Henry Moore Artwork Catalogue
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0014868
Publisher: Cambridge University Press
Place Published: Cambridge
Year: 1992
Date & Collation: xii,350pp.Illus.8 plates(13 illus).Bibliog.
Description: Cover title: Modern Britain: the Cambridge Cultural History. Paperback edition of work published 1988 as The Cambridge Guide to the Arts in Britain, Volume 9: Since the Second World War, with a longer bibliography. See 0010977 for description.
0014847
Publisher: Cambridge University Press
Place Published: New York
Year: 1988
Date & Collation: ..pp.
Description: Cambridge Studies in Social and Emotional Development. Dust jacket photograph: Family Group, 1948-1949 bronze.
0014867
Publisher: Cambridge University Press
Place Published: Cambridge
Year: 1992
Date & Collation: x,348pp.Illus.8 plates(10 illus).Bibliog.
Description: Cover title: Early 20th Century Britain: the Cambridge Cultural History. Paperback edition of work published 1989 as The Cambridge Guide to the Arts in Britain, Volume 8: The Edwardian Age and the Inter-War Years with a longer bibliography. See 0011214 for description.
0009256
Author/Editor: Courtauld Institute of Art.
Publisher: Cambridge University Press
Place Published: London
Year: 1936
Date & Collation: xvi,94pp(1067 entries).
Description: First of a series of annual bibliographies of books and articles on British art, architecture and applied arts from mediaeval times to the present, and edited by Miss L.F. GURRY.
47(Item 613) Henry Moore.
Lists Herbert Read's monograph (See 0009257), and notes its review in Architectural Review by J.M. Richards (See 0009270).
Volume 2, 1936 (1937) had no Henry Moore entries.
Volume 3, 1936 (1938) listed three articles.
Volume 4, 1937 (1939) listed The Painter's Object (See 0009169).
For Volume 5 see 0008122-0008123. For Volume 6 see 0007426-0007427.
Series reprinted by Johnson Reprint Corporation (New York) 1970.
47(Item 613) Henry Moore.
Lists Herbert Read's monograph (See 0009257), and notes its review in Architectural Review by J.M. Richards (See 0009270).
Volume 2, 1936 (1937) had no Henry Moore entries.
Volume 3, 1936 (1938) listed three articles.
Volume 4, 1937 (1939) listed The Painter's Object (See 0009169).
For Volume 5 see 0008122-0008123. For Volume 6 see 0007426-0007427.
Series reprinted by Johnson Reprint Corporation (New York) 1970.
0000459
Author/Editor: ARCHER John., LLOYD Barbara.
Publisher: Cambridge University Press
Place Published: New York
Year: 1985
Date & Collation: ix,355pp.Bibliog.
Description: Revised North American edition" of work first published in 1982 by Penguin Books London. The cover photograph of Family Group 1946 bronze is courtesy of The Phillips Collection."
0010977
Publisher: Cambridge University Press
Place Published: Cambridge
Year: 1988
Date & Collation: xiii,369pp.Illus.8 plates(13 illus).Bibliog.
Description: A dozen essays, on music, ballet, film, literature and drama, crafts, architecture, etc.
98-145,Colour plate 5 (7 Moore illus) FULLER Peter. The Visual Arts.
(Main Moore text concentrated on pages 130-137 in a section Moore and After, which outlines his pre-war development, through the War Drawings, mysterious even mythological" to the international works of the 1940s and 1950s and the monumental late bronzes. Stresses the Mother and Child and Reclining Figure themes and notes ambiguity of his standing in the 1980s).
288-318 HESKETT John. Industrial Design.
(Notes the influence of Moore's organic forms)."
98-145,Colour plate 5 (7 Moore illus) FULLER Peter. The Visual Arts.
(Main Moore text concentrated on pages 130-137 in a section Moore and After, which outlines his pre-war development, through the War Drawings, mysterious even mythological" to the international works of the 1940s and 1950s and the monumental late bronzes. Stresses the Mother and Child and Reclining Figure themes and notes ambiguity of his standing in the 1980s).
288-318 HESKETT John. Industrial Design.
(Notes the influence of Moore's organic forms)."
0007426
Author/Editor: Courtauld Institute of Art.
Publisher: Cambridge University Press
Place Published: London
Year: 1956
Date & Collation: xxix,199pp(2109 entries).
Description: 196-198(Items 2076-2095) Henry Moore.
