Henry Moore Artwork Catalogue
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0000401
Author/Editor: KRANTZ Les.
Publisher: Facts on File
Place Published: New York and Oxford
Year: 1985
Date & Collation: 304pp.Illus.
Description: Directory of over 1000 galleries arranged geographically. There is a colour photograph of Reclining Woman: Elbow, 1981 bronze on page 38 (Tasende Gallery). Moore is mentioned in entries for 40 galleries.
0002107
Author/Editor: KINGSTON Jeremy.
Publisher: Facts on File
Place Published: New York
Year: 1980
Date & Collation: 336pp.Illus.
Description: Copyright London: Aldus Books 1980. Book of arts appreciation from painting to drama sculpture to film making music to architecture" with double-page spreads on 70 artists.
115119138-139(10 illus) Henry Moore.
The Reclining Figure and other themes in Moore's art together with an outline of his career and major works with reference to the landscape imagery. Elsewhere in this chapter on 'Sculpture and Sculptors' Moore's work is mentioned under 'The Image in Space' and 'Modelling'."
115119138-139(10 illus) Henry Moore.
The Reclining Figure and other themes in Moore's art together with an outline of his career and major works with reference to the landscape imagery. Elsewhere in this chapter on 'Sculpture and Sculptors' Moore's work is mentioned under 'The Image in Space' and 'Modelling'."
0011221
Publisher: Facts on File
Place Published: Oxford and New York
Year: 1989
Date & Collation: 192pp.Illus.Glossary.Texts.
Description: A tree-by-tree guide to the world's most versatile resource."
142,164,170(3 illus) Henry Moore.,
Colour photographs and mention of Moore's exploitation of the grain of Composition 1933 walnut wood, Stringed Figure 1937 cherry wood and string and Head, 1938 elmwood and string (LH 188) in the section of the book by Luke HUGHES."
142,164,170(3 illus) Henry Moore.,
Colour photographs and mention of Moore's exploitation of the grain of Composition 1933 walnut wood, Stringed Figure 1937 cherry wood and string and Head, 1938 elmwood and string (LH 188) in the section of the book by Luke HUGHES."