Henry Moore Artwork Catalogue
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0017067
Author/Editor: UPSTONE Robert.
Publisher: Abbeville Press
Place Published: New York, London, Paris
Year: 1996
Date & Collation: 320pp.Illus.
Description: Tiny Folio series.
209-312(2 Moore illus) THe Twentieth Century.
Prefatory mention, and illustrations of Pink and Green Sleepers, 1941 drwaing and King and Queen, 1952-1953 bronze. The sculpture also appears as a tiny image on the spine of the book.
209-312(2 Moore illus) THe Twentieth Century.
Prefatory mention, and illustrations of Pink and Green Sleepers, 1941 drwaing and King and Queen, 1952-1953 bronze. The sculpture also appears as a tiny image on the spine of the book.
0000445
Author/Editor: JONES Caroline A.
Publisher: Abbeville Press
Place Published: New York
Year: 1985
Date & Collation: 144pp.Illus.Bibliog.
Description: Published jointly with Harvard University Art Museums (Cambridge, Mass.). The Formation of the Nineteenth- and Twentieth-Century Collections of the Harvard University Art Museums; with an essay by John COOLIDGE and a preface by John M. ROSENFELD.
4470(1 illus) Henry Moore.
List-mention in the text and photograph of Upright Motive No. 8 1955-1956 bronze gift of G. David Thompson. Caption notes that the upright form is unusual in Moore's work and that this piece grew specifically out of a study for a group of sculptures intended for Olivetti's Headquarters in Milan but never completed. This in the chapter by John Coolidge entitled The Acquisitive Years 1948-1968."
4470(1 illus) Henry Moore.
List-mention in the text and photograph of Upright Motive No. 8 1955-1956 bronze gift of G. David Thompson. Caption notes that the upright form is unusual in Moore's work and that this piece grew specifically out of a study for a group of sculptures intended for Olivetti's Headquarters in Milan but never completed. This in the chapter by John Coolidge entitled The Acquisitive Years 1948-1968."
0011060
Author/Editor: FINCH Christopher.
Publisher: Abbeville Press
Place Published: New York
Year: 1988
Date & Collation: 311pp(368 illus).Bibliog.
Description: Copyright Cross River Press.
165,242-243(3 illus) Henry Moore.
In the chapter Modern and Minor Masters, reproductions of three Drawings 1924-1941 and two paragraphs on Moore as the dominant Avant-Garde master in Britain from about 1930 to 1945. His drawings evoke sculptural form, recall the dreamscopes of Yves Tanguy, or are full of humanity, as in the War Drawings.
165,242-243(3 illus) Henry Moore.
In the chapter Modern and Minor Masters, reproductions of three Drawings 1924-1941 and two paragraphs on Moore as the dominant Avant-Garde master in Britain from about 1930 to 1945. His drawings evoke sculptural form, recall the dreamscopes of Yves Tanguy, or are full of humanity, as in the War Drawings.
0014990
Publisher: Abbeville Press
Place Published: New York
Year: 1992
Date & Collation: 28pp.Illus.
Description: Calendar inspired by Abbeville book The Art of Motherhood by Susan Bracaglia Tobey (See 0012732). The title page has a photograph of Rocking Chair No. 1, 1950 bronze.
0011015
Author/Editor: HUNTER Sam.
Publisher: Abbeville Press
Place Published: New York
Year: 1988
Date & Collation: 288pp.Illus.Biog.Bibliog.
Description: Sumptuous book of colour photographs which includes a preface by David FINN on producing the book and photographing works by Moore. Mentions the acquisition by Nobutaka Shikanai for Hakone of the Moore sculptures owned by George and Virginia Ablah.
86-115(26 illus) The Henry Moore Collection.
(The 16 Moore works from the Ablah collection brings Hakone's holdings to 21. Notes the human and landscape content of Moore's art, outlines his career, and comments on individual works, incorporating quotations from Moore's published texts. Stresses the range of Reclining Figures now in the collection, and describes Moore's method of working plaster maquettes for the monumental bronzes. Features particularly: Two Piece Reclining Figure: Points, 1969-1970 bronze; Family Group, 1948-1949 bronze, Reclining Figure: Arch Leg, 1969-1970 bronze; Nuclear Energy, 1964-1966 bronze).
