Henry Moore Artwork Catalogue
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0021715
Author/Editor: SADLER Sir Michael
Publisher: Heaton Review
Place Published: Bradford
Year: 1932
Date & Collation: 1932 (Vol 5) 10 (No Moore illus)
Description: List mention of Moore within tongue-in-cheek history of Leeds by Michael SADLER. Serial produced by Lund Humphries and edited by George G. HOPKINSON. Subtitled A Northern Miscellany of Art and Literature.
0009165
Author/Editor: WILENSKI R.H.
Publisher: Stokes
Place Published: New York
Year: 1932
Date & Collation: c.1932. xx,172pp.24plates.Bibliog.
Description: For London edition and description see 0009311.
0011129
Publisher: Royal Institute Galleries
Place Published: London
Year: 1932
Date & Collation: (8 Feb-4 March).viii,56pp.
Description: Third Annual Exhibition catalogue. Although not exhibiting, Moore is listed as a Council member of the National Society. His address in the Membership List is 11A Parkhill Road, Hampstead, N.W.3. (This would be the National Society cited (incorrectly) in 0010412).
0009315
Author/Editor: BUTT Baseden.
Publisher: Daily Telegraph
Place Published: London
Year: 1932
Date & Collation: (15 Jan)..(2 illus).
Description: Two photographs of Mother and Child, 1931 Burgundy stone, a very modern piece of sculpture" are seen in this feature on transforming an old-fashioned staircase. The work stands on a black plinth in front of the landing window."
0009321
Author/Editor: NASH Paul.
Publisher: Listener
Place Published: London
Year: 1932
Date & Collation: (27 April) 607(1 illus).
Description: Includes comment on Zwemmer Gallery exhibition (See 0009313), illustrated by Mother and Child, 1931 sycamore wood against a textile print by Enid Marx.
0009317
Publisher: Yorkshire Post
Place Published: Leeds
Year: 1932
Date & Collation: (21 April)..
Description: News note on Soviet government's invitation to Dr. Stanislas Osiakovski, Director of the Bloomsbury Gallery, to organise an exhibition of work by contemporary British artists to tour Moscow, Leningrad, Magnetogorsk and other industrial centres in the Urals during October and November 1932. Henry Moore is listed as one of the artists hoped to be included.
0009323
Author/Editor: MOORE Henry., HASKELL Arnold L.
Publisher: New English Weekly
Place Published: London
Year: 1932
Date & Collation: (5 May) 65-66.
Description: Moore prefers to work in stone rather than clay. I like the power a work gets naturally from the resistance offered by a hard material." The importance of African carving is in "the full realisation of form in the round". Moore explains his development from reliefs to making holes without weakening the composition; and on to the influence of stones and pebbles. The sculptor's power of imbuing life to his materials is of prime importance irrespective of abstraction or representational concepts. "Carving is more in keeping with the mental attitude modelling with the visual." Carved sculpture should retain the inherent qualities of the material used. "Sculpture in stone should look like stone hard and concentrated."
This interview was reprinted in Black on White (See 0009286)."
This interview was reprinted in Black on White (See 0009286)."
0009322
Author/Editor: GURLITT Hildebrand.
Publisher: Neue Stadt
Place Published: Frankfurt
Year: 1932
Date & Collation: (Sept-Oct) 6 149-150(2 Moore illus).Text in German.
Description: Describes the surprise discovery of an unknown group of young English sculptors whose work featured in a recent exhibition Neuer englischer Kunst organised by the Kunstverein Hamburg (See 0010505). Moore is the undoubted leader of this group, whose work shows such promise for the future. Refers to Wilenski's The Meaning of Modern Sculpture (See 0009311).
0009311
Author/Editor: WILENSKI R.H.
Publisher: Faber and Faber
Place Published: London
Year: 1932
Date & Collation: xx,172pp.24 plates.Bibliog.
Description: Subtitled: An essay on some original sculpture of the present day together with some account of the methods of professional disseminators of the notion that certain sculptors in ancient Greece were the first and the last to achieve perfection in sculpture."
12136161164Plates 8b102324(4 illus) Henry Moore.
Photographs of four carvings by Moore: "He believes that permanent shapes in permanent materials must symbolise universal and permanent ideas." One of the illustrations Reclining Woman 1930 green Hornton stone is captioned and cited in the texts as 'Mountains'.
For New York edition see 0009165. Reprinted by A.M.S. Press (See 0002685)."
12136161164Plates 8b102324(4 illus) Henry Moore.
Photographs of four carvings by Moore: "He believes that permanent shapes in permanent materials must symbolise universal and permanent ideas." One of the illustrations Reclining Woman 1930 green Hornton stone is captioned and cited in the texts as 'Mountains'.
For New York edition see 0009165. Reprinted by A.M.S. Press (See 0002685)."
0009320
Publisher: The Times
Place Published: London
Year: 1932
Date & Collation: (23 Nov)..
Description: Note on small exhibition at the Victoria and Albert Museum of Department of Engraving, Illustration and Design recent acquisitions, including two sketches by Henry Moore.
0009319
Publisher: Evening Sentinel
Place Published: Hanley
Year: 1932
Date & Collation: (8 Oct)..
Description: Note of exhibition in Hanley Museum, including a figure in wood by Henry Moore.
0009312
Author/Editor: BARTON J.E.
Publisher: Christophers
Place Published: London
Year: 1932
Date & Collation: 278pp.44 plates.
