Henry Moore Artwork Catalogue
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0017044
Publisher: English Heritage
Place Published: London
Year: 1996
Date & Collation: .16pp(1 Moore illus).Catalogue by Elain HARWOOD.
Description: Published to coincide with the second of three exhibitions ilustrating a range of post-war buildings being recommended for listing by English Heritage. The Photographic exhibition at the Royal Institute of British Architects included four Moore bronzes which are listed in the catalogue as exhibits 29-30, 41, and 48 with an illustration of Draped Seated Woman, 1957-1958 bronze. The other works are the Dartington Hall Memorial Figure, 1945-1946 Hornton stone, Falling Warrior, 1956-1957 bronze in Cambridge, and Two Piece Reclining Figure No. 3, 1961 bronze in London S.E.5.
A 32 page pamphlet with the same title was also available at the exhibition. The text is also by Elain Harwood, but it is of a more general and architectural content, without any sculpture references.
A 32 page pamphlet with the same title was also available at the exhibition. The text is also by Elain Harwood, but it is of a more general and architectural content, without any sculpture references.
0018818
Publisher: English Heritage
Place Published: Swindon
Year: 2000
Date & Collation: 181pp.Illus.Bibliog.Foreword by Jocelyn Stevens.Introduction by Richard Cork.Texts.Text devised and edited by Johanna Darke.
Description: Published in partnership with the Public Monuments and Sculpture Association. Public sculpture in some towns and areas of Britain.A strangely-designed book with no title page or index, and with blank pages and panels. The front cover title is printed 'A User's Guide to Public Sculpture 00' in the way that the pages are numbered.
Includes half-a-dozen passing mentions of Henry Moore, and a brief quotation on page 20 There is no background better than the sky because you are contrasting solid form with its opposite: space"."
Includes half-a-dozen passing mentions of Henry Moore, and a brief quotation on page 20 There is no background better than the sky because you are contrasting solid form with its opposite: space"."