Henry Moore Artwork Catalogue
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0015020
Publisher: Henry Moore Foundation
Place Published: Much Hadham
Year: 1992
Date & Collation: 1pp.
Description: Undated information sheet distributed at private showing of film (See 0015338) at BAFTA on 1 December 1992, together with postcards, catalogue (See 0014971) and The Henry Moore Foundation (See 0015009). The exhibition was seen by 250000 visitors during the four months. Lists producers and sponsors.
0015009
Publisher: Henry Moore Foundation
Place Published: Much Hadham
Year: 1992
Date & Collation: 8pp.
Description: Statement on the history and activities of the Foundation, including proposed development plans. Lists the trustees, staff and consultants.
0014960
Publisher: Henry Moore Foundation
Place Published: Much Hadham
Year: 1992
Date & Collation: .144pp(118 illus).Biog.Bibliog.Prefatory texts by Hannelore FISCHER, David MITCHINSON.Essay by Julian STALLABRASS.Text in English and French.
Description: Cloth edition of exhibition book. See 0014959 for description and details of other editions.
0015012
Publisher: Henry Moore Foundation
Place Published: London and Much Hadham
Year: 1992
Date & Collation: 6pp(4 illus).
Description: Publicity brochure and order form for Volumes 1-3 of this Bibliography. Includes photographs of sample pages and description of the work in English, French, German, Japanese and Spanish. Publicity for the first three volumes appeared in the following: Bookseller 1992(9 Oct) (Half-page advertisement); Art in America 1992(Dec) (Advertisement); British Book News 1993(Feb) (Listing in New Publications column); Art Book Survey 1993(Summer) (Listing, with brief description, in Thomas Heneage publication). The Bibliography was also listed widely in booksellers' catalogues.
For publicity related to Volumes 4-5 see 0016126.
For publicity related to Volumes 4-5 see 0016126.
0015018
Author/Editor: SALE Arthur.
Publisher: Henry Moore Foundation
Place Published: Much Hadham
Year: 1992
Date & Collation: 7pp.
Description: Typescript recollections by artist-contemporary of Moore who visited Hampstead and Much Hadham studios.
0014961
Publisher: Henry Moore Foundation
Place Published: Much Hadham
Year: 1992
Date & Collation: .144pp(121 illus).Biog.Bibliog.Preface by Bertrand CRAMER, Essay by Julian STALLABRASS.Text in English and French.
Description: Title page also bears the imprint: Patrick Cramer, Editeur. French translation by Isabelle Stein. French/English paperback version of exhibition book. See 0014959 for description and details of other editions.
Pages 7-11 of this version comprise a text by Bertrand Cramer entitled Variations sur le thème: Mother and Child dans l'oeuvre de Henry Moore (Variations on a Theme: Mother and Child in the work of Henry Moore). Romantic text under sub-headings: Woman, Unity and Duality, Outside and Inside, Fullness and Emptiness.
Pages 7-11 of this version comprise a text by Bertrand Cramer entitled Variations sur le thème: Mother and Child dans l'oeuvre de Henry Moore (Variations on a Theme: Mother and Child in the work of Henry Moore). Romantic text under sub-headings: Woman, Unity and Duality, Outside and Inside, Fullness and Emptiness.
0015338
Publisher: Henry Moore Foundation
Place Published: Much Hadham
Year: 1992
Date & Collation: 46mins.Colour.Sound.Director Nadine DESCENDRE.
Description: Film shot in France in June 1992 during the installation of the exhibition Moore à Bagatelle (See 0014971). Produced by the Henry Moore Foundation with Mikros Image. Executive producers British Council, Histoires Naturelles Productions. Artistic advisers Catherine Ferbos-Nakov and Julie Summers, seen with Michel Muller, John Farnham and workmen installing exhibits in the park using cranes and tractors. To general conversation and some voice-over comments: Every time a sculpture is put into a new setting it becomes a new sculpture...A lot of people wonder what's happening". Includes some public reactions by people in the park in French with English subtitles: "You can't work out what it's supposed to be...Do you know the artist's name?". Transcriptions and translations by Emma Clery and Victoire Dubruel. MOMART personnel Jim Moyes Guy Morey James Copper and James Barrett and others introduce themselves to camera at the end of the film. Includes black and white photographs of Henry Moore."