Henry Moore Artwork Catalogue
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0003022
Author/Editor: NELSON George.
Publisher: Little, Brown
Place Published: Boston
Year: 1977
Date & Collation: vi,234pp.Illus.
Description: Paperback sub-title: A guide to reading our manmade environment.
55,174(2 illus) Henry Moore.
A Family Group bronze is seen to be melting" (the human face vanishing in a public setting) while Three Piece Sculpture: Vertebrae 1968-1969 bronze is seen as badly sited outside First National Bank of America in Seattle."
55,174(2 illus) Henry Moore.
A Family Group bronze is seen to be melting" (the human face vanishing in a public setting) while Three Piece Sculpture: Vertebrae 1968-1969 bronze is seen as badly sited outside First National Bank of America in Seattle."
0000998
Publisher: Little, Brown
Place Published: Boston and Toronto
Year: 1983
Date & Collation: xviii,234pp.Illus.Bibliog.
Description: Anthology of texts and illustrations which includes a colour photograph on page 66 of Working Model for Three Way Piece No. 3: Vertebrae, 1968 bronze, and a brief statement by Moore on the work rising up like a whale out of water"."
0011405
Publisher: Little, Brown
Place Published: Boston, Toronto and London
Year: 1990
Date & Collation: xvii,142pp.Illus.Preface by Alfred EISENSTAEDT.
Description: A Bulfinch Press Book. Book of photographs, including on page 127 a full-page portrait of Henry Moore at Much Hadham in 1979 holding a stone he found along the shore at Fécamp France on the English Channel. Moore felt that the holes in such stones emphasized their three-dimensional quality and he often used them as inspiration for his vast sculptures". Book based on a retrospective exhibition 1986 Bradford and New York."
0017684
Author/Editor: WITTS Richard.
Publisher: Little, Brown
Place Published: London
Year: 1998
Date & Collation: 593pp.16 plates.Bibliog.
Description: Includes half-a-dozen passing mentions of Moore: on the Art PAnel, works in the Arts Council Collection, etc.
0001795
Author/Editor: WEEKS Edward.
Publisher: Little, Brown
Place Published: Boston and Toronto
Year: 1981
Date & Collation: xii,323pp(1 illus).16 plates.
Description: An Atlantic Monthly Press Book. Memoirs of former editor of Atlantic Monthly. Mentions on page 207 Carlton Lake's article on Moore (See 0006569) and its stunning cover.
0020002
Author/Editor: KILEY Dan., AMIDON Jane.
Publisher: Little, Brown
Place Published: Boston, New York, London.
Year: 1999
Date & Collation: 224pp.Illus.Bibliog.Index.
Description: A Bulfinch Press Book. Published in London by Thames and Hudson. Copyright 1999 by The Office of Dan Kiley.
20-27(3 Moore illus) Miller House, Columbus, Indiana, 1955.
(Shows Henry Moore's Draped Seated Woman, 1957-1958 bronze).
56-57(1 Moore illus) Lincoln Center for the Performing Arts, New York, New York, 1960.
(One of the photographs shows Henry Moore's Reclining Figure, 1963-1965 bronze. When the Henry Moore piece was acquired we decided that the water element would by most effective as an uninterrupted expanse of calm from which the two-part Reclining Figure would emerge").
112-117(10 illus) Nelson -Atkins Museum of Art: The Henry Moore Sculpture Garden Kansas City Missouri 1988.
(Sculpture can be seen in five of the photographs. "While the small-scale details of sculpture placement were critical more challenging to us was the opportunity to produce a truly classic work in keeping with the museum's Beaux-Arts character (constructed in 1933)")."
20-27(3 Moore illus) Miller House, Columbus, Indiana, 1955.
(Shows Henry Moore's Draped Seated Woman, 1957-1958 bronze).
56-57(1 Moore illus) Lincoln Center for the Performing Arts, New York, New York, 1960.
(One of the photographs shows Henry Moore's Reclining Figure, 1963-1965 bronze. When the Henry Moore piece was acquired we decided that the water element would by most effective as an uninterrupted expanse of calm from which the two-part Reclining Figure would emerge").
112-117(10 illus) Nelson -Atkins Museum of Art: The Henry Moore Sculpture Garden Kansas City Missouri 1988.
(Sculpture can be seen in five of the photographs. "While the small-scale details of sculpture placement were critical more challenging to us was the opportunity to produce a truly classic work in keeping with the museum's Beaux-Arts character (constructed in 1933)")."