Skip to main content

Henry Moore Artwork Catalogue

Search

Skip to main content
Sort:
Filters
8 results for *
0013512
Author/Editor: VARGA Margit.
Publisher: Magazine of Art
Place Published: New York
Year: 1941
Date & Collation: (June-July) 34(6) 298-303(1 Moore illus).
Description: M.O.M.A. exhibition (See 0009041) with reproduction of Pale Shelter Scene, 1941 drawing. How England's leading abstract sculptor versed in the arts of primitive peoples views Londoners sleeping underground"."
0007992
Author/Editor: FRANC Helen M.
Publisher: Magazine of Art
Place Published: New York
Year: 1953
Date & Collation: (March) 46(3) 138.
Description: Note on the exceptional authenticity and an intelligent approach" in John Read's Henry Moore (See 0008230). Expresses a wish that more drawings had been shown and that the film had more visual excitement."
0008206
Author/Editor: CLARK Kenneth.
Publisher: Magazine of Art
Place Published: New York
Year: 1951
Date & Collation: (May) 44(5) Cover,171-174(9 illus).
Description: The chief development in Henry Moore's work during the last five years is his greatly increased use of metal as his medium of expression. Lead figures of the 1930s are discussed, and it is pointed out that Moore could not afford to have a figure cast in bronze at that time in the very faint hope that someone would buy it". New ideas in Moore's work demanded handling in clay a more malleable material than the slow process of carving in stone or wood. Moore was aware of the problem created in retaining vitality when idea and material are not united at birth and drawings for his metal sculptures retained an important place. Now "he has gradually come to adopt metal as his chief material and gained thereby that freedom in space and fantasy towards which we find him striving in his early drawings"."
0008309
Publisher: Magazine of Art
Place Published: New York
Year: 1950
Date & Collation: (Nov) 43(7) 243-259(illus).Texts.
Description: One of the illustrations to the contribution by James Thrall SOBY is Moore's Family Group, 1947 bronze. There is a mention of the Arts Council of Great Britain who own one of the bronzes.
0008780
Author/Editor: ABELL Walter.
Publisher: Magazine of Art
Place Published: New York
Year: 1946
Date & Collation: (March) 39(3) 82-93,114-118(2 Moore illus).
Description: Industrial patronage, with a photograph of a Container Corporation of America advertisement featuring Shelter Drawing, 1941 drawing dated September 1944. This is one of a series begun in 1937 under the direction of N.W. Ayer agency and comprising 90 designs by 40 artists to 1946. There is also a photograph of Mother and Child, 1930 Ham Hill stone in the permanent collection of International Business Machines.
0008936
Publisher: Magazine of Art
Place Published: New York
Year: 1944
Date & Collation: (Nov) 37(7) 247-249(4 illus).
Description: Address at the unveiling on 19 February 1944 of Madonna and Child, 1943-1944 Hornton stone and the Church of St. Matthew, Northampton. Clark stressed the importance of the occasion of a contemporary work being unveiled in the church. Pointed out the fundamental beauty of the figure and its great tenderness of feeling. Also includes brief quotations by Moore on the use of his Mother and Child obsession, and his aim to give a sense of complete easiness and repose". See also 0008905."
0008873
Publisher: Magazine of Art
Place Published: New York
Year: 1945
Date & Collation: (Oct) 38(6) 242-244.
Description: Review of three Curt Valentin publications including Henry Moore: sculpture and drawings (See 0010620), a truly magnificent presentation of his work" incorporating brief quotations from Herbert Read's text."
0008674
Author/Editor: MORSE John D.
Publisher: Magazine of Art
Place Published: New York
Year: 1947
Date & Collation: (March) 40(3) Cover,96-101(11 illus).
Description: The artist's views and work taken from published statements by Moore, and from an interview conducted during the installation of the M.O.M.A. exhibition (See 0008703). Outlines Moore's career and themes, stresses the persistence of the human body in his work, its vitality, the materials and the War Drawings.