Henry Moore Artwork Catalogue
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0000423
Publisher: Sidgwick and Jackson
Place Published: London
Year: 1984
Date & Collation: 156pp(167 illus).Commentary by Henry MOORE.
Description: Paperback edition of work first published 1978. For annotation see 0002887.
0015982
Publisher: Grand Hotel Billia
Place Published: Saint Vincent
Year: 1984
Date & Collation: (6 May).In Italian.
Description: Finarte Asta 471. Lot 61 Henry Moore: one Sculpture 1960. Illus: Three Part Object, 1960 bronze.
0014844
Publisher: Finn, David
Place Published: New York
Year: 1984
Date & Collation: Folder(43 illus).
Description: An outdoor loan exhibition in the public parks of the five boroughs from the Collection of George and Virginia Ablah. Folder containing 42 large colour photographs, one of which is reproduced on the front cover.
For booklet version see 0000449.
For booklet version see 0000449.
0021743
Author/Editor: ZELLNER Arnold
Publisher: University of Chicago Press
Place Published: Chicago
Year: 1984
Date & Collation: xxi.334pp.illus.
Description: Text book with quote from Moore (it is a mistake for a sculptor or painter to speak or write very often about his job...). Within the Indroduction Zellner writes What Moore has said about work in art applies to work in econometrics. No Moore illus.
0014762
Author/Editor: GOMBRICH E.H.
Publisher: Gyldendal
Place Published: Copenhagen
Year: 1984
Date & Collation: vii,520pp.Illus.Bibliog.Text in Danish.
Description: Danish edition of The Story of Art 14th edition. For 1987 version see 0014766. For 15th edition 1990 see 0014767. For description see 0000683.
0017120
Publisher: Christie's
Place Published: New York
Year: 1984
Date & Collation: (7 Nov).
Description: Lots 246-253 Henry Moore: eight print works 1951-1976. Illus:
248 Seated Figures, 1957 lithograph.
253 Reclining Girl on Bed, 1974 lithograph.
248 Seated Figures, 1957 lithograph.
253 Reclining Girl on Bed, 1974 lithograph.
0014741
Publisher: National Galleries of Scotland
Place Published: Edinburgh
Year: 1984
Date & Collation: 44pp.Foreword.
Description: List of the Scottish National Gallery of Modern Art's collection up to April 1984, excluding prints. Lists two Moore bronzes 1951-1960, and one Drawing 1944.
0010727
Publisher: Shiga Prefectural Museum
Place Published: Japan
Year: 1984
Date & Collation: (Aug-Oct)..pp.Illus.Bibliog.Text in Japanese, title in English also.
Description: Opening exhibition at the Museum. 80 works, including exhibits by Moore. Includes a two-page commentary on Moore's work with quotations from the artist's published writings. Main themes of Reclining Figure and Mother and Child throughout his career. Moore led sculpture to complex abstractions based on a human experience.
Title romanized: 20 seiki chokoku no tenbo.
Title romanized: 20 seiki chokoku no tenbo.
0000664
Author/Editor: TRENCH Richard., HILLMAN Ellis.
Publisher: Murray
Place Published: London
Year: 1984
Date & Collation: 224pp.Illus.
Description: Underground rivers, railways, crypts, sewers, and so on.
Chapter 1: The Underground War 10-21 reproduces in black and white five Shelter drawings by Moore and incorporates an extract from the artist's description of first discovering the shelterers at Belsize Park. Notes made by Moore for his drawings of the Tilbury Warehouse under Commercial Road are also printed.
Chapter 1: The Underground War 10-21 reproduces in black and white five Shelter drawings by Moore and incorporates an extract from the artist's description of first discovering the shelterers at Belsize Park. Notes made by Moore for his drawings of the Tilbury Warehouse under Commercial Road are also printed.
0000675
Author/Editor: STRACHAN W.J.
Publisher: Zwemmer/Tate Gallery
Place Published: London
Year: 1984
Date & Collation: 280pp.Illus.Glossary.Biog 249-275.Bibliog.
Description: The publishers wish to express their gratitude to the Henry Moore Foundation without whose generous support this book would not have been possible..."
Illustrations of 552 works by 195 sculptors arranged on a regional basis in England Wales and Scotland. Includes prefatory texts commentaries maps outline of techniques etc.
Documents 45 works by Moore listed on pages 267-268 and including a colour photograph on the front cover. Patricia Gibberd mentions the pioneering role of Henry Moore and the friendship between Walter Strachan and the artist. There are numerous references to Moore and his works in Strachan's six-page introduction and brief commentary on each of the 45 works by Moore illustrated throughout the volume."
Illustrations of 552 works by 195 sculptors arranged on a regional basis in England Wales and Scotland. Includes prefatory texts commentaries maps outline of techniques etc.
