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Henry Moore Artwork Catalogue

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0022625
Author/Editor: FELDMAN Anita
Publisher: The Henry Moore Foundation
Place Published: Perry Green
Year: 2013
Date & Collation: (29 March - 27 October 2013)144pp.Illus.Chronology.Works.Notes
Description: Catalogue of the exhibition shown at The Henry Moore Foundation 29 March - 27 October 2013 and Compton Verney, Warwickshire 15 February - 31 August 2014. Catalogue in 8 chapters, 3 essays and 1 edited interview. 6-7 Forward by Richard CALVOCORESSI and Steven PARISSIEN. 9-14 Introduction by Anita FELDMAN Catalogue Anita FELDMAN 15-26 1. Drawing from Life: Examination of Moore and Rodin's study and drawings from life, from the body, bones and found natural forms. 27-36 2. Black and Underground: comparison between Moore's Shelter drawings and Rodin's 'Black drawings'; the use and symbolism of "darkness"; avoidance of depicting individuals and anonymity of figures relating to all of mankind and transcending the particular. 37-54 3. Figure and Landscape: study of the shared interest in the fusion of figure and environment, whether architectural or surrounding landscape. 55-60 4. Pressure Beneath the Surface: Moore's examination and thoughts on Rodin and both artists' familiarity with the works of Michelangelo. 61-66 5. Interlocking and Compacted Forms: exploration of the essence of sculptural form, including forms within forms; internal/external; groupings of interrelated forms. 67-82 6. Fragments and Torsos: Both artists collected antiquities and found objects and interspersed fragments with their own figures. Shared preoccupation with the torso and condensation of the body to its most essential and purest form. 83-92 7. Repetition and Variation: Study of how Moore and Rodin repeated a sculptural form within the same composition, often with subtle variations. 93-98 8. Finished/Unfinished: Reworking and the chance and the use of accidental markings; tool marking, casting seams, weld and pointing marks and other markings of industrial fabrication as aesthetic components of work. 99-108 Moore, Rodin and Photography - One takes photographs, the other doesn't by Hélène PINET. Essay on their use and approach to photography and how photography progressed in line with their fame. 109-118 Rodin and Moore's Collections by Mary MOORE. Detailing Moore's collection of paintings, ethnographic sculpture, pottery, Renaissance and medieval artefacts, exotic shells and fragments of natural materials, displayed in the yellow sitting room at Hoglands; and Rodin's collection of Greek and Egyptian antiquities, paintings, engravings, Japanese drawings and prints, acting as a personal visual reference library. 119-126 Larger Figures, Simpler Forms by François BLANÇHETIÈRE. Essay on scale and the techniques adopted by Rodin, including enlargement and fragmentation. 127-130 Rodin, A Conversation - Henry Moore with Alan BOWNESS. Edited interview with Moore talking about Rodin. 131-132 Chronology - Auguste Rodin 133-134 Chronology - Henry Moore 135-140 Works in the Exhibition
0021673
Author/Editor: FELDMAN Anita
Publisher: Pallant House Magazine
Place Published: Chichester
Year: 2009
Date & Collation: (Nov 2009-Feb 2010)19 3,7,9,18-23,32,38,40,42,45
Description: Seasonal magazine from Pallant House gallery. Highlights Moore textile exhibition with Anita Feldman's article text taken from Lund Humphreys Textile book. Mentions of Moore throughout, many illustrations. both biographical and of Textile designs. Front cover shows part image Figures and Symobols 1943 drawing. Page 32 details Limited Edition Henry Moore Scarf of Fruit and Flowers design. Page 40 details two Moore related events at Pallant House; Henry Moore Textiles: The Search for a New Aesthetic - Talk by Sue PRITCHARD; Henry Moore: A Question of Reputation - Talk by Chris STEPHENS. Page 45 details various children's workshop events. See 0021672
Art of the Open Air: Map and Information
0023603
Author/Editor: FELDMAN Anita
Publisher: San Diego Museum of Art
Place Published: San Diego
Year: 2016
Date & Collation: 2016. 8pp.illus.
Description:

Fold-out leaflet with information of the outdoor sculpture at San Diego Museum of Art. The locations of fifteen works of art are given, including Moore's Reclining Figure: Arch Leg. Text by Anita FELDMAN describes Moore as the first sculptor to create works "specifically for siting in landscape", and quotes Moore as saying that "sculpture is like a journey". There is a photograph of the San Diego cast of Reclining Figure: Arch Leg.

O'Keeffe and Moore
0024298
Author/Editor: FELDMAN Anita
Publisher: The San Diego Museum of Art
Place Published: San Diego
Year: 2023
Date & Collation: (13 May-27 August).248.pp.Contents.Illus.Chronology.Bibliography.Works in the Exhibition.hbk
Description:

O'Keeffe and Moore is a book published in conjunction with the exhibition 'O'Keeffe and Moore' presented at the San Diego Museum of Modern Art from May 13 - August 27, 2023; the Albuquerque Museum from October 14 - December 31, 2023; and the Montreal Museum of Fine Arts from February 6 to June 9, 2024.
This exhibition is the first time that the work of these two Artist's has been showcased together providing an examination of their work and the parallels that can be drawn between them. Anita Feldman's introduction on Page 11 sets the context; "the two artists pioneered and shared a coherent vision and approach to modernism" and "used natural forms as a pathway to abstraction” focusing their work around these natural forms and both amassing vast collections of natural objects over the course of their lifetimes.

Page 7 Director's Foreword by Roxana Velasquez Martinez del Campo
Page 11 Introduction and Catalogue by Anita Feldman

Followed by Essays;
Page 167 Georgia O’Keeffe and Henry Moore Icons, Innovators, Voices of Authority by Barbera Buhler Lynes
Page 187 Henry Moore Modernism Nature, and National Identity by Chris Stephens
Page 199 “A Revelation of the Perfect relation” The influence of D.H.Lawrence on the work of Henry Moore and Georgia O’Keeffe by Jennifer Laurent
Page 213 Finding the Form by Ariel Plotek
Page 221 Forms within Forms The Evolution of the Internal / External Theme in the Work of Henry Moore by Hannah Higham