There is a short biography on pages 270-271 in the section Biographies of Artists. Includes a dozen other references to Moore, including quotations from Mr. SHIKANAI on his commissioning from Moore of Reclining Figure: Arch Leg, 1969-1970 bronze, and on the universality of Moore's art.
86-115(26 illus) The Henry Moore Collection.
(The 16 Moore works from the Ablah collection brings Hakone's holdings to 21. Notes the human and landscape content of Moore's art, outlines his career, and comments on individual works, incorporating quotations from Moore's published texts. Stresses the range of Reclining Figures now in the collection, and describes Moore's method of working plaster maquettes for the monumental bronzes. Features particularly: Two Piece Reclining Figure: Points, 1969-1970 bronze; Family Group, 1948-1949 bronze, Reclining Figure: Arch Leg, 1969-1970 bronze; Nuclear Energy, 1964-1966 bronze).
There is a short biography on pages 270-271 in the section Biographies of Artists. Includes a dozen other references to Moore, including quotations from Mr. SHIKANAI on his commissioning from Moore of Reclining Figure: Arch Leg, 1969-1970 bronze, and on the universality of Moore's art.
0014005
Author/Editor: BRETTELL Richard R.
Publisher: Abbeville Press
Place Published: New York
Year: 1986
Date & Collation: 127pp.Illus.Preface by John H.BRYAN,Jr.Introduction by David FINN.Bibliog.
Description: Founded in 1939 Sara Lee Corporation is an international food and consumer products company headquartered in Chicago Illinois. The catalogue and bibliographic references were compiled and checked by Sue TAYLOR".
David Finn's introduction notes that the works were acquired from the personal collection of the company's founder Nathan Cummings. He reports Moore's admiration for the collection on a visit to Nate Cummings' New York apartment in the 1970s.
42-45121-122(4 illus) Henry Moore: Upright Motive No. 8 1955-1956 bronze.Despite its apparently abstract title Upright Motive has many allusions - to Kouroi to bones to columns to Benin bronzes and to tribal ancestral figures in wood"."
David Finn's introduction notes that the works were acquired from the personal collection of the company's founder Nathan Cummings. He reports Moore's admiration for the collection on a visit to Nate Cummings' New York apartment in the 1970s.
42-45121-122(4 illus) Henry Moore: Upright Motive No. 8 1955-1956 bronze.Despite its apparently abstract title Upright Motive has many allusions - to Kouroi to bones to columns to Benin bronzes and to tribal ancestral figures in wood"."
0015383
Author/Editor: ATKINS Robert.
Publisher: Abbeville Press
Place Published: New York
Year: 1993
Date & Collation: 224pp.Illus.
Description: Mentions Moore in the entry for Official War Art, with a full-page black and white illustration of Pale Shelter Scene, 1941 drawing. List-mention under Surrealism. A companion volume to Artspeak: a guide to contemporary ideas, movements and buzzwords, published in 1990, which does not include Moore.
0012732
Author/Editor: TOBEY Susan Bracaglia.
Publisher: Abbeville Press
Place Published: New York, London and Paris
Year: 1991
Date & Collation: 180pp.Illus.Bibliog.
Description: Mothers and children in art arranged on thematic basis.
120-121(1 illus) Henry Moore: Rocking Chair No. 1, 1950 bronze with short commentary in the chapter Mothers and Children at Play.
120-121(1 illus) Henry Moore: Rocking Chair No. 1, 1950 bronze with short commentary in the chapter Mothers and Children at Play.
0021784
Author/Editor: ALTSHULER Bruce
Publisher: Abbeville Press
Place Published: New York
Year: 1994
Date & Collation: 128pp.illus.chronology.bibliography.index
Description: Biographical text book in the Modern Masters series. Highly illustrated. Includes reference, page 88, to Moore introducing Noguchi to the Henraux quarries at Querceta, where he continued to visit every year for a decade.
0001774
Publisher: Abbeville Press
Place Published: New York
Year: 1981
Date & Collation: 79pp(57 illus).
