
Date & Collation: 2013 (19 June) 163pp.
Description:

No Moore work in sale. Moore referenced in the sale of Lot 93. Statuette Dogon. Tomo-Ka Region, Seno Plain, Female Figure

Accompanying text in French references both Moore and Epstein being influenced by sculpture (it had previously been in Epstein's private collection) and references Moore's influence from the British Museum. Includes biographical illustration (1928), as well as illustration of two Moore works: HMF 884 and LH 80.

0023785
Publisher: Sotheby's
Place Published: London
Year: 2013
Date & Collation: 2013 (20 June) 304pp.
Description: Lot 321. Mother and Child on Ladderback Rocking Chair, 1952 (LH 312) illust. and accompanying text.
Lot 413. Three Standing Figures, 1977 (LH 715) illust.
0023786
Publisher: Sotheby's
Place Published: London
Year: 2013
Date & Collation: 2013 (11 & 12 July) 200pp.
Description:

Lot 30. Family Group, 1944 (LH 231) illust. and accompanying text.
Lot 34. Seated Woman with a Book, 1956 (LH 418b, cast 8) illust. and accompanying text.
Lot 183. Working Model for Sundial, 1965 (LH 527, cast 4) illust.

0023787
Publisher: Bonhams
Place Published: London
Year: 2013
Date & Collation: 2013 (16 July) 134pp.
Description: Lot 71. Seated Figures, 1957 (CGM 37) illust.
0023788
Publisher: Christie's
Place Published: New York
Year: 2013
Date & Collation: 2013 (5 November) 221pp.
Description: Lot 1. Woman Knitting, 1949 (HMF 2525) illust. and accompanying text.
Lot 4. Family Group, 1950 (LH 259) illust. and accompanying text.
Lot 30. Reclining Figure, 1963 (LH 101) illust. and accompanying text.
Lot 32. Reclining Figure, 1970 (LH 608) illust. and accompanying text.
0023789
Publisher: Christie's
Place Published: New York
Year: 2013
Date & Collation: 2013 (6 November) 427pp.
Description: Lot 205. Reclining Figures and Ideas for Sculpture, 1937 (HMF 2381) illust.
Lot 209. Girl Playing Piano and Ideas for Sculptures, 1980 (HMF 80 (267)) illust.
Lot 304. Family Group: Two Piece, 1981 (LH 817, cast 4) illust.
Lot 307. Time/Life Screen: Maquette No.1, 1952 (LH 339, cast c) illust.
Lot 312. Two Piece Sculpture No.7: Pipe, 1966 (LH 543, cast 4) illust. and accompanying text.
Lot 462. Maquette for Mother and Child with Apple, 1956 (LH 406a, cast 3) illust. and accompanying text.
Lot 463. Seated and Standing Figures, 1983 (LH 895, cast 2) illust.
Lot 466. Wall Relief: Maquette No.2, 1955 (LH 366, cast i) illust.
Lot 470. Two Sisters, 1978 (LH 746, cast 1) illust.
Lot 472. Working Model for Stone Memorial, 1961 (LH 491a, cast 3) illust.
Lot 478. Reclining Figure: Twisting, 1982 (LH 855, cast 3) illust.
0023790
Publisher: Sotheby's
Place Published: London
Year: 2013
Date & Collation: 2013 (10 & 11 December) 180pp.
Description: Lot 25. Animal Head, 1951 (LH 301, cast -f) illust. and accompanying text.
Lot 106. Mother and Child, 1927 (HMF 523) illust.
0023959
Publisher: Sotheby's
Place Published: New York
Year: 2013
Date & Collation: November. Volume 5 Issue 7. 240pp.illus.
Description:

Section on 6 November Impressionist and Modern Art Evening Sale has an illustration (p.106) of Working Model for Reclining Figure: Prop.

