Henry Moore Artwork Catalogue
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0016251
Author/Editor: GROHMANN Will.
Publisher: Saggiatore
Place Published: Milan
Year: 1960
Date & Collation: 280pp.Illus.Illus.Biog.Bibliog.Text in Italian.
Description: Italian edition of 0006853 translated by Maria Consigli and edited by Carlo Munari.
0016315
Author/Editor: GROHMANN Will.
Publisher: Thames and Hudson
Place Published: London
Year: 1959
Date & Collation: 428pp.Illus.Bibliog by Bernard Karpe 413-425.
Description: Also published Cologne: DuMont/New York: Abrams.
97,121 Henry Moore.
Moore's statement on feeling shape is mentioned in relation to concerning the Spiritual in Art.
A figure painted in Composition II of 1909 is said to resemble a Moore reclining figure. This also appears as a woodcut version in Klänge published in 1913.
97,121 Henry Moore.
Moore's statement on feeling shape is mentioned in relation to concerning the Spiritual in Art.
A figure painted in Composition II of 1909 is said to resemble a Moore reclining figure. This also appears as a woodcut version in Klänge published in 1913.
0022753
Author/Editor: GROHMANN Will.
Publisher: Staatliche Kunstsammlungen Dresden
Place Published: Germany
Year: 2012
Date & Collation: (27 September 2012 - 6 January 2013) 439pp.Illus.Biography.Abbreviations.Photo credits.
Description: Catalogue for exhibition In the Network of Modernism. Kirchner, Braque, Kandinsky, Klee ... Richter, Bacon, Altenbourg and their critic Will Grohmann, at Staatliche Kunstsammlungen Dresden (27 September 2012 - 6 January 2013). 52 illus of Moore and Will Grohmann 1959. 61 passing reference to Moore. 64-65 Illus of Mother and Child 1935 bronze (LH 158a) and photograph of Moore's sculpture on Grohmann's desk in the Gautinger apartment. 242-245 section on Moore. Illus of Draped Reclining Woman 1957/58 bronze, (LH 431). Illus of Moore with Grohmann and Annemarie Zilz 1959. Moore mentioned in relation to other artists: 86 Hans Arp; 163 Bernhard Heilger; 248 Ernst Wilhelm Nay; 398 Reg Butler; 401 Harry Fischer; 415 John Anthony Thwaites. Mention of Moore in Will Grohmann, life - work - context including correspondence with and writing on Moore 338 in 1898; 359 in1934; 365 in 1944; 371 in 1950; 373 in 1951; 377 in 1954; 382-5 in 1959-1961. Illus of Moore, Grohmann and Alfred Hentzen by Standing Figure 1950 bronze, (LH 290); 387 in 1964; 389 in 1967. 409 Moore entry in details of artists. 439 Two ISBN numbers given: 9783777457710
0005608
Author/Editor: GROHMANN Will.
Publisher: Readers Union
Place Published: London
Year: 1966
Date & Collation: 279pp(222 illus).Biog.Bibliog.
Description: This copy is one of a small edition published by Readers Union Ltd. and made available to its members by arrangement with the original publishers Thames and Hudson Ltd." First published Rembrandt Verlag Abrams Thames and Hudson Il Saggiatore 1960. For annotation see 0006852."
0007850
Author/Editor: GROHMANN Will.
Publisher: Suhrkamp Verlag
Place Published: Berlin
Year: 1953
Date & Collation: 551pp.64 plates.Chronology.Bibliog.Text in German.
Description: Zwischen den beiden Kriegen, dritter Band.
266-269,454-455,etc,Plate 54(1 illus) Henry Moore.
Third of a series of volumes, which covers all aspects of cultural developments between the two world wars. There are several passing references to Moore, and selections from his writings. In the chapter on sculpture, Grohmann notes Moore's independence and development of a new symbolic art free from representational restrictions. Moore uses many materials and seeks inner vitality, not beauty. Career details are given, with examples of his work. His drawings are seen as almost an entity in themselves.
266-269,454-455,etc,Plate 54(1 illus) Henry Moore.