Description: 'A lay study of the visual arts.' On page 202 in a chapter on Art and the English Race: It has lately been recognised that the cubistic side of Dobson's sculpture lends itself well to decorative architectural uses; and the same thing would apply to the work of Henry Moore who has evolved an art of his own most impressive in its harmony of formidable masses from the amazing semi-recumbent figure-monuments of ancient Central America.""
0009318
Publisher: Newcastle Journal
Place Published: Newcastle-upon-Tyne
Year: 1932
Date & Collation: (26 May)..
Description: Note on exhibition of weaving and small sculpture at Hatton Gallery 30 May-11 June 1932, including works by Henry Moore.
0003844
Author/Editor: COXON Raymond.
Publisher: Pitman.
Place Published: London
Year: 1932
Date & Collation: xvi,257pp.Illus.
Description: Art and Life series.
81,82,179(1 Illus) Henry Moore.
Illustration of Drawing, 1928 and mention of Moore in the chapter on Drawing as a competent sculptor draughtsman not reluctant to overcome the first essential principles of creating the third dimension on a flat surface. Moore is also mentioned in the chapter Design and Composition: Rhythm.
81,82,179(1 Illus) Henry Moore.
Illustration of Drawing, 1928 and mention of Moore in the chapter on Drawing as a competent sculptor draughtsman not reluctant to overcome the first essential principles of creating the third dimension on a flat surface. Moore is also mentioned in the chapter Design and Composition: Rhythm.
0018638
Publisher: Yorkshire Post
Place Published: Leeds
Year: 1932
Date & Collation: (12 Dec)..
Description: Brief news report that Francis Watson has been asked to choose a few examples of Western art for the Aundh collection. One of his choices is a Mother and Child by Henry Moore. (Mother and Child, 1931-1932 Cumberland alabaster).
0003844
Author/Editor: COXON Raymond
Place Published: London
Year: 1932
Date & Collation: xvi,257pp.Illus.
Description: Art and Life series.
81,82,179(1 Illus) Henry Moore.
Illustration of Drawing, 1928 and mention of Moore in the chapter on Drawing as a competent sculptor draughtsman not reluctant to overcome the first essential principles of creating the third dimension on a flat surface. Moore is also mentioned in the chapter Design and Composition: Rhythm.
81,82,179(1 Illus) Henry Moore.
Illustration of Drawing, 1928 and mention of Moore in the chapter on Drawing as a competent sculptor draughtsman not reluctant to overcome the first essential principles of creating the third dimension on a flat surface. Moore is also mentioned in the chapter Design and Composition: Rhythm.
0009316
Publisher: Yorkshire Post
Place Published: Leeds
Year: 1932
Date & Collation: (16 Feb)..
Description: Short review of the Seven and Five Society exhibition at Leicester Galleries, Henry Moore excelling"."
0001507
Author/Editor: NASH Paul.
Publisher: Soncino Press
Place Published: London
Year: 1932
Date & Collation: xix,101pp.Illus.Plates.
Description: Mentions that Henry Moore has made objects for interior decoration. For exhibition see 0009313.
0010505
Publisher: Kunstverein in Hamburg
Place Published: Hamburg
Year: 1932
Date & Collation: (26 June-31 July).c.12pp.Biog.Prefatory texts by Hildebrand GURLITT, R.H.WILENSKI.Text in German.
Description:
Anglo German Club (London) and Kunstverein in Hamburg exhibition of 122 works by two dozen artists. Cover title: Erste Austausch Ausstellung neuer Kunst England Deutschland. First exchange exhibition of new art since World War I.
Exhibits 61-72 Henry Moore: seven sculptures and five drawings.
Cat.61: Figure (wood)
Cat 62: Bird (bronze)
Cat 63: Mask ("Kunstverein")
Cat 64: Woman (stone)
Cat 65: Mother and Child (stone)
Cat 66: Reclining Figure (stone)
Cat 67: Head (stone): loan from the Museum für Kunst und Gewerbe, Hamburg
Wilenski mentions Moore as the leader of the young English sculptors. For 1933 exhibition at the Anglo German Club see 0009296.
0009313
Publisher: Zwemmer Gallery
Place Published: London
Year: 1932
Date & Collation: (2 April-25 April).12pp.Introduction by J.E.BARTON.
Description: In conjunction with Room and Book by Paul Nash (See 0001507)...to suggest a certain unity of contemporary feeling in various arts and crafts." Lists 92 exhibits by form.
Exhibits 89-92 Henry Moore: four carvings."
Exhibits 89-92 Henry Moore: four carvings."
0017869
Publisher: Leicester Galleries
Place Published: London
Year: 1932
Date & Collation: (Feb).7pp.
Description: List of 64 works. Exhibits 48,50,54-55,57,62 Henry Moore: six carvings .
0009314
Publisher: Sydney Burney
Place Published: London
Year: 1932
Date & Collation: (9-30 Nov).24pp.Illus.Introduction by Leon UNDERWOOD.
Description: Exhibition at Sydney Burney, 13 St. James's Place, S.W.1. Over 100 primitive and historical works, together with twenty contemporary sculptures, including two Henry Moore carvings. The aim of this exhibition is to reveal...elements in sculpture that remain unchanged by time..." Underwood goes on to write about sculptural consciousness the rhythm of materials the rhythm of the sculptor's motive and the quality of the sculptor's personal vision.
Another edition of this catalogue gives the exhibition dates as 9 November-10 December 1932."
Another edition of this catalogue gives the exhibition dates as 9 November-10 December 1932."