0023164
Author/Editor: WARDLEWORTH Dennis
Publisher: Ashgate
Place Published: Farnham
Year: 2013
Date & Collation: xiv.215pp.Illus.Bibliography.Archives and other sources.Appendix I and 2;Index.
Description: Monograph on sculptor William Reid Dick (1878-1961). Described a s 'forgotten sculptor'. 2 Reid Dick described as semi-aristocratic, in contrast to Moore and Epstein, who both professed humble beginnings. 3 reference to Moore in relation to Herbert READ, as one of four artists that rose to international status from the 1930s. 38 Reference to Reid Dick and his contemporaries in the World War I, including Moore, Charles Wheeler, Gill, Epstein and Gaudier Brzeska. Moore was 16 in 1914. He joined the Civil Service Rifles in February 1917 and was gassed at the Battle of Cambrai in 1918. In chapter 7 The 1920s - architectural sculpture: 77 passing reference to Moore in relation to Reid Dick and Violet Manners, the Duchess of Rutland. Reid Dick was a Royal Academician, unlike Moore and Hepworth. 88 In 1927, Frank Pick from London Transport and architect Eric Gill commissioned a team of young sculptors to represent the winds on each of eight faces of the new headquarters above St James's Park underground station. The other sculptors were Eric Aumonier (1899-1974), A.H. Gerrard (1899-1998), Frank Rabinovitch (1903-1991), Allan Wyon (1882-1962) and Jacob Epstein. 98 Comparison of Reid Dick's madonnas in relation to those of Moore, Epstein, Dalou and Gill. 108-109 In chapter 8 The 1920s - the statuettes reference to Moore in relation to art critic Kineton Parkes; Moore's appointment as assistant to Ernest Cole at the Royal College; Gilbert Ledward; carving as a method; inclusion of Moore in Parke's book in a chapter subtitled 'The Young Englishmen'; 1930 saw the 'emergence of the new generation of Moore, Skeaping and Hepworth' , in contrast to the orthodox and the rebels. 149-50 in chapter 12 The 1940s - war and decline in a letter from Kenneth Clark to Moore, Clark wrote that the idea was to form an organisation which 'might be a means of getting Government to give artists proper employment.' Reference to Moore in relation to Clark, Reid Dick and the Central Institute of Art and Design (CIAD); and also in relation to a competition to assess statues on Westminster Bridge, London, in March 1947. Dobson, Epstein, Hepworth, Kennington and Wheeler were all invited to submit proposals. Epstein and Moore did not submit. 173-4 Chapter 13 The final years reference to Moore in relation to sculpture exhibition in Battersea Park organised by London County Council Parks Committee in 1948; Kenneth Clark, Patricia Strauss and Charles Wheeler; young Modernist sculptors; Moore regarded as one of Britain's leading sculptors in the 1950s; Moore's given a one-man show at the Museum of Modern Art, New York 1946; Venice Biennale 1948; retrospective at the Tate Gallery 1951. 186 passing reference to Moore in relation to Reid Dick's legacy.
0023496
Publisher: Hauser & Wirth
Place Published: Zurich
Year: 2013
Date & Collation: 76pp.Illus.
Description: Lots 341, 682, 683 (one illus) Henry Moore: three graphic works 1957-1974. Illus: Seated Figures 1957 lithograph, (CGM 37) Also listed: Hand I 1973-74 lithograph, (CGM 284) Stonehenge XI 1973 lithograph, (CGM 218).
0023502
Publisher: Sotheby's
Place Published: London
Year: 2013
Date & Collation: 2013 (20 June)
Description: Sale L13007 "DAVID". Lots 321 and 413 (3 illus)
Mother and Child on Ladderback Rocking Chair 1952 bronze, (LH 312). Illus of Moore, is daughter and Oliffe Richmond c 1948-1949
Three Upright Motives (Standing Figures) 1977 bronze, (LH 715)
0023505
Publisher: Ketterer Kunst
Place Published: Munich
Year: 2013
Date & Collation: 2013(19 April)
Description: Auktion 315: Two Studies for Standing Female Nude c.1922 drawing, (HMF 73c)
0023506
Publisher: Sotheby's
Place Published: New York
Year: 2013
Date & Collation: 2013 (7 May)
Description: Sale N08987 BORDERLINE". Lot 34 (1 illus): Pointed Torso 1969 bronze (LH 601)."
0023511
Author/Editor: HARRIS Gareth
Publisher: Museums Journal
Place Published: London
Year: 2013
Date & Collation: 2013(February) 11 (1 illus)
Description: Article about the proposed sale of Old Flo by Tower Hamlets. Ownership of Draped Seated Woman 1957-8 bronze, (LH 428) may have to be decided in court.
0023514
Author/Editor: Gagosian