Third of a series of volumes, which covers all aspects of cultural developments between the two world wars. There are several passing references to Moore, and selections from his writings. In the chapter on sculpture, Grohmann notes Moore's independence and development of a new symbolic art free from representational restrictions. Moore uses many materials and seeks inner vitality, not beauty. Career details are given, with examples of his work. His drawings are seen as almost an entity in themselves.
0008169
Author/Editor: GROHMANN Will.
Publisher: Neue Zeitung
Place Published: Germany
Year: 1951
Date & Collation: (11 Sept)..(1 illus).Text in German.
Description: Appreciative review of Haus am Waldsee exhibition (See 0008137). The drawings are seen as more important than the sculpture. Notes the analysis of the human figure and the use of natural forms. The Shelter drawings reflect Moore's fascination for holes and represent protection and warmth.
0006853
Author/Editor: GROHMANN Will.
Publisher: Rembrandt Verlag
Place Published: Berlin
Year: 1960
Date & Collation: 275pp.Illus.Biog.Bibliog.Text in German.
Description: Original German edition of work published by Abrams (New York) and Thames and Hudson (London) under the title The Art of Henry Moore. For description see 0006852. For Readers Union edition see 0005608. Published in Italy by Saggiatore.
0006852
Author/Editor: GROHMANN Will.
Publisher: Abrams
Place Published: New York
Year: 1960
Date & Collation: 279pp(Over 222 illus).Biog.Bibliog.
Description: Originally published by Rembrandt Verlag under the title Henry Moore (See 0006853). For Thames and Hudson edition see 0006851. For Readers Union edition see 0005608. Published in Italy by Saggiatore. Important and heavily-illustrated study which incorporates twelve colour plates of drawings.
Meeting with Henry Moore.
(Outlines Moore's working life-style. There is no luxury anywhere. He receives his guests with the ease of a man who owes his freedom to his work").
Youth and Education.
(Biographical outline 1898-1920s. "An inner necessity directed and guided Moore on his visits to the British Museum to the ancient and mythological." Importance of Roger Fry's Vision and Design).
Early Impressions. Thoughts on Sculpture.
(Summarises Moore's early writings with quotations. Primitive art in the British Museum Natural objects and the artist's vision).
The First Ten Years 1922-1932.
("The astonishing thing is the monumental effect of these early works in relation to their real size..." Individual works Mother and Child theme. "He was overflowing with sculptural ideas and struggling to realize them").
The Reclining Figure 1929-1958.
("To Henry Moore the Reclining Figures are no mere external objects he identifies himself with them as well as the earth and the whole realm of motherhood...the composition grows increasingly mature." Discusses individual works and styles: Chacmool abstraction "The hole is the intended form and the stone contains it". Works in wood and bronze Classical images U.N.E.S.C.O. Reclining Figure 1957-1958 travertine marble).
The Abstract Compositions and the String Figures.
("Moore is not an abstract artist; he is abstract in some of his works only by comparison with the more representational and symbolic ones").
Figures Heads and Helmets.
(Discusses individual works within the context of war-time imagery and as Internal and External forms).
Shelter Drawings. Northampton Madonna. Family Groups. Mother and Child.
(War Drawings Madonna and Child 1943-1944 Hornton stone other individual works).
The Three Standing Figures in Battersea Park.
(Three Standing Figures 1947-1948 Darley Dale stone as Clotho Lachesis and Atropos the three Fates but with Celtic overtones).
King and Queen.
(King and Queen 1952-1953 bronze as a mythological couple with origins in fairy stories and Egyptian art. "This is the highwater mark in Moore's creative work").
Sculpture on Buildings.
(Description of Time-Life Screen 1952-1953 Portland stone commission also Wall Relief 1955 brick.
Standing Figures and Glenkiln Crosses.
(Late classical theme in Standing Figure 1950 bronze Upright Motive No. 1: Glenkiln Cross 1955-1956 bronze which "stands beside a loch in the Highlands as if it had stood there through the ages and was not the work of human hands; or if of human origin at all then made so long ago it had been forgotten". It dominates the landscape "in the way in which a Christian cross stands watch...").
The Warrior.
("This is how the chroniclers of the Trojan War saw heroes").
The Seated Figure as a Subject.
("The relaxed figures tend toward the classical the tense ones toward the demonic")
Latest Works 1959.
