Henry Moore Artwork Catalogue
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0014701
Author/Editor: FRIEDMAN Terry.
Publisher: Leeds Arts Calendar
Place Published: Leeds
Year: 1988
Date & Collation: 102 1988 20-26(1 Moore illus).Bibliog.
Description: Lambert's Father and Son, 1931-1932 Verde di Prato, compared with Moore's Mother and Child, 1931 Burgundy stone, the difference between the works lying mainly in Lambert's interest in movement. Moore is mentioned briefly in other articles in this issue:
2 Editorial.
3-7 WHITE Adam. Old masters: curators and directors at the Art Gallery through the past hundred years.
8-13 MILLER Corinne. Stepping out in Centenary year.
14-19 ROBERTSON Alexander. Surrealism reviewed: some recent exhibitions.
2 Editorial.
3-7 WHITE Adam. Old masters: curators and directors at the Art Gallery through the past hundred years.
8-13 MILLER Corinne. Stepping out in Centenary year.
14-19 ROBERTSON Alexander. Surrealism reviewed: some recent exhibitions.
0013640
Publisher: Leeds Arts Calendar
Place Published: Leeds
Year: 1965
Date & Collation: 56 1965 2-4(2 Moore illus).
Description: Acquisitions by Leeds Art Collections Fund including Three Piece Reclining Figure No.2: Bridge Prop, 1963 bronze.
0003506
Author/Editor: GRIFFITHS Sarah.
Publisher: Leeds Arts Calendar
Place Published: Leeds
Year: 1976
Date & Collation: 78 1976 24-32(1 Moore illus).Bibliog.
Description: Description and catalogue of the forty drawings and paintings given by H.M. Government through the War Artists' Advisory Committee and now in the Leeds Art Galleries Collection. There are three Henry Moore works in the Collection. Reproduced is Shelter Scene: Two Seated Figures, 1941 drawing. Includes a brief note on Moore's techniques. The shelter drawings are not portraits of individuals; the figures are swathed anonymously in drapery and they are idealised. They are seen as dignified figures enduring and patient.""
0001697
Publisher: Leeds Arts Calendar
Place Published: Leeds
Year: 1982
Date & Collation: 91 1982 Cover,1-4(6 illus).
Description: Note on re-opened Leeds City Art Gallery, with four photographs of Her Majesty the Queen at the opening, on 26 November 1982; and on the cover Henry Moore laying the foundation stone of the new extension on 10 April 1980.
0014523
Author/Editor: MILLER Corinne.
Publisher: Leeds Arts Calendar
Place Published: Leeds
Year: 1991
Date & Collation: 109 1991 3-11(6 illus).Bibliog.
Description: Links between the Royal College of Art and Leeds in the 1920s. In the Student Common Room one table was known as the Leeds table because the students who sat there, who seemed more lively and confident, were mainly from the Leeds School of Art. Described Moore's 1920-1921 sketchbook from his second year at Leeds containing notes on the History of Sculpture (See 0010633), and a sketch of a work by Ivan Mestrovic. Quotes from Moore's letters and sketchbooks of the time, and includes contemporary photographs of Moore, Raymond Coxon, Edna Ginesi, Barbara Hepworth and others.
0008428
Publisher: Leeds Arts Calendar
Place Published: Leeds
Year: 1949
Date & Collation: (Winter) 7-8.
Description: Review of Arts Council touring exhibition (See 0008485): drawing for him has become an end in itself. It is a form of expression through which he can portray his poetry and his personal reactions to natural experiences.""
0014524
Author/Editor: FRIEDMAN Terry.
Publisher: Leeds Arts Calendar
Place Published: Leeds
Year: 1991
Date & Collation: 1991 12-18(5 illus).Bibliog.
Description: This article is based on material delivered by the author at the University of Florence on 24 May 1989 as the Henry Moore Lecture sponsored by the British Institute of Florence". Reclining Figure 1929 brown Hornton stone was acquired by Leeds City Art Galleries on the occasion of the 1941 exhibition (See 0009049). "How Moore worked towards this early masterpiece one of the supreme achievements of modern sculpture is the subject of this article".
Early press criticism relationship to figure and landscape humanistic approach to the figure and discovery of primitive art particularly through Epstein. Adaptation of Chacmool. Trips to Paris where he saw Cézannes and to Italy. Outlines his reactions to Renaissance artists."
Early press criticism relationship to figure and landscape humanistic approach to the figure and discovery of primitive art particularly through Epstein. Adaptation of Chacmool. Trips to Paris where he saw Cézannes and to Italy. Outlines his reactions to Renaissance artists."
0002051
Publisher: Leeds Arts Calendar
Place Published: Leeds
Year: 1981
Date & Collation: 89 1981 2-4(1 illus).
Description: Includes report on progress of Leeds City Art Gallery, Moore's laying of the foundation stone on 10 April 1980, and topping out celebrations of 3 July 1981 when Moore was awarded the Freedom of the City.
0002642
Publisher: Leeds Arts Calendar
Place Published: Leeds
Year: 1979
Date & Collation: 84 1979 1-4(1 Moore illus).
Description: Photograph of Three Piece Reclining Figure No. 1, 1961-1962 bronze lent by the Tate Gallery, in the courtyard at Temple Newsam House; and mention of Moore's association with the extension to Leeds City Art Gallery. The Editorial in Leeds Arts Calendar issue 85, 1979 also makes brief mention of the gift of money and sculpture by the Henry Moore Foundation for the proposed Henry Moore Centre for the Study of Sculpture at Leeds City Art Gallery.
0008105
Author/Editor: MUSGRAVE Ernest I.
Publisher: Leeds Arts Calendar
Place Published: Leeds
Year: 1952
Date & Collation: 17 1952(Winter) 5 Cover,1-3,5(2 illus).
Description: Attacks those with no knowledge of art who have abused Henry Moore's Reclining Figure: Festival, 1951 bronze. Places the work in its art historical perspective, and supports the location of the sculpture at Temple Newsam.