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Henry Moore Artwork Catalogue

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0003363
Publisher: Thames and Hudson
Place Published: London
Year: 1976
Date & Collation: 200pp.Illus.
Description: Book of exhibition at the Victoria and Albert Museum, consisting of articles and recollections twenty-five years after the event.
56,113,182,etc(3 illus) Henry Moore.
Incidental views of the Reclining Figure: Festival, 1951 bronze, a photograph of Moore at work on the sculpture, and passing mentions in texts by FEAVER William, WHITTET G.S., CASSON Hugh, and BLACK Misha.
0001077
Author/Editor: LIEBERMAN William S.
Publisher: Thames and Hudson
Place Published: New York and London
Year: 1983
Date & Collation: .128pp(158 illus).Biog 14-16.Bibliog.
Description: Book of exhibition at the Metropolitan Museum of Art, New York 14 May-25 September 1983.
Foreword by William T. YLVISAKER. (Note from the sponsors, Gould Inc.) Acknowledgements by Philippe DE MONTEBELLO. (Thanks the people and organisations concerned in the exhibition).
65 Sculptures 1922-1982, 76 Drawings 1921-1981 and nine Prints and Albums 1969-1979.
Arrangement: Early Carvings, Stringed Forms, Wartime Drawings, Principal Themes, Prints, Recent Sculpture. Lieberman's three-page introduction outlines the contents of the exhibition and describes the West Wind commission of 1928. Moore's early career is outlined, noting the influence of primitive sculpture. From the abstract carvings of the 1930s to the post-war bronzes Moore has thought in three dimensions and on a monumental scale.
Title as printed: Henry Moore: 60 years of his art.
Published in cloth and paperback versions.
0023441
Author/Editor: Edited/curated by SELIGMAN Isabel
Publisher: Thames and Hudson
Place Published: U.K
Year: 2016
Date & Collation: 128pp.Illus.Notes.Select Bibliography.Illustration Credits.Index
Description: A glossy soft back of high production, richly illustrated, to accompany an exhibition and programme of workshops on drawing at the British Museum. The exhibition and programmes of workshops was designed to explore the process and practice of drawing, giving insight into the creative impulse of some of the world's greatest artist. There is a forward by Bridget Riley. In the section on brainstorming there is a passing reference on page 51 to Moore's ideas for a sculpture at the UNESCO building with further discussion accompanying two images on page 61: Three Reclining Figures 1957 referred to as Three Studies for the UNESCO sculpture1957 and UNESCO Reclining Figure 1957-58 Roman Travertine marble. On the section on Insight and Association on page 87 there is passing reference to Henry Moore followed on page 98 by an image of Moore's Tree Forms as Mother and Child1950 and discussion.