Description: Photographs of the Large Two Forms, 1966 and 1969 bronze located in the Gould Center, Rolling Meadows, Illinois.
In the prefatory texts Kenneth Clark notes presentation as a factor following conception and execution of an art work. William Ylvisaker points out how the sculpture provides a symbolic counterpoint with the lines of the building, and there are three brief statements by Moore on the nature of sculpture: being viewed from different points, simplicity of form, and its organic nature.
David Finn's text on Photographing Large Two Forms reveals his discovery of a brilliant invention that transforms itself into endlessly different and always beautiful forms as one moves around it..."."
In the prefatory texts Kenneth Clark notes presentation as a factor following conception and execution of an art work. William Ylvisaker points out how the sculpture provides a symbolic counterpoint with the lines of the building, and there are three brief statements by Moore on the nature of sculpture: being viewed from different points, simplicity of form, and its organic nature.
David Finn's text on Photographing Large Two Forms reveals his discovery of a brilliant invention that transforms itself into endlessly different and always beautiful forms as one moves around it..."."
0010455
Author/Editor: MORTIMER Kristin A.
Publisher: Abbeville Press
Place Published: New York
Year: 1986
Date & Collation: 344pp.Illus.Bibliog.Prefatory text by John M.ROSENFELD.
Description: Published with Harvard University Art Museums (Cambridge, Mass.) copyright 1985 The Cross River Press. Produced in part to celebrate the October 1985 opening of the Arthur M. Sackler Museum. Documentation on 394 exhibits in the Arthur M. Sackler Museum, the William Hayes Fogg Art Museum and the Busch-Reisinger Museum.
136(1 illus) Henry Moore: Upright Motive No. 8, 1955-1956 bronze.
(an abstracting but vaguely biomorphic bronze").
262(1 illus) Henry Moore: Page from Sketchbook 1943 Mother and Child 1943 drawing (dated 1942).
("a brief reversal from his abstracting works of the previous decade").
These two works in the Fogg Art Museum."
136(1 illus) Henry Moore: Upright Motive No. 8, 1955-1956 bronze.
(an abstracting but vaguely biomorphic bronze").
262(1 illus) Henry Moore: Page from Sketchbook 1943 Mother and Child 1943 drawing (dated 1942).
("a brief reversal from his abstracting works of the previous decade").
These two works in the Fogg Art Museum."
0002153
Author/Editor: STERN H. Peter., COLLENS David.
Publisher: Abbeville Press
Place Published: New York
Year: 1980
Date & Collation: 112pp.Illus.Biog 101-112.
Description: Colour photographs of nearly 100 works by 48 sculptors at Storm King Art Center.
32,107-108(1 illus) Henry Moore.
Photograph of Reclining Connected Forms, 1969 bronze, and short biography.
32,107-108(1 illus) Henry Moore.
Photograph of Reclining Connected Forms, 1969 bronze, and short biography.
0017876
Publisher: Abbeville Press
Place Published: New York
Year: 1996
Date & Collation: 112pp.Illus.Biog.Bibliog.
Description: For description see 1985 edition (0000439). The Biographical Information and Bibliography in this edition is revised to 1995.
0000006
Author/Editor: SULLIVAN Edward L.
Publisher: Abbeville Press
Place Published: New York
Year: 1986
Date & Collation: 172pp.Illus.Biog.Bibliog.
Description: Contains three passing mentions of Moore, including an interview statement by Botero on page 18: I have my own collection of modern sculpture. In it are works by Jacques Lipchitz Max Ernst Henry Moore and Picasso all of whom are brilliant"."
0000439
Publisher: Abbeville Press
Place Published: New York
Year: 1985
Date & Collation: 112pp.Illus.Biog 95-108.Bibliog.Prefatory texts by J.Carter BROWN, H.Peter STERN.
Description: Colour photographs of Reclining Connected Forms, 1969 bronze appear on pages 19 and 62. Beardsley notes briefly that Moore's roots are equally in Surrealism and the massive stone carvings of ancient central America" and that the Storm King bronze "is subtly biomorphic suggesting organic forms with its lithe curves and bone sockets with its interlocking parts". There are other passing mentions of Moore by Beardsley Brown and Stern; plus a short biography on page 101."