Documents 45 works by Moore listed on pages 267-268 and including a colour photograph on the front cover. Patricia Gibberd mentions the pioneering role of Henry Moore and the friendship between Walter Strachan and the artist. There are numerous references to Moore and his works in Strachan's six-page introduction and brief commentary on each of the 45 works by Moore illustrated throughout the volume."
0010787
Publisher: Télé-Poche
Place Published: Paris
Year: 1984
Date & Collation: (c.4 July)..(1 illus).Text in French.
Description: Short feature on Filliard film (See 0010391), screened on 6 July 1984. 'Some banalities on life, man and nature' by Moore, but noting his comments on art, with brief quotations.
0000666
Author/Editor: JACOBS Michael., STIRTON Paul.
Publisher: Mitchell Beazley
Place Published: London
Year: 1984
Date & Collation: 304pp.Illus.Biog 276-290.Glossary.
Description: One of a series of Traveller's Guides. Directory of museums, galleries and country houses, arranged on a regional basis. Includes some additional summary texts, e.g. London's public statuary 74-77. Includes two small photographs, one in colour, of Moore sculptures; and two dozen listings or passing mentions in the text. There is a six-line biography on page 285.
0000668
Author/Editor: ROTHENSTEIN John.
Publisher: Macdonald
Place Published: London
Year: 1984
Date & Collation: 320pp.16 plates.Bibliog.
Description: Revised edition of work originally published 1956 (and revised 1976) under the title Modern English Painters, Vol. 2: Lewis to Moore (See 0007440). Volumes 1 and 2 are also revised under the sub-titles Sickert to Lowry and Hennell to Hockney respectively.
238-253 Henry Moore.
The text on Moore is the same as in previous editions, but with the omission of bibliographical footnotes, and the addition at the end of a short paragraph on his renewed concentration on drawings. This edition omits the Biographies section, but includes a two-page listing of locations in public galleries of works mentioned in the text; including six works by Moore. Moore is also mentioned briefly in the 'Preface to New Edition' which appears in all three 1984 volumes. There are passing mentions of Moore in the new chapters on David Bomberg, John Armstrong, David Jones, Percy Horton, Barnett Freedman, Ceri Richards and Edward Bawden.
238-253 Henry Moore.
The text on Moore is the same as in previous editions, but with the omission of bibliographical footnotes, and the addition at the end of a short paragraph on his renewed concentration on drawings. This edition omits the Biographies section, but includes a two-page listing of locations in public galleries of works mentioned in the text; including six works by Moore. Moore is also mentioned briefly in the 'Preface to New Edition' which appears in all three 1984 volumes. There are passing mentions of Moore in the new chapters on David Bomberg, John Armstrong, David Jones, Percy Horton, Barnett Freedman, Ceri Richards and Edward Bawden.
0000679
Author/Editor: GRIGSON Geoffrey.
Publisher: Chatto and Windus The Hogarth Press
Place Published: London
Year: 1984
Date & Collation: ix,195pp.
Description: Chapters on Moore and 33 other subjects.
97-100 Henry Moore.
Recalls post-war Amsterdam visit for Moore's British Council exhibition, including discussion on artists. Remembers visits to Much Hadham, private views in London, a holiday in Wiltshire, a visit by Moore to Bernard Berenson. Moore is also mentioned briefly in chapters on Wyndham Lewis, New Verse, Zwemmer's bookshop, Ruthven Todd, Herbert Read, Norman Cameron, Dartington Hall, John Piper, Ben Nicholson.
97-100 Henry Moore.
Recalls post-war Amsterdam visit for Moore's British Council exhibition, including discussion on artists. Remembers visits to Much Hadham, private views in London, a holiday in Wiltshire, a visit by Moore to Bernard Berenson. Moore is also mentioned briefly in chapters on Wyndham Lewis, New Verse, Zwemmer's bookshop, Ruthven Todd, Herbert Read, Norman Cameron, Dartington Hall, John Piper, Ben Nicholson.
0000683
Author/Editor: GOMBRICH E.H.
Publisher: Phaidon
Place Published: Oxford
Year: 1984
Date & Collation: 520pp.Illus.Bibliog.
Description: Enlarged and reset edition of work first published 1950 (See 0008239).
467-468(1 illus) Henry Moore.
Colour photograph of Recumbent Figure, 1938 green Hornton stone. He does not try to make a woman of stone but a stone which suggests a woman."
