Henry Moore Artwork Catalogue
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0012164
Author/Editor: WILKINSON Alan G.
Publisher: Maclean's Magazine
Place Published: Toronto, Ont.
Year: 1986
Date & Collation: (15 Sept) 63(2 illus).
Description: Reminiscences of meeting Moore in 1969 and visits to Much Hadham. Moore's contacts with Canada and the creation of the Henry Moore Sculpture Centre at the A.G.O. Henry Moore changed and enriched the way we perceive the world." See also 0012134."
0012134
Author/Editor: WILKINSON Alan G.
Publisher: AGO News
Place Published: Toronto
Year: 1986
Date & Collation: (Nov) 1-2(2 illus).
Description: Curator of Sculpture at the Art Gallery of Ontario, and a leading authority on Moore's work, Alan Wilkinson remembers with fondness the late artist's close relationship with the A.G.O. Recalls meeting Moore in Ottawa in 1967. Large Two Forms, 1966 and 1969 bronze and subsequent works in Toronto. Recalls visits to Much Hadham. Describes Moore's oeuvre. For me one of Moore's greatest and most original contributions to modern sculpture is his poetic interpretation of the female figure as a metaphor for landscape." See also 0012164."
0003745
Author/Editor: WILKINSON Alan G.
Publisher: Vingtième Siècle
Place Published: Paris
Year: 1975
Date & Collation: 44 1975(June) 14-23,185(15 illus).Text in English and French.
Description: Describes the history of the Sculpture Centre from the time when the Three Way Piece No. 2: Archer, 1964-1965 bronze was chosen for the Civic Square, through the decision to send the plasters to Toronto, to the current input of graphics to join the 300 works by Moore dating from 1921 now in the Centre.
Journal title as printed: XXe Siècle.
Journal title as printed: XXe Siècle.
0017995
Author/Editor: WILKINSON Alan G.
Publisher: Burlington Magazine
Place Published: London
Year: 1999
Date & Collation: (Jan)..
Description: Books review of 0017164. The most important feature of this catalogue is that it documents in great detail the paramount role of drawings as not only a means but the means of generating ideas for sculpture"."
0002644
Author/Editor: WILKINSON Alan G.
Publisher: National Gallery of Canada Annual Bulletin
Place Published: Ottawa
Year: 1979
Date & Collation: 1 1979 33-55(19 illus).Bibliog.Text in English and French.
Description: Reclining Woman, 1930 green Hornton stone purchased by the Gallery in 1956, is placed in the context of Moore's early work. The influence of Chacmool is traced through Notebooks of the time and the Underground Relief West Wind, 1928-1929 Portland stone. The Reclining Figure, 1929 brown Hornton stone at Leeds City Art Gallery is the contemporaneous work which is also compared with the sculpture under discussion. The Ottawa sculpture is seen as closer to the Mexican prototype than that of Leeds, and marks both the culmination of Moore's interest in Primitive art, and the establishment of the Reclining Figure as a strong personal idiom.
Publication title given as: National Gallery of Canada Annual Bulletin Annuel Galerie Nationale du Canada. Also: Annual Bulletin Annuel.
Publication title given as: National Gallery of Canada Annual Bulletin Annuel Galerie Nationale du Canada. Also: Annual Bulletin Annuel.