Henry Moore Artwork Catalogue
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0017035
Author/Editor: KRESS Gunther., VAN LEEUWEN Theo.
Publisher: Routledge
Place Published: London and New York
Year: 1996
Date & Collation: x,288pp.Illus.Bibliog.
Description: Visual Culture and Linguistics text book.
242-263 The Third Dimension.
Sculpture chapter, with illustrations of two Moore sculptures. The gaze of Recumbent Figure, 1938 green Hornton stone addresses the viewer powerfully. The heads and hands of the King and Queen, 1952-1953 bronze represent two levels of modality.
242-263 The Third Dimension.
Sculpture chapter, with illustrations of two Moore sculptures. The gaze of Recumbent Figure, 1938 green Hornton stone addresses the viewer powerfully. The heads and hands of the King and Queen, 1952-1953 bronze represent two levels of modality.
0017101
Publisher: Routledge
Place Published: London and New York
Year: 1996
Date & Collation: xii,270pp.Illus.Bibliog.
Description: Cover title and half-title: Understaning Art in Primary Schools.
83-111 BARKER Rex. More than Moore.
167-180 GROGUTT Helen. First responses to sculpture.
219-236 ORSGOOD Pauline. Understanding sculptors and sculpting.
Children's drawings of Henry Moore's work.
The cover design includes a photograph of Mother and Child, 1932 green Hornton stone and a child's drawing of it.
83-111 BARKER Rex. More than Moore.
167-180 GROGUTT Helen. First responses to sculpture.
219-236 ORSGOOD Pauline. Understanding sculptors and sculpting.
Children's drawings of Henry Moore's work.
The cover design includes a photograph of Mother and Child, 1932 green Hornton stone and a child's drawing of it.
0017160
Author/Editor: CRITCHLEY, Simon., DERRIDA Jacques., LACLAU Ernesto., RORTY Richard.
Publisher: Routledge
Place Published: London and New York
Year: 1996
Date & Collation: 88pp.
Description: Book of essays, with illustration on the cover of Violet Torso on Orange Stripes, 1967 lithograph printed in reverse.
0020573
Author/Editor: WARBURTON Nigel.
Publisher: Routledge
Place Published: London
Year: 2004
Date & Collation: 198pp(illus).Bibliography.Index
Description: Biography of the architect Ernö Goldfinger (1902-1987). Moore is mentioned on pages 101,102,103,135,147 and 186 on sections detailing the 'Aid to Russia' exhibition which Goldfinger hosted at Willow Road, London in June 1942, which included work by Moore. Moore was also part of the party scene at Willow Road in 1948-49, along with Roland Penrose and Lee Miller and others. Goldfiger also contacted Moore to ask for a work to be included in the Ministry of Health complex on the South Bank of the Thames. Moore produced a maquette for the project, but the financing for the commission fell through. Page 147 and 152 contains reference to two letters from Moore, 26 November 1959 and to Moore 5 August 1968.
0016287
Publisher: Routledge
Place Published: London and New York
Year: 1993
Date & Collation: ix,257pp.Bibliog.
Description: Collection of essays on sociology of culture. The cover design includes photographs of Madonna and Child, 1943-1944 Hornton stone, with photographs of a computer, BMW car, etc. Moore's name does not appear in the index.
0007429
Author/Editor: HODIN J.P.
Publisher: Routledge
Place Published: London
Year: 1956
Date & Collation: xii,271pp.8 plates.
Description: Selection of previously published essays.
99-105 Henry Moore.
(From World Review, Aug 1949 (See 0008455) and Kroniek van Kunst en Kultuur, Jan 1950 (See 0008303)).
Plate 5 carries a photograph of Henry Moore sketching at Much Hadham 1942 by Bill Brandt. There is also mention of Moore in:
120-127 Graham Sutherland (Les Arts Plastiques, 1952).
128-134 Barbara Hepworth (Les Arts Plastiques, 1950).
145-152 Contemporary English Sculpture (Aesthetics, 1952 (See 0009499) and Sele Arte, 1953 (See 0009504)).
99-105 Henry Moore.
(From World Review, Aug 1949 (See 0008455) and Kroniek van Kunst en Kultuur, Jan 1950 (See 0008303)).
Plate 5 carries a photograph of Henry Moore sketching at Much Hadham 1942 by Bill Brandt. There is also mention of Moore in:
120-127 Graham Sutherland (Les Arts Plastiques, 1952).