Lists, or makes cross references to: two books, three exhibition catalogues, and two dozen articles, book reviews, etc. For Part 2 see 0007427. For Volumes 1 to 4 see 0009256, for Volume 5 see 0008122-0008123. Reprinted by Johnson Reprint Corporation (New York) 1970.
Lists, or makes cross references to: two books, three exhibition catalogues, and two dozen articles, book reviews, etc. For Part 2 see 0007427. For Volumes 1 to 4 see 0009256, for Volume 5 see 0008122-0008123. Reprinted by Johnson Reprint Corporation (New York) 1970.
0007427
Author/Editor: Courtauld Institute of Art.
Publisher: Cambridge University Press
Place Published: London
Year: 1956
Date & Collation: 200-424(entries 2110-3974).
Description: 219,220,273,313(Items 2299,2315,2934-2936,3364) Henry Moore.
Lists, or makes cross references to: two books, one exhibition catalogue, and half-a-dozen articles, book reviews, etc. For Part 1 see 0007426. For Volumes 1 to 4 see 0009256, for Volume 5 see 0008122-0008123. Reprinted by Johnson Reprint Corporation (New York) 1970.
Lists, or makes cross references to: two books, one exhibition catalogue, and half-a-dozen articles, book reviews, etc. For Part 1 see 0007426. For Volumes 1 to 4 see 0009256, for Volume 5 see 0008122-0008123. Reprinted by Johnson Reprint Corporation (New York) 1970.
0012601
Author/Editor: BANN Stephen.
Publisher: Cambridge University Press
Place Published: Cambridge, New York and Sydney
Year: 1989
Date & Collation: xv,286pp.Illus.Bibliog.
Description: 172,178 Henry Moore.
In a chapter Art and Metamorphosis, two mentions of Moore in writing on Cézanne's Large Bathers (Les Grandes Baigneuses). Reprints Moore's statement that the figures could be seen as mountain rock.
In a chapter Art and Metamorphosis, two mentions of Moore in writing on Cézanne's Large Bathers (Les Grandes Baigneuses). Reprints Moore's statement that the figures could be seen as mountain rock.
0018126
Publisher: Cambridge University Press
Place Published: Cambridge, New York, Melbourne
Year: 1998
Date & Collation: xvi,255pp.Illus.Bibliog.Index.
Description: Cambridge Studies in New Art History and Criticism. Grew out of a conference at University College London in June 1995. Supported by the Henry Moore Foundation. The Introduction points out that photoportraits of Moore carving were posed, being arranged solely for the benefit of the photographer, since most of his later carving was carried out by assistants working from models.
0022688
Author/Editor: Edited by RICKARD Robert and VERITY Richard
Publisher: Cambridge University Press
Place Published: Cambridge
Year: 2006
Date & Collation: vii.118pp.Appendix.Bibliographical Notes.Editors' Notes.
Description: 1-3 Three letters written by Arthur Sale to Moore dated 11 September 1942, 24 January 1946 and 16 October 1956.
116 Biographical notes on Correspondents, including Moore. Sale's love and appreciation of Moore are recounted in his eight-page typescript Memories of Moore. Correspondence spanned 30 years and was sold to the Imperial War Museum.
0011214
Publisher: Cambridge University Press
Place Published: Cambridge
Year: 1989
Date & Collation: xi,367pp.Illus.8 colour plates(10 illus).Biog.Bibliog.
Description: A dozen essays: on culture, literature and drama, the garden city, music, film, architecture, design, etc.
157-195(2 Moore illus) CORK Richard. The Visual Arts.
(Notes Moore's steady certitude, his influences, concept of truth to materials and association with artist groups. He reached a wider public through the Shelter drawings. In a section on pages 180-188 entitled Epstein and Moore the mantle of most audacious sculptor was seen to pass from Epstein to Moore. His obsession with motherhood as a theme was confirmed through seeing Epstein illustrations in Blast. Epstein helped the younger artist who developed into an outstanding sculptor of the generation. Outlines his preoccupation with landscape).
307-348 WHITFORD Frank. Further Reading and Reference.
(Includes a short biography and bibliography of Moore on pages 345-346).
There are passing references to Moore in the following sections:
2-44 MELLERS Wilfred, HILDYARD Rupert. The Edwardian Age and the Inter-War Years.
212-245 SUMMERSON John. Architecture.
157-195(2 Moore illus) CORK Richard. The Visual Arts.