("The shapes change but the relationship between man and eternity remains and demands expression in new and modern forms").
The Sculptor Henry Moore.
("The pattern that underlies his work the formative energy that permeates everything has remained the same; each of his carvings and models is a Moore and he has been fortified against influences of all kinds by his original attachment to nature and time")."
Meeting with Henry Moore.
(Outlines Moore's working life-style. There is no luxury anywhere. He receives his guests with the ease of a man who owes his freedom to his work").
Youth and Education.
(Biographical outline 1898-1920s. "An inner necessity directed and guided Moore on his visits to the British Museum to the ancient and mythological." Importance of Roger Fry's Vision and Design).
Early Impressions. Thoughts on Sculpture.
(Summarises Moore's early writings with quotations. Primitive art in the British Museum Natural objects and the artist's vision).
The First Ten Years 1922-1932.
("The astonishing thing is the monumental effect of these early works in relation to their real size..." Individual works Mother and Child theme. "He was overflowing with sculptural ideas and struggling to realize them").
The Reclining Figure 1929-1958.
("To Henry Moore the Reclining Figures are no mere external objects he identifies himself with them as well as the earth and the whole realm of motherhood...the composition grows increasingly mature." Discusses individual works and styles: Chacmool abstraction "The hole is the intended form and the stone contains it". Works in wood and bronze Classical images U.N.E.S.C.O. Reclining Figure 1957-1958 travertine marble).
The Abstract Compositions and the String Figures.
("Moore is not an abstract artist; he is abstract in some of his works only by comparison with the more representational and symbolic ones").
Figures Heads and Helmets.
(Discusses individual works within the context of war-time imagery and as Internal and External forms).
Shelter Drawings. Northampton Madonna. Family Groups. Mother and Child.
(War Drawings Madonna and Child 1943-1944 Hornton stone other individual works).
The Three Standing Figures in Battersea Park.
(Three Standing Figures 1947-1948 Darley Dale stone as Clotho Lachesis and Atropos the three Fates but with Celtic overtones).
King and Queen.
(King and Queen 1952-1953 bronze as a mythological couple with origins in fairy stories and Egyptian art. "This is the highwater mark in Moore's creative work").
Sculpture on Buildings.
(Description of Time-Life Screen 1952-1953 Portland stone commission also Wall Relief 1955 brick.
Standing Figures and Glenkiln Crosses.
(Late classical theme in Standing Figure 1950 bronze Upright Motive No. 1: Glenkiln Cross 1955-1956 bronze which "stands beside a loch in the Highlands as if it had stood there through the ages and was not the work of human hands; or if of human origin at all then made so long ago it had been forgotten". It dominates the landscape "in the way in which a Christian cross stands watch...").
The Warrior.
("This is how the chroniclers of the Trojan War saw heroes").
The Seated Figure as a Subject.
("The relaxed figures tend toward the classical the tense ones toward the demonic")
Latest Works 1959.
("The shapes change but the relationship between man and eternity remains and demands expression in new and modern forms").
The Sculptor Henry Moore.
("The pattern that underlies his work the formative energy that permeates everything has remained the same; each of his carvings and models is a Moore and he has been fortified against influences of all kinds by his original attachment to nature and time")."
0006918
Author/Editor: GROHMANN Will.
Publisher: Der Tagesspiegel
Place Published: Berlin
Year: 1960
Date & Collation: (5 June)..(1 illus).Text in German.
Description: Hamburg exhibition (See 0006879), combining the abstract and human, with a primitive feel to Moore's works. Discusses the recurring themes, and the importance of the open air.
0006986
Author/Editor: GROHMANN Will.
Publisher: Quadrum
Place Published: Brussels
Year: 1960
Date & Collation: 9 1960 15-34(1 Moore illus).Text in German.English summary 191-192.
Description: Collaboration in that architects were able to choose personally the artists. Moore's Reclining Figure: External Form, 1953-1954 bronze to be placed before the college buildings.
0006851
Author/Editor: GROHMANN Will.
Publisher: Thames and Hudson
Place Published: London
Year: 1960
Date & Collation: 279pp.Illus.Biog.Bibliog.
Description: Copyright Rembrandt Verlag. For annotation and details of other editions see 0006852.