128-134 Barbara Hepworth (Les Arts Plastiques, 1950).
145-152 Contemporary English Sculpture (Aesthetics, 1952 (See 0009499) and Sele Arte, 1953 (See 0009504)).
0007552
Author/Editor: HERON Patrick.
Publisher: Routledge
Place Published: London
Year: 1955
Date & Collation: xxiii,290pp.16 plates of illus.Bibliog.
Description: Collection of essays 1945-1955, some previously published.
208-234 Sculpture: fruit or thorn? Henry Moore, Barbara Hepworth, Alexander Calder, Reg Butler, Henri Matisse.
(The origins and influences are outlined, stressing Moore's very creative use of natural forms in a deeply moving way. A movement away from abstract exploration into something more profoundly human and feeling is seen in the works of the late 1940s).
There are half-a-dozen other references to Henry Moore in the book, and an illustration of Reclining Figure: External Form, 1953 plaster.
208-234 Sculpture: fruit or thorn? Henry Moore, Barbara Hepworth, Alexander Calder, Reg Butler, Henri Matisse.
(The origins and influences are outlined, stressing Moore's very creative use of natural forms in a deeply moving way. A movement away from abstract exploration into something more profoundly human and feeling is seen in the works of the late 1940s).
There are half-a-dozen other references to Henry Moore in the book, and an illustration of Reclining Figure: External Form, 1953 plaster.
0007555
Author/Editor: NEUMANN Erich.
Publisher: Routledge
Place Published: London
Year: 1955
Date & Collation: xliii,380pp(illus).186 plates.Bibliog.
Description: The image of the Great Mother in art and culture from early times to the present, by Jungian psychologist.
100,Plate 5(1 illus) Henry Moore.
Full-page photograph of Madonna and Child, 1943 bronze, with mention in the chapter The Primordial Goddess: That the primordial images of the mother-throne the throne as mother the enthroned child still live in the depths of the modern psyche is shown in one of Henry Moore's sculptures that contain all these elements.""
100,Plate 5(1 illus) Henry Moore.
Full-page photograph of Madonna and Child, 1943 bronze, with mention in the chapter The Primordial Goddess: That the primordial images of the mother-throne the throne as mother the enthroned child still live in the depths of the modern psyche is shown in one of Henry Moore's sculptures that contain all these elements.""
0019729
Author/Editor: KOSTELANETZ Richard.
Publisher: Routledge
Place Published: New York and London
Year: 2001
Date & Collation: xxiii,708pp.Illus.8 plates.Bibliog.Index.
Description: Originally published in 2000 by Shirmer Books, and imprint of the Gale Group. Senior editor, researcher, and bibliographer: Douglas Puchowski. Includes contributions by others. Revised edition of reference book published in 1993 which did not contain a Henry Moore entry.
424-425(1 illus) COHEN Mark Daniel. Henry Moore.
Short appreciation and bibliography. He combined nearly abstract but clearly recognizable renderings of human figures with what he called universal shapes".
Moore is also mentioned in the entries for Barbara Hepworth and Eduardo Paolozzi (both by Mark Daniel Cohen) and Herbert Read."
424-425(1 illus) COHEN Mark Daniel. Henry Moore.
Short appreciation and bibliography. He combined nearly abstract but clearly recognizable renderings of human figures with what he called universal shapes".
Moore is also mentioned in the entries for Barbara Hepworth and Eduardo Paolozzi (both by Mark Daniel Cohen) and Herbert Read."
0000686
Publisher: Routledge
Place Published: London
Year: 1984
Date & Collation: 189pp.Illus.Bibliog.
Description: Memoirs of champion of the Modern Movement in Britain, who set up the Isokon furniture company. Includes passing mention of Irina and Henry Moore staying at the Pritchard's Lawn Road flat. The introduction entitled Jack Pritchard and the Hampstead of the Thirties makes a passing mention of Moore.
0011244
Author/Editor: HAUSER Arnold.
Publisher: Routledge
Place Published: London
Year: 1989
Date & Collation: 267pp.8 plates.Bibliog.
Description: Paperback reprint of work first published in two volumes in 1951 and four volumes in 1962. Front cover depicts Recumbent Figure, 1938 green Hornton stone, reproduced by courtesy of the Trustees of the Tate Gallery.
0017297
Author/Editor: CURTHOYS Jean.
