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Henry Moore Artwork Catalogue

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0007516
Author/Editor: HODIN J.P.
Publisher: College Art Journal
Place Published: New York
Year: 1956
Date & Collation: (Jan) 15(3) 284-285.
Description: Book review of 0007559: a serious although polemic attempt to interpret contemporary works of art by way of applying Jungian psychology.""
0007429
Author/Editor: HODIN J.P.
Publisher: Routledge
Place Published: London
Year: 1956
Date & Collation: xii,271pp.8 plates.
Description: Selection of previously published essays.
99-105 Henry Moore.
(From World Review, Aug 1949 (See 0008455) and Kroniek van Kunst en Kultuur, Jan 1950 (See 0008303)).
Plate 5 carries a photograph of Henry Moore sketching at Much Hadham 1942 by Bill Brandt. There is also mention of Moore in:
120-127 Graham Sutherland (Les Arts Plastiques, 1952).
128-134 Barbara Hepworth (Les Arts Plastiques, 1950).
145-152 Contemporary English Sculpture (Aesthetics, 1952 (See 0009499) and Sele Arte, 1953 (See 0009504)).
0007532
Author/Editor: HODIN J.P.
Publisher: Prisme des Arts
Place Published: Paris
Year: 1956
Date & Collation: 6 1956(Nov) 19-22(13 illus).Text in French.
Description: Short survey of the contemporary scene with one Henry Moore illustration and a brief mention of his importance and influence.
0007319
Author/Editor: HODIN J.P.
Publisher: Kiepenheuer und Witsch
Place Published: Cologne and Berlin
Year: 1956
Date & Collation: 24pp(1 illus).32 plates(33 illus).Biog.Bibliog.Text in German.
Description: Europäische Bildhauer series. For description and details of other editions see 0007318.
0010511
Author/Editor: HODIN J.P.
Publisher: Allert de Lange
Place Published: Amsterdam
Year: 1956
Date & Collation: 24pp(1 illus) 32 plates(33 illus).Text in Dutch.
Description: Europese Beeldhouwkunst series. For description and details of other editions see 0007318.
0007533
Author/Editor: HODIN J.P.
Publisher: Quadrum
Place Published: Brussels
Year: 1956
Date & Collation: 1 1956(May) 107-117,218(13 illus).Text in English and French.
Description: 13 November 1954 interview at Much Hadham discussing artists of the past, and the internal conflict necessary to produce great art. Perfectionist art does not move me. Chinese painting is unsatisfactory to me. Yes I can appreciate it and find it very pleasing and decorative but something is missing." This disturbing element is noted in the writings of philosophers in Primitive art and in specific works by Moore. Moore refutes excesses of horror or despair in art and relates artistic production to the society in which it is produced.
In essence these thoughts are encapsulated as The Hidden Struggle in Henry Moore on Sculpture (See 0005627) and the Observer 24 November 1957 (See 0007392). Reprinted in Modern Art and the Modern Mind 1972 (See 0004246). A Finnish version appeared in Taide (Helsinki) in 1963 (See 0006398). For German version see 0007222 0007225 and 0007039."