Phaidon published fifteen editions of this book between 1950 and 1989. There are also about two dozen foreign editions published or pending some of them having been subject to reprints or changes of publisher. Some foreign edition titles with original dates: Eeuwige Schoonheid (Dutch 1951) Historia del Arte (Spanish 1951) Il Mondo dell'Arte (Italian 1952. See also 0009662) Kunstens Historie (Danish 1953) Die Geschichte der Künste (German 1953) Konstens Historia (Swedish 1954) Maailman Taiteen Historia (Finnish 1955) Leven de Kunst (Norwegian 1955) Kunst deur die Eeve (Afrikaans 1957) L'Art et son Histoire (French 1963. See also 0001425) A Müvészet Torténete (Hungarian 1974) Sanatin Oyküsü (Turkish 1976) A Historia da Arte (Brazil 1980) Umetnost i Njena Istorija (Yugoslavia 1980). There are also Hebrew (1952 Am Oved) Rumanian (1969 Meridiane) and Japanese (1972 Bijutsu Shuppan-sha) editions."
467-468(1 illus) Henry Moore.
Colour photograph of Recumbent Figure, 1938 green Hornton stone. He does not try to make a woman of stone but a stone which suggests a woman."
Phaidon published fifteen editions of this book between 1950 and 1989. There are also about two dozen foreign editions published or pending some of them having been subject to reprints or changes of publisher. Some foreign edition titles with original dates: Eeuwige Schoonheid (Dutch 1951) Historia del Arte (Spanish 1951) Il Mondo dell'Arte (Italian 1952. See also 0009662) Kunstens Historie (Danish 1953) Die Geschichte der Künste (German 1953) Konstens Historia (Swedish 1954) Maailman Taiteen Historia (Finnish 1955) Leven de Kunst (Norwegian 1955) Kunst deur die Eeve (Afrikaans 1957) L'Art et son Histoire (French 1963. See also 0001425) A Müvészet Torténete (Hungarian 1974) Sanatin Oyküsü (Turkish 1976) A Historia da Arte (Brazil 1980) Umetnost i Njena Istorija (Yugoslavia 1980). There are also Hebrew (1952 Am Oved) Rumanian (1969 Meridiane) and Japanese (1972 Bijutsu Shuppan-sha) editions."
0000690
Publisher: NöArt Gallery
Place Published: Vienna
Year: 1984
Date & Collation: (11 Oct-3 Nov).76pp.Illus.Bibliog.Prefatory texts by Siegfried LUDWIG, Stephen SPENDER.Introduction and catalogue by Michael O'SULLIVAN.Text in English and German.
Description: Lower Austrian Society for Art and Letters in association with the International Wystan Hugh Auden Society and the British Council exhibition in Künstlerhaus.
61-71(4 illus) Auden Poems, Moore Lithographs.
18 lithographs 1973.
Notes Moore's association with Auden from the 1930s when they were both members of the Group Theatre. Moore designed the mask used by Rupert Doone in The Dance of Death in 1935. Vera Russell suggested to Moore that he should illustrate a selection of Auden's poems. Moore was at work on the project when he heard of Auden's death, shortly after visiting him in Vienna.
61-71(4 illus) Auden Poems, Moore Lithographs.
18 lithographs 1973.
Notes Moore's association with Auden from the 1930s when they were both members of the Group Theatre. Moore designed the mask used by Rupert Doone in The Dance of Death in 1935. Vera Russell suggested to Moore that he should illustrate a selection of Auden's poems. Moore was at work on the project when he heard of Auden's death, shortly after visiting him in Vienna.
0000694
Publisher: D.L.I. Museum and Arts Centre
Place Published: Durham
Year: 1984
Date & Collation: (13 Oct-11 Nov).6pp folder.Illus.Text Alison REDWOOD.Poems.
Description: Arts Council of Great Britain exhibition touring Wakefield, Huddersfield, Sunderland and Worcester through 27 April 1985.
Works by 39 artists, including Moore's Cyclops, 1973 lithograph from Wakefield Art Gallery and Museum.
Works by 39 artists, including Moore's Cyclops, 1973 lithograph from Wakefield Art Gallery and Museum.
0000701
Publisher: Cunningham Memorial Art Gallery
Place Published: Bakersfield, Calif.
Year: 1984
Date & Collation: (Sept).2pp price list.Typewriter script.
Description: List of 43 Prints 1969-1980, one Book, 10 Sculptures 1980-1983.
0000705
Publisher: Queen's Building Art Gallery, Exeter University
Place Published: Exeter
Year: 1984
Date & Collation: (1-16 March).8pp folder(7 illus).Biog.Text by Colin CAMPBELL.
Description: 39 Prints 1931-1980. Two photographs of Henry Moore 1968-1970. Printmaking is noted as drawing on a different kind of surface. Moore produced only isolated prints in the 1930s and 1940s, and during the 1950s and 1960s prints were still related to his sculpture. From 1969 Moore's graphic production broadened into albums and portfolios often linked to a study of nature.