Publisher: Routledge
Place Published: London and New York
Year: 1997
Date & Collation: xii,200pp.Bibliog.
Description: The paperback edition uses as front cover illustration Moore's High Wire Walker, 1975 etching and aquatint.
0019949
Author/Editor: TILLYARD S.K.
Publisher: Routledge
Place Published: London and New York.
Year: 1988
Date & Collation: xxiii,285pp.Illus.Bibliog.Index.
Description: Includes two brief mentions of Henry Moore. On page 48 in the chapter 'Early Modernism and the Arts and Crafts Movement' Dr Tillyard refers to skeletal forms as subject matter, and how Henry Moore and Barbara Hepworth used bones in the late twenties and thirties. Page 170 in the chapter 'Sculpture and the Avant-Garde Before the First World War' mentions the influence on Henry Moore of Ezra Pound's 1916 book 'Gaudier-Brzeska: a memoir'.
0000989
Author/Editor: WRIGHT Lawrence.
Publisher: Routledge
Place Published: London
Year: 1983
Date & Collation: xiii,386pp.Illus.Bibliog.
Description: Detailed art-historical study of perspective. Includes a brief mention of Moore's shelter sleepers in the context of Leonardo's style of figure drawing in which this kind of net clings to the body and models the surface"."
0012751
Publisher: Routledge
Place Published: London and New York
Year: 1991
Date & Collation: ix,355pp.Illus.Bibliog.
Description: 215-237 HOWELL Signe. Art and meaning.
Quotes from Sunday Times, 19 January 1986 (See 0000241) on public response to Moore's works in Hong Kong. Is most confusing. Bad statues. Mr Moore bad man."
Also quotes Moore's statement in a discussion of trans-cultural boundaries "All that is really needed is a response to the carvings themselves which have a constant life of their own..."
Discusses concept that the same universal reaction is expected to a Mother and Child figure by Henry Moore.Most of the material in this book originated in the form of seminars on primitivism presented at the Slade School of Art University College London in 1985-6.""
Quotes from Sunday Times, 19 January 1986 (See 0000241) on public response to Moore's works in Hong Kong. Is most confusing. Bad statues. Mr Moore bad man."
Also quotes Moore's statement in a discussion of trans-cultural boundaries "All that is really needed is a response to the carvings themselves which have a constant life of their own..."
Discusses concept that the same universal reaction is expected to a Mother and Child figure by Henry Moore.Most of the material in this book originated in the form of seminars on primitivism presented at the Slade School of Art University College London in 1985-6.""
0017273
Author/Editor: ACTON Mary.
Publisher: Routledge
Place Published: London and New York
Year: 1997
Date & Collation: xxx,241pp.Illus.Glossary.Bibliog.
Description: Art appreciation book.
178-180(1 illus) Henry Moore: Row of Sleepers, 1941 drawing.
In section headed Individual Drawing Techniques in the Twentieth Century.
178-180(1 illus) Henry Moore: Row of Sleepers, 1941 drawing.
In section headed Individual Drawing Techniques in the Twentieth Century.
0010987
Publisher: Routledge
Place Published: London
Year: 1988
Date & Collation: xii,223pp.
Description: Nearly 3500 quotations in 371 A-Z sections by artist or subject, with Author and Subject indexes.
122 Henry Moore (Section 226).
Six brief quotations from the artist's published writings and from other authors.
There are also half-a-dozen other Moore quotations: in the sections on Abstract Art; Drawing and Line; Form and Meaning; Materials; Primitive Art; Words and Pictures; The Subject.
122 Henry Moore (Section 226).
Six brief quotations from the artist's published writings and from other authors.
There are also half-a-dozen other Moore quotations: in the sections on Abstract Art; Drawing and Line; Form and Meaning; Materials; Primitive Art; Words and Pictures; The Subject.
0000659
Author/Editor: THISTLEWOOD David.
Publisher: Routledge
Place Published: London
Year: 1984
Date & Collation: xiv,209pp.Bibliog.
Description: Study of Read, with numerous references to Moore, mainly on the sculptor's middle path between abstraction and Surrealism, tempered by his interest in natural objects or universal shapes" and "unconscious forms". Moore is also discussed briefly as a romantic along with Picasso; and in the context of the work of other artists like Gabo and Arp. Moore's "common mental landscape" with Read is noted."
0001417
Author/Editor: YOUNG Michael.