Publisher: Gagosian Gallery
Place Published: New York
Year: 2013
Date & Collation: (Summer) 126pp.(1 Moore illus)
Description: Sale Alison 2437. Lot 43 Henry Moore: one sculpture 1960. Illus: Working Model for Seated Figure: Arms Outstretched 1960 bronze, (LH 463a). Extended text on the work with comparison to Arawak Indian Birdman from Jamaica, British Museum, illus.
0022651
Publisher: Yale Alumni Magazine
Place Published: New Haven
Year: 2013
Date & Collation: 2013 (January/February) LXXVI (13) 34-41 (1 Moore illus).
Description: 40 illus of Draped Seated Woman 1957-58 bronze, (LH 428) on the rooftop sculpture terrace at Yale University Art Gallery.
0022656
Author/Editor: Gagosian
Publisher: Gagosian Gallery
Place Published: New York
Year: 2013
Date & Collation: 2013 (February-April ) 128 (1 Moore illus)
Description: Magazine promoting current and forthcoming Gagosian Gallery exhibitions. 128 details of the Moore Rodin at Perry Green and Compton Verney. Illus of Three Piece Sculpture: Vertebrae 1968 bronze, (LH 580).
0022667
Publisher: Gallery in the Garden
Place Published: Great Saling
Year: 2013
Date & Collation: 1pp.Illus.
Description: Promoting 3 study days at Gallery in the Garden in Essex, led by Roland Piché, part-time assistant to Moore: 18 June: Auguste Rodin 16 July: Henry Moore 3 September: Chance, Process & Materials
0022625
Author/Editor: FELDMAN Anita
Publisher: The Henry Moore Foundation
Place Published: Perry Green
Year: 2013
Date & Collation: (29 March - 27 October 2013)144pp.Illus.Chronology.Works.Notes
Description: Catalogue of the exhibition shown at The Henry Moore Foundation 29 March - 27 October 2013 and Compton Verney, Warwickshire 15 February - 31 August 2014. Catalogue in 8 chapters, 3 essays and 1 edited interview. 6-7 Forward by Richard CALVOCORESSI and Steven PARISSIEN. 9-14 Introduction by Anita FELDMAN Catalogue Anita FELDMAN 15-26 1. Drawing from Life: Examination of Moore and Rodin's study and drawings from life, from the body, bones and found natural forms. 27-36 2. Black and Underground: comparison between Moore's Shelter drawings and Rodin's 'Black drawings'; the use and symbolism of "darkness"; avoidance of depicting individuals and anonymity of figures relating to all of mankind and transcending the particular. 37-54 3. Figure and Landscape: study of the shared interest in the fusion of figure and environment, whether architectural or surrounding landscape. 55-60 4. Pressure Beneath the Surface: Moore's examination and thoughts on Rodin and both artists' familiarity with the works of Michelangelo. 61-66 5. Interlocking and Compacted Forms: exploration of the essence of sculptural form, including forms within forms; internal/external; groupings of interrelated forms. 67-82 6. Fragments and Torsos: Both artists collected antiquities and found objects and interspersed fragments with their own figures. Shared preoccupation with the torso and condensation of the body to its most essential and purest form. 83-92 7. Repetition and Variation: Study of how Moore and Rodin repeated a sculptural form within the same composition, often with subtle variations. 93-98 8. Finished/Unfinished: Reworking and the chance and the use of accidental markings; tool marking, casting seams, weld and pointing marks and other markings of industrial fabrication as aesthetic components of work. 99-108 Moore, Rodin and Photography - One takes photographs, the other doesn't by Hélène PINET. Essay on their use and approach to photography and how photography progressed in line with their fame. 109-118 Rodin and Moore's Collections by Mary MOORE. Detailing Moore's collection of paintings, ethnographic sculpture, pottery, Renaissance and medieval artefacts, exotic shells and fragments of natural materials, displayed in the yellow sitting room at Hoglands; and Rodin's collection of Greek and Egyptian antiquities, paintings, engravings, Japanese drawings and prints, acting as a personal visual reference library. 119-126 Larger Figures, Simpler Forms by François BLANÇHETIÈRE. Essay on scale and the techniques adopted by Rodin, including enlargement and fragmentation. 127-130 Rodin, A Conversation - Henry Moore with Alan BOWNESS. Edited interview with Moore talking about Rodin. 131-132 Chronology - Auguste Rodin 133-134 Chronology - Henry Moore 135-140 Works in the Exhibition