(Notes Moore's steady certitude, his influences, concept of truth to materials and association with artist groups. He reached a wider public through the Shelter drawings. In a section on pages 180-188 entitled Epstein and Moore the mantle of most audacious sculptor was seen to pass from Epstein to Moore. His obsession with motherhood as a theme was confirmed through seeing Epstein illustrations in Blast. Epstein helped the younger artist who developed into an outstanding sculptor of the generation. Outlines his preoccupation with landscape).
307-348 WHITFORD Frank. Further Reading and Reference.
(Includes a short biography and bibliography of Moore on pages 345-346).
There are passing references to Moore in the following sections:
2-44 MELLERS Wilfred, HILDYARD Rupert. The Edwardian Age and the Inter-War Years.
212-245 SUMMERSON John. Architecture.
0014927
Author/Editor: PICCHIO Antonella.
Publisher: Cambridge University Press
Place Published: Cambridge
Year: 1992
Date & Collation: xii,193pp.Bibliog.
Description: The jacket illustration shows Madonna and Child (1933-4) by Henry Moore in the Church of St. Matthew Northampton. Reproduced by kind permission of the Henry Moore Foundation". Madonna and Child 1943-1944 Hornton stone."
0021335
Publisher: Cambridge University Press
Place Published: Melbourne
Year: 2008
Date & Collation: viii.216pp.Glossary.Bibliography.Index.
Description: Australian text book aimed at New South Wales Stage 4 students, featuring artwork by both famous and yet-to-be" famous artists. Includes CD-Rom. Moore content: two illus Page 65: Biographical photograph Page 121: Pictorial Ideas and Setting for Sculpture 1939 drawing (HMF 1415).
0011407
Author/Editor: ABBS Peter., RICHARDSON John.
Publisher: Cambridge University Press
Place Published: Cambridge
Year: 1990
Date & Collation: 216pp.Illus.Glossary.
Description: With its companion volume, The Forms of Narrative, provides students aged 14-18 with a practical map of the various literary forms of English.
96(1 illus) Henry Moore.
Black and white reproduction of Crowd Looking at a Tied-Up Object, 1942 drawing, in a section Dreaming and Associating. Look at these dream-like pictures what do they suggest to you?""
96(1 illus) Henry Moore.
Black and white reproduction of Crowd Looking at a Tied-Up Object, 1942 drawing, in a section Dreaming and Associating. Look at these dream-like pictures what do they suggest to you?""
0009906
Publisher: Cambridge University Press
Place Published: London
Year: 1975
Date & Collation: xii,251pp.
Description: First published 1973, paperback 1975, reprinted 1979. The front cover photograph is Family Group, 1945 bronze, reproduced by permission of the Trustees of the Tate Gallery.
0009903
Author/Editor: CLARK Kenneth.
Publisher: Cambridge University Press
Place Published: London
Year: 1972
Date & Collation: 30pp.4 plates.
Description: The Rede Lecture 1970, delivered by Lord Clark in the University of Cambridge on 29 October 1970. The work of artists in old age. Includes on page 23: Painters and sculptors tend to live much longer than writers or musicians and their work shows no sign of old age till their last years. Mr Henry Moore is seventy-three but neither in himself nor in his carving is there the slightest sign of old age.""
0008123
Author/Editor: Courtauld Institute of Art.
Publisher: Cambridge University Press
Place Published: London
Year: 1951
Date & Collation: 208-486(entries 2694-5365).
Description: 260(Item 3315), 298(Items 3812-3815).
Lists, or makes cross-reference to: two books, one exhibition catalogue, and half-a-dozen book reviews, serial articles, etc. For Part 1 see 0008122. For Volumes 1 to 4 see 0009256, for Volume 6 see 0007426-0007427. Reprinted by Johnson Reprint Corporation (New York) 1970.
Lists, or makes cross-reference to: two books, one exhibition catalogue, and half-a-dozen book reviews, serial articles, etc. For Part 1 see 0008122. For Volumes 1 to 4 see 0009256, for Volume 6 see 0007426-0007427. Reprinted by Johnson Reprint Corporation (New York) 1970.
0005636
Publisher: Cambridge University Press
Place Published: London
Year: 1966
Date & Collation: 189pp.Illus.Bibliog.
Description: The Cambridge Bible Commentary series.
114(1 illus) Henry Moore.