Publisher: Routledge
Place Published: London
Year: 1982
Date & Collation: 381pp.Plates.Bibliog.
Description: 240 Fortunately the gale could not topple the Henry Moore woman who in all weathers gazes calmly down from the top terrace - a sculpture commissioned as a memorial to Christopher Martin - which can like other Moore statues be seen and appreciated equally well from any viewpoint while itself being a viewpoint." (Memorial Figure 1945-1946 Hornton stone)."
0006281
Author/Editor: ROBERTSON Seonaid M.
Publisher: Routledge
Place Published: London
Year: 1963
Date & Collation: xxiii,216pp.Illus.Plates.Bibliog.
Description: Study based on teacher-training and classroom experiences in Yorkshire. Includes quotations from The Sculptor Speaks (See 0009196) at head of chapter on coal mine project (The mystery of the hole") and in chapter on material as source of ideas ("There are universal shapes..."). There are other passing references to Henry Moore."
0004476
Publisher: Routledge
Place Published: London
Year: 1971
Date & Collation: 172pp.Illus.Biog.Bibliog.
Description: Study of Le Witt, which contains a selection of poems and aphorisms from the artist's notebooks". Contains three passing mentions of Le Witt's friendship with Moore."
0001777
Publisher: Routledge
Place Published: London
Year: 1981
Date & Collation: xviii,605pp.Bibliog.
Description: Biographical essays on 537 people prominent in the arts since 1914.
367 CONNER Patrick. Henry Moore.
One-page summary of Moore's career, influences and reputation, incorporating brief quotations from the artist. Moore is also mentioned in passing in the entries for Epstein, Hepworth and Nicholson.
For paperback edition see 0000651.
367 CONNER Patrick. Henry Moore.
One-page summary of Moore's career, influences and reputation, incorporating brief quotations from the artist. Moore is also mentioned in passing in the entries for Epstein, Hepworth and Nicholson.
For paperback edition see 0000651.
0023368
Author/Editor: KOESTLÉ-CATE Jonathan
Publisher: Routledge
Year: 2016
Date & Collation: x.Acknowledgements.237pp.Illus.Bibliography.Index.
Description: Book exploring the expanding programme of art installations and commissions for ecclesiastical spaces. Rather than 'religious art' reflecting Christian ideology, current practices frequently initiate projects that question the values and traditions of the host space, or present objects and events that challenge its visual conventions. In the light of these developments, the book asks what conditions are favourable to enhancing and expanding the possibilities of church-based art, and how can these conditions be addressed? 73 reference to Moore and artist David Mach in chapter titled Sanctury and section titled Non-believing Artists. Adrienne CHAPLIN writes 'Works like Mach's challenge the assumption that only artists of faith can produce religious art. Indeed, it can sometimes be the artist without faith who does the better job, unencumbered by expectations of conforming to the standard interpretations of either the church or the history of art'. The author is not convinced that Mach's works would have the long-term religious significance of Henry Moore or Henri Matisse. 96-97 and 190-191 reference to and illus of Madonna and Child 1943-44 Horton stone (LH 226) in St. Matthew's Church, Northampton, including reference to commission by Walter Hussey; public response to the work; Kenneth Clark; Epstein; Sutherland. KOESTLÉ-CATE writes on appreciation of what 'Rowan Williams has called the 'beyond' of an artwork: 'that awareness of depth in the observable world beyond what is at any moment observable'. This awareness is, he continues, 'close to what seems to be meant by the scared"'. 105 'Moore and Sutherland's commissions for St. Matthew's Church now belong to a sanctioned ecclesiastical aesthetic'. 158 reference to Moore's Madonna and Child Sutherland's Crucifixion and Epstein's St. Michael and the Devil each make use of familiar religious vernacular. KOESTLÉ-CATE writes that 'Moore's Madonna set in chain a new attentiveness to the possibilities evinced by modern art for the church in this country'."
0023455
Author/Editor: ACTON Mary
Publisher: Routledge
Place Published: China
Year: 2016
Date & Collation: 432pp.Illus.Glossary.Bibliography.Index
Description: A guide to three dimensional art majoring on sculpture in various manifestations and location including as part of the architecture of buildings, memorials, furniture and industrial design. Numerous references to Moore with image of Madonna and Child 1943-44 (LH 226) on page 125 and accompanying reference to Northampton Madonna on page 124 and image of Reclining Figure 1935-36 (LH 162) on page 87.