Henry Moore Artwork Catalogue
Search
Skip to main content
Refine Results
Item Type
Year
Author/Editor*
Title
Publisher
4 results
for
*
0010812
Author/Editor: GOLDWATER Robert.
Publisher: Harvard University Press
Place Published: Cambridge, Mass. and London
Year: 1986
Date & Collation: xxvi,339pp.Illus.Bibliog.
Description: Belknap Press of Harvard University new expanded paperback edition, with no changes to the text of the 2nd revised edition (See 0005349), but the addition of two essays by Robert Goldwater with twelve illustrations, and bibliography, The Publications of Robert Goldwater 1907-1973; compiled by Phyllis TUCHMAN and first published in Metropolitan Museum Journal Vol. 8, 1973. One of the additional essays is Judgments of Primitive Art 1905-1965, which appeared originally in Tradition and Creativity in Tribal Art (See 0004863) and notes Moore's admiration, but limited use of primitive models. The other Henry Moore coverage remains as in entry 0005349.
225-249(2 Moore illus) Primitivism in Modern Sculpture.
225-249(2 Moore illus) Primitivism in Modern Sculpture.
0008434
Author/Editor: GOLDWATER Robert.
Publisher: Partisan Review
Place Published: New York
Year: 1946
Date & Collation: 13(5) 599-600.
Description: Book reviews, including The Arts first issue (See 0008769) with a list-mention of Moore; and The Drawings of Henry Moore (See 0008702), which mentions the directness of psychological grasp" and the "character of exploration" in the drawings."
0004868
Author/Editor: GOLDWATER Robert.
Publisher: Museum of Modern Art
Place Published: New York
Year: 1969
Date & Collation: 148pp.Illus.Biog.
Description: Distributed by New York Graphic Society (Greenwich, Conn.). An introduction to modern sculpture through selected examples on thematic basis as though in an exhibition".
18-21(1 Moore illus) The Reclining Figure.
(Reclining Woman 1930 green Hornton stone. "Moore replaces animation with mass...simplified in its details the figure has been enlarged to symbolic proportions").
56-63(1 Moore illus) Biomorphism.
(Two Forms 1934 pynkado wood. "without recalling any single plant or animal these curved shapes are closer to the configurations of living forms than to those of inert matter...although physically separate the two forms are visually and psychologically joined").
124-131(1 Moore illus) Monuments.
(King and Queen 1952-1953 bronze "deliberately invokes the dignifying memories of past styles... For all its Cycladic simplicity this is a romantic monument using both nature and man's ancient history to celebrate his moral grandeur and loneliness")."
18-21(1 Moore illus) The Reclining Figure.
(Reclining Woman 1930 green Hornton stone. "Moore replaces animation with mass...simplified in its details the figure has been enlarged to symbolic proportions").
56-63(1 Moore illus) Biomorphism.
(Two Forms 1934 pynkado wood. "without recalling any single plant or animal these curved shapes are closer to the configurations of living forms than to those of inert matter...although physically separate the two forms are visually and psychologically joined").
124-131(1 Moore illus) Monuments.
(King and Queen 1952-1953 bronze "deliberately invokes the dignifying memories of past styles... For all its Cycladic simplicity this is a romantic monument using both nature and man's ancient history to celebrate his moral grandeur and loneliness")."
0005349
Author/Editor: GOLDWATER Robert.
Publisher: Vintage Books
Place Published: New York
Year: 1967
Date & Collation: xxv,293pp.Illus.Bibliog.
Description: Random House revised edition of work originally published in 1938 under the title Primitivism in Modern Painting.
223-249(2 Moore illus) Primitivism in modern sculpture.
Full-page illustrations of Reclining Figure, 1929 brown Hornton stone and Square Form, 1936 brown Hornton stone, and quotations from Moore on truth to material; and the influence on his early work of African and Mexican primitives.
An enlarged edition was published in 1986 by The Belknap Press of Harvard University Press.
223-249(2 Moore illus) Primitivism in modern sculpture.
Full-page illustrations of Reclining Figure, 1929 brown Hornton stone and Square Form, 1936 brown Hornton stone, and quotations from Moore on truth to material; and the influence on his early work of African and Mexican primitives.
An enlarged edition was published in 1986 by The Belknap Press of Harvard University Press.