0000716
Publisher: Maison de la Culture du Havre, Espace Oscar Niemeyer
Place Published: Le Havre
Year: 1984
Date & Collation: (8 June-22 July).96pp(109 illus).Bibliog.Brief texts.Short statements by Henry MOORE.Text in French.
Description: MOORE Henry. Letter (in English).
(Brief note expressing the artist's pleasure at the holding of the exhibition).
GARROULD Ann. Prefatory text.
(Exhibition concentrates on work of past twenty years, and the recurring themes of Reclining Figure, Mother and Child, and Interior/Exterior Form. The use of maquettes and working models, and the range and importance of drawings are outlined).
NIEMEYER Oscar. Text.
(Brief note recalling first meeting with Moore in New York, admiration of Shelter drawings, and evolution in the artist's work).
ROSEVEGUE Georges. Apprivoiser le vide.
(To tame the void. Short text comparing the inspiration of Moore and Niemeyer as classicists of space and form).
ESQUERRE Gérard. Text.
(Brief text on the demonstration of Moore's skill and application of the fundamental principles of sculpture, the female figure and work in the open air).
A dozen brief statements by Moore appear throughout the catalogue.
(Brief note expressing the artist's pleasure at the holding of the exhibition).
GARROULD Ann. Prefatory text.
(Exhibition concentrates on work of past twenty years, and the recurring themes of Reclining Figure, Mother and Child, and Interior/Exterior Form. The use of maquettes and working models, and the range and importance of drawings are outlined).
NIEMEYER Oscar. Text.
(Brief note recalling first meeting with Moore in New York, admiration of Shelter drawings, and evolution in the artist's work).
ROSEVEGUE Georges. Apprivoiser le vide.
(To tame the void. Short text comparing the inspiration of Moore and Niemeyer as classicists of space and form).
ESQUERRE Gérard. Text.
(Brief text on the demonstration of Moore's skill and application of the fundamental principles of sculpture, the female figure and work in the open air).
A dozen brief statements by Moore appear throughout the catalogue.
0000680
Publisher: Macdonald
Place Published: London
Year: 1984
Date & Collation: 62pp.Illus.
Description: A QED book. Companion volume to The Painter's Handbook and The Illustrator's Handbook of practical guides. Contains half-a-dozen brief mentions of Moore, photographs of maquette for Family Group, 1945 bronze, The Arch, 1979-1980 travertine marble at the Serpentine, and Sheep Piece, 1971-1972 bronze being installed in Street, Somerset.
0000691
Publisher: Odette Gilbert Gallery
Place Published: London
Year: 1984
Date & Collation: (21 Nov-Christmas).1pp.
Description: List, on Andrew Jones Art notepaper, of 20 artists exhibiting Christmas cards and related works, including Moore.
0000702
Publisher: Marlborough
Place Published: London
Year: 1984
Date & Collation: (5 Sept-19 Oct).48pp(70 illus).Biog 46-48.Introduction by Alan G.WILKINSON.
Description: Marlborough catalogue 413. Drawings 1979-1983 from the Henry Moore Foundation." 57 Drawings 1979-1983 described as "a sequel to last year's 85th Birthday Tribute" the catalogue follows a similar format to the 1983 volume (See 0001062).
Alan Wilkinson's seven-page text entitled "Henry Moore Drawings 1979-1983: reminiscences and continuing themes" stresses the importance and variety of Moore's opus of drawings and the continuity of the Reclining Figure and Mother and Child themes. The works are seen as nostalgic as related to early drawings from life (as opposed to studies for sculpture) and as revealing Moore's interest in the art of the past. This last category includes copies of some works in his own art collection notably by Courbet and Daumier. Wilkinson traces the origins of some recent drawings to sketchbooks of the 1930s. The various techniques used by Moore over the years are outlined."
Alan Wilkinson's seven-page text entitled "Henry Moore Drawings 1979-1983: reminiscences and continuing themes" stresses the importance and variety of Moore's opus of drawings and the continuity of the Reclining Figure and Mother and Child themes. The works are seen as nostalgic as related to early drawings from life (as opposed to studies for sculpture) and as revealing Moore's interest in the art of the past. This last category includes copies of some works in his own art collection notably by Courbet and Daumier. Wilkinson traces the origins of some recent drawings to sketchbooks of the 1930s. The various techniques used by Moore over the years are outlined."
0000706
Publisher: Hotel Ritz
Place Published: Lisbon
Year: 1984
Date & Collation: (10-30 Sept).6pp folder(2 illus).Text in English and Portuguese.
Description: Hotel Ritz and Galeria Sesimbra exhibition leaflet giving brief biographical details. The lithographs in this exhibition are from the private collection of Mr. F.W. Tannock.""