Chapter on Christian Art, includes a photograph of the Northampton Madonna and Child, 1943-1944 Hornton stone, with a passing mention of the work.
114(1 illus) Henry Moore.
Chapter on Christian Art, includes a photograph of the Northampton Madonna and Child, 1943-1944 Hornton stone, with a passing mention of the work.
0022545
Author/Editor: EVANS Jean M.
Publisher: Cambridge University Press
Place Published: New York
Year: 2012
Date & Collation: xii.278pp.Illus.Notes.Bibliography.Index.
Description: University text book examining sculpture created during the Early Dynastic period (2900-2350BC). Moore is referred to in a chapter titled Art History, Ethnography and Beautiful Scultpure. 64 archaeologist, Frankfort, seeks to establish affinities between ancient and modern art. Moore is listed alongside Hepworth, Brancusi and Calder. 66-67 and 69 art historian, Wilenski, juxtaposes a Sumerian statue of Gudea with Moore's Mother and Child 1931 Burgundy stone, (LH100), with illustrations. Moore considered Sumerian sculpture to contain bull-like grandeur and held-in energy". 90 discusses the shifting aesthetics of museum display. Moore is quoted in reference to diplays in ethnographic ans natural history museums - "very fine small peices . . . exhibited in a crowded collection can eaily be overlooked". Hardback."
0008122
Author/Editor: Courtauld Institute of Art.
Publisher: Cambridge University Press
Place Published: London
Year: 1951
Date & Collation: xxix,207pp(2693 entries).
Description: 202(Items 2627-2636) Henry Moore.
Lists, or makes cross-reference to: two books, two exhibition catalogues, and a dozen serial articles, book reviews, etc. For Part 2 see 0008123. For Volumes 1 to 4 see 0009256, for Volume 6 see 0007426-0007427. Reprinted by Johnson Reprint Corporation (New York) 1970.
Lists, or makes cross-reference to: two books, two exhibition catalogues, and a dozen serial articles, book reviews, etc. For Part 2 see 0008123. For Volumes 1 to 4 see 0009256, for Volume 6 see 0007426-0007427. Reprinted by Johnson Reprint Corporation (New York) 1970.
0001792
Author/Editor: LAMBERT Rosemary.
Publisher: Cambridge University Press
Place Published: Cambridge
Year: 1981
Date & Collation: 90pp.Illus.Glossary.Biog.Bibliog.
Description: Cambridge Introduction to the History of Art, 7. Concluding volume in a series for the student or general reader".
47-4884(1 illus) Henry Moore.
Four-line biography illustration of the Leeds Reclining Figure 1929 brown Hornton stone ("over life size") and two paragraphs on influence of primitivism and natural forms."
47-4884(1 illus) Henry Moore.
Four-line biography illustration of the Leeds Reclining Figure 1929 brown Hornton stone ("over life size") and two paragraphs on influence of primitivism and natural forms."
0023210
Author/Editor: EVANS Jean M.
Publisher: Cambridge University Press
Place Published: New York
Year: 2012
Date & Collation: xi.278pp.Illus.Notes.Bibliography.Index.
Description: Book examining the sculptures created during the Early Dynastic period (2900-2350BC) of Sumer, a region corresponding to present-day southern Iraq. 64 Passing reference to Moore in relation to Henri FRANKFORT, field director of the Iraq Expedition 1930. 66-67 British art historian, R.H. WILENSKI wrote that Sumerian statues still 'have meaning four thousand years later because the meaning of their form is permanent in kind'. In The Meaning of Modern Sculpture (1932) WILENSKI juxtaposed Moore's Mother and Child 1931 Burgundy stone (LH 100) with a statue of Gudea in the British Museum, both illustrated. 69 reference to Moore in relation to Leon Underwood's restoration of Gudea. 90 In reference to the British Museum and cluttered shelves and overcrowded cases, Moore observed in 1935 very fine pieces ... exhibited in a crowded collection can easily be overlooked"."
0017737
Author/Editor: PASZTORY Esther.
Publisher: Cambridge University Press
Place Published: Cambridge and New York
Year: 1998
Date & Collation: 176pp.Illus.Bibliog.
Description: 12-13(1 illus) Henry Moore.
Photograph of Reclining Figure, 1929 brown Hornton stone, and mention of influence of Pre-Columbian art on Moore and other modern artists.
Photograph of Reclining Figure, 1929 brown Hornton stone, and mention of influence of Pre-Columbian art on Moore and other modern artists.